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BlonneyBlonneyErickErickDoor Character Profile
Door Character Profile
Door Profile Character
Door Profile
Door Kit Details
Door Info
Door Voice Lines
Door Garments
Door Story
Door
Door
Door
Door
DPS输出輸出アタッカー공격Support辅助輔助サポート보조
ATK
攻击
攻擊
攻撃力
공격
HP
生命
生命
HP
HP
Reality DEF
现实防御
現實防禦
リアル防御力
현실 방어
Mental DEF
精神防御
精神防禦
メンタル防御力
정신 방어
Critical Technique
暴击技巧
暴擊技巧
クリティカルテクニック
치명타 기술
Modesty谦逊品格謙遜品格謙遜な品格겸손한 성품
[Insight I]
When the caster dies, Moxie +1 for other allies.退场时，使其他友方激情+1退場時，使其他友方激情+1離脱時、味方のMPが1増える。퇴장 시 다른 아군의 열정 +1
[Insight II]
DMG Taken -8% when entering battle.进入战斗时，受到伤害降低8%進入戰鬥時，受到傷害降低8%バトル開始時、被ダメージが8%ダウンする。전투 진입 시 받는 피해 8% 감소.
[Insight III]
N/A
Character Portray
Lv.1
[To the Universe in the Alley]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×150%) HP on all allies.【致巷中宇宙】为己方提供的【护盾】效果提升至使用者攻击*150%【致巷中宇宙】為己方提供的【護盾】效果提升至使用者攻擊*150%【巷間の宇宙へ】が味方に付与する【シールド】効果は発動者の攻撃力×150%にアップする。[파편 속 우주] 아군에 주는 [보호막] 효과가 사용자 공격×150%까지 증가
Lv.2
[Deep Vortex]: At Incantation rank 1/2/3, Reality DMG increased to 220/330/550%.【深邃漩涡】在咒语1/2/3阶时，造成的现实创伤提升至220/330/550%【深邃漩渦】在咒語1/2/3階時，造成的現實創傷提升至220/330/550%</nobr>【深遠たる渦】スペルランク1/2/3の時、与えるリアルダメージがそれぞれ220/330/550%にアップする。[깊은 소용돌이] 주문 1/2/3단계 시 주는 현실 피해가 220/330/550%까지 증가
Lv.3
[To the Universe in the Alley]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×200%) HP on all allies.【致巷中宇宙】为己方提供的【护盾】效果提升至使用者攻击*200%【致巷中宇宙】為己方提供的【護盾】效果提升至使用者攻擊*200%【巷間の宇宙へ】が味方に付与する【シールド】効果は発動者の攻撃力×200%にアップする。[파편 속 우주] 아군에 주는 [보호막] 효과가 사용자 공격×200%까지 증가
Lv.4
[Converging Mirror]'s effect changes to: at 1/2/3 stars, deals 165/245/400% Reality DMG.【聚光镜面】在咒语1/2/3阶时，造成的现实创伤提升至165/245/400%【聚光鏡面】在咒語1/2/3階時，造成的現實創傷提升至165/245/400%【集光レンズ】スペルランク1/2/3の時、与えるリアルダメージがそれぞれ165/245/400%にアップする。[집광 렌즈] 주문 1/2/3단계 시 주는 현실 피해가 165/245/400%까지 증가
Lv.5
[To the Universe in the Alley]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×250%) HP on all allies.【致巷中宇宙】为己方提供的【护盾】效果提升至使用者攻击*250%【致巷中宇宙】為己方提供的【護盾】效果提升至使用者攻擊*250%【巷間の宇宙へ】が味方に付与する【シールド】効果は発動者の攻撃力×250%にアップする。[파편 속 우주] 아군에 주는 [보호막] 효과가 사용자 공격×250%까지 증가
Photomancy
Character Stats
Insight:
Level: 1Max: 30
Sharpodonty
DustATK攻击攻擊攻撃力공격
N/AHP生命生命HPHP
N/AReality DEF现实防御現實防禦リアル防御力현실 방어
N/AMental DEF精神防御精神防禦メンタル防御力정신 방어
N/ACritical Technique暴击技巧暴擊技巧クリティカルテクニック치명타 기술
N/ACurrent bonus:Critical Rate暴击率暴擊率クリティカル率치명타율 N/A%,Critical DMG暴击创伤暴擊創傷クリティカルダメージ치명타 피해 N/A%
Voice Actors
Japanese:
清水咲真 (Shimizu Sakuma)
Regional Names
English:
Door
SimplifiedChinese:
门
TraditionalChinese:
門
Japanese:
ドア
Korean:
문
Character Tags
DPS输出輸出アタッカー공격Support辅助輔助サポート보조
Euphoria Tags
Weapons
Character Info
◆Medium介质介質ミディアム매개체
Others他者他者他者타자
◆Inspired灵感靈感本源영감
Mirror within the Mirror [Intellect] Self Reflection镜中之镜[智] 自我映照鏡中之鏡[智] 自我映照鏡の中の鏡[知] 自己投影거울 속의 거울[지능] 자기 조영
◆Fragrance note香调香調香調조향 노트
Fern - Papyrus, Anise蕨类香调 高莎草 茴香蕨類香調 高莎草 茴香フゼアノート カヤツリグサ アニス푸제르향 / 시페루스, 펜넬
◆Dimensions尺寸尺寸サイズ규격
6 19/64 x 4 23/32 x 25/64 in.6 19/64×4 23/32×25/64in.6 19/64×4 23/32×25/64in.6 19/64×4 23/32×25/64in.6 19/64x 4 23/32x 25/64in.
Door门門ドア문
An arcanist's work exhibited in ??? for ??? years. Completed in summer, on August 2nd. First exhibition location unknown, the exhibit later went all over the world.神秘学家艺术品，展出时间未知，参展时长未知，诞生自8月2日夏。原展出地点未知，后巡展于世界各地。神秘學家藝術品，展出時間未知，參展時長未知，誕生自8月2日夏。原展出地點未知，後巡展於世界各地。神秘学家の芸術作品。展示年代と展示年数ともに不明。展示開始日は8月2日、夏。展示場所：公開地不明。その後世界各地で巡回展示された。마도학자 예술품으로 전시 일시 미상, 출품 기간 미상, 8월 2일 여름 탄생. 출품 지역 미상, 이후 세계 각지에서 순회 전시되었다.
Pureblooded Arcanist
A race capable of using arcane skills, able to cast arcane skills by expending Cellular Activity. This race once flourished, but as the Human race grew in strength, it was gradually marginalized and forgotten.
Beneath the Arcanist race exist multiple sub-branches, and these branches are often determined by the purity and origin of bloodline.
“A race forgotten by the world for their gift, set apart from the rest of the busy world. No one knows why arcanists became arcanists; they once flourished, and now they have fallen.”
A race whose Arcanist bloodline purity reaches above a defined threshold. Pureblooded Arcanists are far stronger in their ability to use arcane skills than non-purebloods; bloodline purity and casting ability share a linear relationship.
Door门門ドア문
An arcanist's work exhibited in ??? for ??? years. Completed in summer, on August 2nd. First exhibition location unknown, the exhibit later went all over the world.神秘学家艺术品，展出时间未知，参展时长未知，诞生自8月2日夏。原展出地点未知，后巡展于世界各地。神秘學家藝術品，展出時間未知，參展時長未知，誕生自8月2日夏。原展出地點未知，後巡展於世界各地。神秘学家の芸術作品。展示年代と展示年数ともに不明。展示開始日は8月2日、夏。展示場所：公開地不明。その後世界各地で巡回展示された。마도학자 예술품으로 전시 일시 미상, 출품 기간 미상, 8월 2일 여름 탄생. 출품 지역 미상, 이후 세계 각지에서 순회 전시되었다.
Medium:介质:介質:ミディアム:매개체:Others他者他者他者타자
Inspired:灵感:靈感:本源:영감:Mirror within the Mirror [Intellect] Self Reflection镜中之镜[智] 自我映照鏡中之鏡[智] 自我映照鏡の中の鏡[知] 自己投影거울 속의 거울[지능] 자기 조영
Fragrance note:香调:香調:香調:조향 노트:Fern - Papyrus, Anise蕨类香调 高莎草 茴香蕨類香調 高莎草 茴香フゼアノート カヤツリグサ アニス푸제르향 / 시페루스, 펜넬
Dimensions:尺寸:尺寸:サイズ:규격:6 19/64 x 4 23/32 x 25/64 in.6 19/64×4 23/32×25/64in.6 19/64×4 23/32×25/64in.6 19/64×4 23/32×25/64in.6 19/64x 4 23/32x 25/64in.
First Encounter
I'm Door, an insignificant piece of a mirror.
By nature I'm of no difference to my other 3587 siblings;
but knowing you has made me different to them.
By nature I'm of no difference to my other 3587 siblings;
but knowing you has made me different to them.
Suitcase Climate
Today is gloomy and somber enough as it is, don't let the cloud hang over you.
Take a look at this, it may cheer you up.
Take a look at this, it may cheer you up.
To the Future
When the mirror was shattered, I broke off and lay scattered at where I am now.
I shall travel through days and nights to seek the truth, to return to where I was born.
Oh, wait. There is no such era of truth. That's right. No era is true ...
I shall travel through days and nights to seek the truth, to return to where I was born.
Oh, wait. There is no such era of truth. That's right. No era is true ...
Idle
Em ... no one is here.
Standing still, eyes on the target, start spinning ...
Ahem, "the dart is going straight onto the bull's-eye!"
Standing still, eyes on the target, start spinning ...
Ahem, "the dart is going straight onto the bull's-eye!"
Greetings
Hello, curious explorer.
I hope what reflects in the mirror would bring you joy.
I hope what reflects in the mirror would bring you joy.
Morning
Morning used to be the time when I had to keep a low profile.
Spoke no words and took no actions, just to be good at being a mirror.
But now, I'm merely a fragment of what I used to be.
You see, I was lucky to be freed from the life-long duty to reflect others' images.
Spoke no words and took no actions, just to be good at being a mirror.
But now, I'm merely a fragment of what I used to be.
You see, I was lucky to be freed from the life-long duty to reflect others' images.
Bond: Morning
The tides coming to the shore,
Carbuncles in the woods opening their sleepy eyes,
or the first light of morning shedding on a city avenue ...
Which one of the sceneries better brightens your mood while you enjoy your breakfast?
Carbuncles in the woods opening their sleepy eyes,
or the first light of morning shedding on a city avenue ...
Which one of the sceneries better brightens your mood while you enjoy your breakfast?
Night
A floating UFO lamp, a radio unwilling to talk, a wooden horse comes from a great bloodline ...
they are all real, living on the other side of the mirror, at somewhere under this sky.
They are so lively, so honest and benign.
they are all real, living on the other side of the mirror, at somewhere under this sky.
They are so lively, so honest and benign.
Bond: Night
Try ending your long day with a milk bath and clearing your mind in the tub.
I promise, you will wake up feeling in top form in the next day.
I promise, you will wake up feeling in top form in the next day.
Hat and Hair
I can feel your eyes.
Now, if you give off a smile, you'd find yourself being smiled at too.
Now, if you give off a smile, you'd find yourself being smiled at too.
Sleeves and Hands
Oh, please be very, very careful. I don't wish to see more of the unnecessary bloodshed on any scale.
Clothing and Torso
While you gaze your reflection in me, I gaze back and see my own reflection in your eyes.
Hobby
All these frames in the world!
Although they don't belong to me, I'm deeply enchanted by their caring nature, or say, their carrying nature.
Although they don't belong to me, I'm deeply enchanted by their caring nature, or say, their carrying nature.
Praise
Mirror, mirror, who is the most exceptional one of all?
"Oh, this person is, right before me. Behold, the reflection of the embodiment of virtues and manners."
"Oh, this person is, right before me. Behold, the reflection of the embodiment of virtues and manners."
Intimacy
It's my pleasure to reflect your look day and night, when you are resting and working.
The companionship goes both ways.
The companionship goes both ways.
Chitchat I
Sorry to bother you with this, but please attach this piece of note to my back.
Yes—it says "no entry."
I have to find a way to stop those fanatics from getting passed through me to that "world in the mirror."
Yes—it says "no entry."
I have to find a way to stop those fanatics from getting passed through me to that "world in the mirror."
Chitchat II
Yes, please decorate me with the things you like.
I think I can handle different colors, glittering ribbons, or some scorchingly warm lightbulbs.
Having them around me would smooth my sharp edges and thaw my coldness, and give me a touch of warmth and festivity.
I think I can handle different colors, glittering ribbons, or some scorchingly warm lightbulbs.
Having them around me would smooth my sharp edges and thaw my coldness, and give me a touch of warmth and festivity.
Monologue
A sophisticated mirror would know what can be reflected and what cannot.
Deployment
Oh, are we fighting ... balloons?
Pre-Battle
My enemy is fighting their enemy's enemy.
Select Incantation I
Mind the shards.
Select Incantation II
No way, the door says.
Select 3-star Incantation
This is poetic, don't you think?
Select Ultimate
Wholeness is only a matter on the surface.
Cast Arcane Skill I
Sometimes, seeing is not believing.
Cast Arcane Skill I
Hidding within the cracks.
Cast Arcane Skill II
The secret of reflection.
Cast Arcane Skill II
The reader of the light.
Cast Ultimate
I see—a million suns!
Attacked I
Worry not.
Attacked II
*crack*
Battle Victory
They have witnessed their failure with their own eyes ... though it was too cruel to be my intention.
Insight
The view in the mirror has become the reality ... or it seems that way.
Firework Caught in A Moment瞬时焰火瞬時焰火刹那のほのお스파킹 플레임
Invaluable
The reflection of a weak, dying firework. He sees it as an attempt to celebrate his birthday, though.一尾小小的焰火，微弱而将熄，不过他将此当作是一次庆祝诞辰的尝试。一尾小小的焰火，微弱而將熄，不過他將此當作是一次慶祝誕辰的嘗試。小さな炎は今でも消えそうなほど弱々しい。しかし、彼はそれを生誕を祝うチャンスとして見ている。곧 꺼질 듯 미약한 작은 불꽃, 하지만 그는 이것을 탄생을 축하하려는 시도로 여겼다.
A Glimpse of the Universe宇宙一瞥宇宙一瞥宇宙の一瞥우주의 일견
Invaluable
Door reflected a small and insignificant area in the boundless, long-standing universe, and disappeared. No one knows if he had made himself a part of the universe through reflecting the universe's image.悠久、深远，门映照出浩瀚宇宙中某片渺小的区域，旋即陷入了长久的沉默。他是否借此抵达了彼处，触及了永恒，无人知晓。悠久、深遠，門映照出浩瀚宇宙中某片渺小的區域，旋即陷入了長久的沉默。他是否借此抵達了彼處，觸及了永恆，無人知曉。悠久で、深遠で。ドアは浩々たる宇宙の中のどこかにある小さなエリアを映し出し、そのすぐ後に長い沈黙に陥った。彼がそこへ辿り着き、永遠に触れられたのかは、誰にも知らない。유구하고 아득한 문이 광활한 우주의 어느 보잘것없는 구역을 비추었고, 뒤이어 긴 침묵에 빠졌다. 그가 이것으로 저 너머에 도착해 영원에 맞닿았는지는 누구도 알지 못한다.
An Unknown Flower不知名的花不知名的花名もなき花이름 모를 꽃
Invaluable
Door has displayed the bloom of hundreds of plants patiently, among which only this one made him pause and watch for a long time.门不厌其烦地展示了几百株植被生命盛放的瞬间，其中，唯有这朵花绽放的刹那令他久久地驻足。門不厭其煩地展示了幾百株植被生命盛放的瞬間，其中，唯有這朵花綻放的刹那令他久久地駐足。ドアは煩をいとわずに何百株の植物が花開く瞬間を見せてくれたが、この花が開いた瞬間だけ、彼はいつまでもそこに立ち尽くし、酔いしれていた。문은 전혀 개의치 않는 듯 수백 그루의 식물이 만개하는 순간을 보여주었다. 그중 이 꽃이 활짝 핀 순간만이 그의 발걸음을 한참 동안이나 붙잡아 두었다.
His Birthday诞辰誕辰生誕생일
The ocean gave birth to life, and the tides pushed it onto the fertile land.
The absolute silence was suddenly broken—the sounds of life started to echo in caves, forests, valleys, straits, and plains.
The soil was loosened, letting out the breath of earth. It marked the beginning of nature.
While a carnival was about to start on the ground, a mirror, or say, a door floated in the air, like a singularity. It reflected the life and death of everything.
At first, there were only vines twining as the treetops raised their branches to reach up for them; then animals showed up, crawling on the ground and looking up at; at last, when wings finally appeared in this world, birds soared into the vast sky towards the singularity ...
That moment, like the tide hitting a rock and smashing itself into countless water drops ...
It exiled itself, sprinkled its fragments in the untouchable horizon.海洋孕育生命，用潮水把它们推向丰沃的土壤。
万籁寂静中，关于生命的一切声响，开始在洞穴、森林、山谷、海峡、平原中回荡。
土壤松动，大地悄然地喘息，“自然”逐渐初现端倪。
将至未至的盛会，一扇镜门悬于空中，似一个奇点。纯净的镜面映照出万物的行迹。
始端之时，树冠上桀骜的藤蔓试图攀附它；旋即，谦逊的爬行动物仰望它；当自然长出翅膀，飞鸟翱翔于无垠的白昼，即将触及奇点——
海潮撞击礁石，泼洒无穷数的水滴。
一瞬，它破碎支离，向着渺无边际的地平线，流放了自己，释放出它的子嗣。海洋孕育生命，用潮水把它們推向豐沃的土壤。
萬籟寂靜中，關於生命的一切聲響，開始在洞穴、森林、山谷、海峽、平原中迴蕩。
土壤鬆動，大地悄然地喘息，“自然”逐漸初現端倪。
將至未至的盛會，一扇鏡門懸於空中，似一個奇點。純淨的鏡面映照出萬物的行跡。
始端之時，樹冠上桀驁的藤蔓試圖攀附它；旋即，謙遜的爬行動物仰望它；當自然長出翅膀，飛鳥翱翔於無垠的白晝，即將觸及奇點——
海潮撞擊礁石，潑灑無窮數的水滴。
一瞬，它破碎支離，向著渺無邊際的地平線，流放了自己，釋放出它的子嗣。海は命を育み、波で彼らを肥沃な大地へと押し上げる。
静寂の中、命の産声が洞窟で、森で、谷で、海峡で、平原で鳴り響く。
土が緩くなり、大地はひっそりと息づく。「自然」は少しずつ、その姿を現した。
もうじき訪れようとしている宴の中、まるで特異点のように、鏡のドアが空中に現われた。澄んだ鏡面は万物の姿を映し出す。
初めに、傲慢な蔓がそれに絡みつこうとした。そのすぐ後に、地を這う慎ましい生き物たちはそれを仰ぎ見るようになった。そして自然に翼が生え、鳥が際限なき白昼を翔け、もう少しで特異点に接触しそうになった時――
波は岩礁を打ち、数え切れない水滴を散らす。
一瞬にして、それはバラバラに砕け散り、果てなき地平線へと向かって己を放り投げ、子孫を世に放った。바다는 생명을 잉태하고, 밀물과 썰물을 통해 생명을 비옥한 토양으로 보낸다.
만물이 숨죽인 가운데, 생명의 모든 소리가 동굴, 숲, 골짜기, 해협, 평원에서 울려 퍼지기 시작했다.
토양이 부드러워지고 대지가 조용히 숨을 헐떡이며 '자연'은 점차 형태를 보이기 시작했다.
곧 다가올 성대한 축제를 앞두고 거울 문이 마치 특이점처럼 허공에 떠 있다. 깨끗한 거울이 만물의 행적을 비춘다.
처음엔 나무 몸통에서 뻗어 나온 줄기의 사납고 고집 센 덩굴이 그 위를 기어오르려고 한다. 뒤이어 겸손한 파충류가 그것을 올려다본다. 자연에 날개가 돋아나자 날짐승이 끝없는 낮을 선회하다 곧 특이점에 닿는다.
파도가 암초에 부딪히며 무수히 많은 물방울을 뿌린다.
순간, 그것은 산산조각이 나 끝없이 아득한 지평선을 향해 자신을 유배하고 자손을 해방시킨다.
The absolute silence was suddenly broken—the sounds of life started to echo in caves, forests, valleys, straits, and plains.
The soil was loosened, letting out the breath of earth. It marked the beginning of nature.
While a carnival was about to start on the ground, a mirror, or say, a door floated in the air, like a singularity. It reflected the life and death of everything.
At first, there were only vines twining as the treetops raised their branches to reach up for them; then animals showed up, crawling on the ground and looking up at; at last, when wings finally appeared in this world, birds soared into the vast sky towards the singularity ...
That moment, like the tide hitting a rock and smashing itself into countless water drops ...
It exiled itself, sprinkled its fragments in the untouchable horizon.海洋孕育生命，用潮水把它们推向丰沃的土壤。
万籁寂静中，关于生命的一切声响，开始在洞穴、森林、山谷、海峡、平原中回荡。
土壤松动，大地悄然地喘息，“自然”逐渐初现端倪。
将至未至的盛会，一扇镜门悬于空中，似一个奇点。纯净的镜面映照出万物的行迹。
始端之时，树冠上桀骜的藤蔓试图攀附它；旋即，谦逊的爬行动物仰望它；当自然长出翅膀，飞鸟翱翔于无垠的白昼，即将触及奇点——
海潮撞击礁石，泼洒无穷数的水滴。
一瞬，它破碎支离，向着渺无边际的地平线，流放了自己，释放出它的子嗣。海洋孕育生命，用潮水把它們推向豐沃的土壤。
萬籟寂靜中，關於生命的一切聲響，開始在洞穴、森林、山谷、海峽、平原中迴蕩。
土壤鬆動，大地悄然地喘息，“自然”逐漸初現端倪。
將至未至的盛會，一扇鏡門懸於空中，似一個奇點。純淨的鏡面映照出萬物的行跡。
始端之時，樹冠上桀驁的藤蔓試圖攀附它；旋即，謙遜的爬行動物仰望它；當自然長出翅膀，飛鳥翱翔於無垠的白晝，即將觸及奇點——
海潮撞擊礁石，潑灑無窮數的水滴。
一瞬，它破碎支離，向著渺無邊際的地平線，流放了自己，釋放出它的子嗣。海は命を育み、波で彼らを肥沃な大地へと押し上げる。
静寂の中、命の産声が洞窟で、森で、谷で、海峡で、平原で鳴り響く。
土が緩くなり、大地はひっそりと息づく。「自然」は少しずつ、その姿を現した。
もうじき訪れようとしている宴の中、まるで特異点のように、鏡のドアが空中に現われた。澄んだ鏡面は万物の姿を映し出す。
初めに、傲慢な蔓がそれに絡みつこうとした。そのすぐ後に、地を這う慎ましい生き物たちはそれを仰ぎ見るようになった。そして自然に翼が生え、鳥が際限なき白昼を翔け、もう少しで特異点に接触しそうになった時――
波は岩礁を打ち、数え切れない水滴を散らす。
一瞬にして、それはバラバラに砕け散り、果てなき地平線へと向かって己を放り投げ、子孫を世に放った。바다는 생명을 잉태하고, 밀물과 썰물을 통해 생명을 비옥한 토양으로 보낸다.
만물이 숨죽인 가운데, 생명의 모든 소리가 동굴, 숲, 골짜기, 해협, 평원에서 울려 퍼지기 시작했다.
토양이 부드러워지고 대지가 조용히 숨을 헐떡이며 '자연'은 점차 형태를 보이기 시작했다.
곧 다가올 성대한 축제를 앞두고 거울 문이 마치 특이점처럼 허공에 떠 있다. 깨끗한 거울이 만물의 행적을 비춘다.
처음엔 나무 몸통에서 뻗어 나온 줄기의 사납고 고집 센 덩굴이 그 위를 기어오르려고 한다. 뒤이어 겸손한 파충류가 그것을 올려다본다. 자연에 날개가 돋아나자 날짐승이 끝없는 낮을 선회하다 곧 특이점에 닿는다.
파도가 암초에 부딪히며 무수히 많은 물방울을 뿌린다.
순간, 그것은 산산조각이 나 끝없이 아득한 지평선을 향해 자신을 유배하고 자손을 해방시킨다.
Look Up from An Alley深巷中的仰望深巷中的仰望深い底から空を仰ぎ깊숙한 골목의 응시
Not once did he get to rest somewhere nice.
A man picked him up and left him in a fish tank where, for the first time, he learned a phrase to describe his situation from the 18-inch TV and the broken beer bottle—he was "an abandoned child."
It was not safe in the fish tank. A fight between humans broke his shelter. He lay on the floor, stained with their blood. Another first-time experience: he learned the sharpness of his own edges.
A boy wiped him clean and carried him in his pocket, as if he knew how special he was.
His body started to reflect things: images of the TV, toys, the amusement park, Broadway, and ... the police.
The boy laughed himself to tears in the dark alley as he watched the reflection in the mirror.
A kind of understanding, or say, a kind of awareness, started to develop under its cold surface.
Long after that, after he had seen many things in human society, he acquired the ability to learn people's wishes and show them what they want. People loved him for it.
Yet the only touching moment he has ever had was on that day ...
In a narrow alley which stank like a sewer, the bandaged boy looked up at the night sky, eyes wide open, as if he could take off between the edges of the roofs and fly into the universe the next second.
Those beautiful pupils had made him silent for a very, very long time.他没有落着一个好地方。
被搁置于金鱼缸中，他从18寸电视机与摔碎的啤酒瓶里，第一次学会定义自己的境遇——“被抛弃的孩子”。
鱼缸并不安全，他在人类的争执中失去了栖身之所。沾上人类的血，他第一次察觉自身的锐利。
男孩擦拭他，将他揣进口袋，仿佛知道他独特的存在。
他的镜面开始映照电视机中的画面，以及玩具、游乐园、百老汇，还有——警察。
男孩看着镜中的画面，在漆黑的巷子里笑得直打滚儿。
有种默契，或者说，有种意识，逐渐在冰冷镜面下萌发。
遥远的以后，观察过人类社会的一切，他业已能体察他人的心愿，映照出他们的渴求、希冀，从中收获一份欢心。
但唯一仍能令他悸动的，还是那天——
窄小阴暗、泔水流淌的巷中，扎着绷带的男孩瞪大眼睛仰望着夜空，仿佛从高楼的夹缝中飞起，飘向宇宙。
他为那双眼眸，曾久久、久久地沉默。他沒有落著一個好地方。
被擱置於金魚缸中，他從18寸電視機與摔碎的啤酒瓶裡，第一次學會定義自己的境遇——“被拋棄的孩子”。
魚缸並不安全，他在人類的爭執中失去了棲身之所。沾上人類的血，他第一次察覺自身的銳利。
男孩擦拭他，將他揣進口袋，仿佛知道他獨特的存在。
他的鏡面開始映照電視機中的畫面，以及玩具、遊樂園、百老匯，還有——員警。
男孩看著鏡中的畫面，在漆黑的巷子裡笑得直打滾兒。
有種默契，或者說，有種意識，逐漸在冰冷鏡面下萌發。
遙遠的以後，觀察過人類社會的一切，他業已能體察他人的心願，映照出他們的渴求、希冀，從中收穫一份歡心。
但唯一仍能令他悸動的，還是那天——
窄小陰暗、泔水流淌的巷中，紮著繃帶的男孩瞪大眼睛仰望著夜空，仿佛從高樓的夾縫中飛起，飄向宇宙。
他為那雙眼眸，曾久久、久久地沉默。彼はいい場所に落ちなかった。
金魚鉢の中に置かれて、彼は18インチテレビと割れたビール瓶の中で、初めて自分の境遇を定義することを覚えた――「捨てられた子供」、と。
金魚鉢は安全な場所ではなかった。彼は人間同士の争いの中で住処を失った。体に人間の血が付いて、彼は初めて自身の鋭さに気が付いた。
男の子が彼を布で拭い、ポケットに入れた。まるで、彼が特別な存在であると知っているかのように。
彼の鏡面はテレビの画面を映し出せるようになった。さらにはおもちゃ、遊園地、ブロードウェイ、そして警察の姿も。
男の子は鏡の中の画面を見つめては、真っ暗な路地の中で笑い転げた。
心が通じ合ったのか、あるいは、ある種の意識が、冷たい鏡面に芽生え始めた。
それから長い時間が経って、人間社会を観察し続けた彼は人々の願望を察知し、彼らが求めているモノを映し出し、その過程で喜びを得られるようになった。
しかし、唯一彼の心を打ち鳴らせるのは、今でもあの日――
あの狭く暗く、下水が流れている路地の奥、包帯を巻いた男の子が目を大きく見開き、夜空を見つめていた。その体はまるで高層ビルの間を縫って舞い上がり、宇宙へと飛んでいくようだった。
彼はかつてあの瞳を思いながら、長く、長く沈黙していた。그는 제대로 된 곳에 발붙이지 못했다.
어항에 방치된 채 18인치 텔레비전과 깨진 맥주병에서 처음으로 '버려진 아이'라는 자신의 처지를 깨달았다.
어항은 안전하지 않았다. 그는 인간의 다툼 중 자신이 머물 곳을 잃었다. 인간의 피를 묻힌 그는 처음으로 자신의 날카로움을 알아차렸다.
소년은 그가 특별한 존재란 것을 아는 듯 그를 닦아 주머니에 넣었다.
그의 표면은 텔레비전 속 화면과 장난감, 놀이공원, 브로드웨이 그리고 경찰을 비추기 시작했다.
소년은 거울 속 장면을 보며 컴컴한 골목에서 데굴데굴 구르며 웃었다.
어떠한 묵약 아니면 어떠한 의식이라고 할만한 것이 점차 차가운 거울 밑에서 싹트고 있었다.
오랜 시간이 흐른 후, 인간 사회의 모든 것을 관찰한 그는 타인의 바람을 굽어살펴 그들이 갈구하고 희망하는 것을 비추어 환심을 얻어낼 수 있었다.
하지만 유일하게 그를 두근거리게 한 건 그날뿐이었다...
좁고 어두운, 구정물이 흐르는 골목에서 붕대를 매던 소년은 눈을 부릅뜨고 밤하늘을 올려다보았다. 마치 빌딩 틈새에서 떠올라 우주로 날아오를 것처럼.
그는 그 두 눈동자를 위해 한참을 침묵했다.
A man picked him up and left him in a fish tank where, for the first time, he learned a phrase to describe his situation from the 18-inch TV and the broken beer bottle—he was "an abandoned child."
It was not safe in the fish tank. A fight between humans broke his shelter. He lay on the floor, stained with their blood. Another first-time experience: he learned the sharpness of his own edges.
A boy wiped him clean and carried him in his pocket, as if he knew how special he was.
His body started to reflect things: images of the TV, toys, the amusement park, Broadway, and ... the police.
The boy laughed himself to tears in the dark alley as he watched the reflection in the mirror.
A kind of understanding, or say, a kind of awareness, started to develop under its cold surface.
Long after that, after he had seen many things in human society, he acquired the ability to learn people's wishes and show them what they want. People loved him for it.
Yet the only touching moment he has ever had was on that day ...
In a narrow alley which stank like a sewer, the bandaged boy looked up at the night sky, eyes wide open, as if he could take off between the edges of the roofs and fly into the universe the next second.
Those beautiful pupils had made him silent for a very, very long time.他没有落着一个好地方。
被搁置于金鱼缸中，他从18寸电视机与摔碎的啤酒瓶里，第一次学会定义自己的境遇——“被抛弃的孩子”。
鱼缸并不安全，他在人类的争执中失去了栖身之所。沾上人类的血，他第一次察觉自身的锐利。
男孩擦拭他，将他揣进口袋，仿佛知道他独特的存在。
他的镜面开始映照电视机中的画面，以及玩具、游乐园、百老汇，还有——警察。
男孩看着镜中的画面，在漆黑的巷子里笑得直打滚儿。
有种默契，或者说，有种意识，逐渐在冰冷镜面下萌发。
遥远的以后，观察过人类社会的一切，他业已能体察他人的心愿，映照出他们的渴求、希冀，从中收获一份欢心。
但唯一仍能令他悸动的，还是那天——
窄小阴暗、泔水流淌的巷中，扎着绷带的男孩瞪大眼睛仰望着夜空，仿佛从高楼的夹缝中飞起，飘向宇宙。
他为那双眼眸，曾久久、久久地沉默。他沒有落著一個好地方。
被擱置於金魚缸中，他從18寸電視機與摔碎的啤酒瓶裡，第一次學會定義自己的境遇——“被拋棄的孩子”。
魚缸並不安全，他在人類的爭執中失去了棲身之所。沾上人類的血，他第一次察覺自身的銳利。
男孩擦拭他，將他揣進口袋，仿佛知道他獨特的存在。
他的鏡面開始映照電視機中的畫面，以及玩具、遊樂園、百老匯，還有——員警。
男孩看著鏡中的畫面，在漆黑的巷子裡笑得直打滾兒。
有種默契，或者說，有種意識，逐漸在冰冷鏡面下萌發。
遙遠的以後，觀察過人類社會的一切，他業已能體察他人的心願，映照出他們的渴求、希冀，從中收穫一份歡心。
但唯一仍能令他悸動的，還是那天——
窄小陰暗、泔水流淌的巷中，紮著繃帶的男孩瞪大眼睛仰望著夜空，仿佛從高樓的夾縫中飛起，飄向宇宙。
他為那雙眼眸，曾久久、久久地沉默。彼はいい場所に落ちなかった。
金魚鉢の中に置かれて、彼は18インチテレビと割れたビール瓶の中で、初めて自分の境遇を定義することを覚えた――「捨てられた子供」、と。
金魚鉢は安全な場所ではなかった。彼は人間同士の争いの中で住処を失った。体に人間の血が付いて、彼は初めて自身の鋭さに気が付いた。
男の子が彼を布で拭い、ポケットに入れた。まるで、彼が特別な存在であると知っているかのように。
彼の鏡面はテレビの画面を映し出せるようになった。さらにはおもちゃ、遊園地、ブロードウェイ、そして警察の姿も。
男の子は鏡の中の画面を見つめては、真っ暗な路地の中で笑い転げた。
心が通じ合ったのか、あるいは、ある種の意識が、冷たい鏡面に芽生え始めた。
それから長い時間が経って、人間社会を観察し続けた彼は人々の願望を察知し、彼らが求めているモノを映し出し、その過程で喜びを得られるようになった。
しかし、唯一彼の心を打ち鳴らせるのは、今でもあの日――
あの狭く暗く、下水が流れている路地の奥、包帯を巻いた男の子が目を大きく見開き、夜空を見つめていた。その体はまるで高層ビルの間を縫って舞い上がり、宇宙へと飛んでいくようだった。
彼はかつてあの瞳を思いながら、長く、長く沈黙していた。그는 제대로 된 곳에 발붙이지 못했다.
어항에 방치된 채 18인치 텔레비전과 깨진 맥주병에서 처음으로 '버려진 아이'라는 자신의 처지를 깨달았다.
어항은 안전하지 않았다. 그는 인간의 다툼 중 자신이 머물 곳을 잃었다. 인간의 피를 묻힌 그는 처음으로 자신의 날카로움을 알아차렸다.
소년은 그가 특별한 존재란 것을 아는 듯 그를 닦아 주머니에 넣었다.
그의 표면은 텔레비전 속 화면과 장난감, 놀이공원, 브로드웨이 그리고 경찰을 비추기 시작했다.
소년은 거울 속 장면을 보며 컴컴한 골목에서 데굴데굴 구르며 웃었다.
어떠한 묵약 아니면 어떠한 의식이라고 할만한 것이 점차 차가운 거울 밑에서 싹트고 있었다.
오랜 시간이 흐른 후, 인간 사회의 모든 것을 관찰한 그는 타인의 바람을 굽어살펴 그들이 갈구하고 희망하는 것을 비추어 환심을 얻어낼 수 있었다.
하지만 유일하게 그를 두근거리게 한 건 그날뿐이었다...
좁고 어두운, 구정물이 흐르는 골목에서 붕대를 매던 소년은 눈을 부릅뜨고 밤하늘을 올려다보았다. 마치 빌딩 틈새에서 떠올라 우주로 날아오를 것처럼.
그는 그 두 눈동자를 위해 한참을 침묵했다.
Outside the Mirror镜外人鏡外人鏡の外にいる人거울 밖의 사람
[UTTU×Door][UTTU×门][UTTU×門][UTTU×ドア][UTTU×문]
Door: Madam, your lipstick seems a bit uneven.
Pandora Wilson: Heh, no, I would never let that happen, Sir. But you can be very observant; I'm impressed.
Door: Thank you. As you know, most of my "bosses" are young ladies, I ... was expected to find flaws on their face and improve their image.
Pandora Wilson: You are a kind gentleman, I have to say.
Pandora Wilson: But when you "perfected" their image, I mean, showing them a beautiful face, fortune, or anything that's actually beyond their reach, weren't you afraid they might go through a mental breakdown if they found out the truth?
Door: Not at all, madam. In fact, most people know their wishes cannot be fulfilled, and they just need something to comfort themselves. It's like candy given to children in order to remove the bitterness in their mouth after taking medicine.
Door: But some of them ... got stuck in the fantasy and believed what they saw to be true. They would come close to me and ... Sorry, it is hard to describe.
Pandora Wilson: I can imagine. You don't look well.
Pandora Wilson: Let's call it a day.
Door: *vomits* Ugh, I'm terribly sorry.门：女士，你嘴唇侧边的口红似乎有些不匀称。
白雪松：呵呵，这绝无可能，受访者。但我欣赏你敏锐的洞察力。
门：谢谢夸奖，如你所说，我历任的“老板”大多都是年轻的女士，她们……喜欢我察觉瑕疵，继而呈现出一个完美的画面。
白雪松：不得不说，你是一位持有善意的绅士。
白雪松：但当你呈现虚假的画面，我是说——容貌、财富……任何不可及的事物，你不怕人们会因发现事实而崩溃吗？
门：你错了，人们大多知晓自身的匮乏，他们只是需要慰藉——就像用一块香草糖来驱散嘴里的苦涩。
门：不过，也有些……人会因此陷入对镜中画面的妄想中，他们会把头凑过——呃，抱歉，我没法回想。
白雪松：是的，你的脸色不太好。
白雪松：到此为止吧。
门：呕，呃——非常抱歉。門：女士，你嘴唇側邊的口紅似乎有些不勻稱。
白雪松：呵呵，這絕無可能，受訪者。但我欣賞你敏銳的洞察力。
門：謝謝誇獎，如你所說，我歷任的“老闆”大多都是年輕的女士，她們……喜歡我察覺瑕疵，繼而呈現出一個完美的畫面。
白雪松：不得不說，你是一位持有善意的紳士。
白雪松：但當你呈現虛假的畫面，我是說——容貌、財富……任何不可及的事物，你不怕人們會因發現事實而崩潰嗎？
門：你錯了，人們大多知曉自身的匱乏，他們只是需要慰藉——就像用一塊香草糖來驅散嘴裡的苦澀。
門：不過，也有些……人會因此陷入對鏡中畫面的妄想中，他們會把頭湊過——呃，抱歉，我沒法回想。
白雪松：是的，你的臉色不太好。
白雪松：到此為止吧。
門：嘔，呃——非常抱歉。ドア：レディ、きみの口の端、口紅が少しムラになってるよ。
パンドラ・ウィルソン：ご冗談を。でも、貴方は素晴らしい洞察力をお持ちのようですね。
ドア：それはどうも。ご存知の通り、僕の「オーナー」は若い女性ばかりなので。皆…より完璧な画面になるように、僕に粗探しをさせたがるんです。
パンドラ・ウィルソン：貴方は優しい紳士ですね。
パンドラ・ウィルソン：しかし貴方が偽りの画面を、つまり、容姿や富、その他の有り得ないモノを映し出す時、のちに真実を知った人々が絶望してしまうとは思わなかったのですか？
ドア：それは違いますよ。彼らのほとんどは自身の欠陥を認知しています。必要なのは心の慰めだけ。例えるなら、バニラキャンディを舐めて口の中の苦さを誤魔化す、といったように。
ドア：しかし、確かに…鏡の世界にのめり込みすぎる人もいました…こちらに顔を寄せて…クッ、すみません、この話はここまでにしましょう。
パンドラ・ウィルソン：はい。顔色が優れないようですね。
パンドラ・ウィルソン：では本日はこれで。
ドア：ウッ、オェ…本当に申し訳ない。문: 레이디, 입가의 립스틱이 약간 균형이 안 맞는 것 같은데요.
판도라 윌슨: 하하, 그럴 리가요. 하지만 관찰력이 좋은 건 칭찬드리죠.
문: 칭찬 감사합니다. 당신 말대로 그동안 제 '주인'은 대부분 젊은 여성분들이었습니다. 그분들은... 제가 결점을 찾아내 완벽한 화면을 보여드리는 걸 좋아하셨죠.
판도라 윌슨: 다정한 신사이시군요.
판도라 윌슨: 하지만 거짓된 장면을 보여줄 때, 그러니까 외모나 재산 같은... 닿을 수 없는 대상 말입니다. 당신은 사람들이 사실을 알고 무너지지 않을까 두렵지 않습니까?
문: 그건 틀린 생각입니다. 사람들은 대부분 자신의 결핍이 무엇인지 알고 있어요. 그들은 그저 위로가 필요한 것뿐입니다. 바닐라 설탕으로 입안의 쓴맛을 없애려는 것처럼요.
문: 하지만 또 일부는... 그 때문에 거울 속 화면의 망상에 빠지기도 합니다. 그들은 머리를 가져다 대고... 윽, 죄송합니다. 떠올리기 쉽지 않군요.
판도라 윌슨: 네, 안색이 별로 좋지 않네요.
판도라 윌슨: 여기까지 하죠.
문: 우읍, 욱... 정말 죄송합니다.
Pandora Wilson: Heh, no, I would never let that happen, Sir. But you can be very observant; I'm impressed.
Door: Thank you. As you know, most of my "bosses" are young ladies, I ... was expected to find flaws on their face and improve their image.
Pandora Wilson: You are a kind gentleman, I have to say.
Pandora Wilson: But when you "perfected" their image, I mean, showing them a beautiful face, fortune, or anything that's actually beyond their reach, weren't you afraid they might go through a mental breakdown if they found out the truth?
Door: Not at all, madam. In fact, most people know their wishes cannot be fulfilled, and they just need something to comfort themselves. It's like candy given to children in order to remove the bitterness in their mouth after taking medicine.
Door: But some of them ... got stuck in the fantasy and believed what they saw to be true. They would come close to me and ... Sorry, it is hard to describe.
Pandora Wilson: I can imagine. You don't look well.
Pandora Wilson: Let's call it a day.
Door: *vomits* Ugh, I'm terribly sorry.门：女士，你嘴唇侧边的口红似乎有些不匀称。
白雪松：呵呵，这绝无可能，受访者。但我欣赏你敏锐的洞察力。
门：谢谢夸奖，如你所说，我历任的“老板”大多都是年轻的女士，她们……喜欢我察觉瑕疵，继而呈现出一个完美的画面。
白雪松：不得不说，你是一位持有善意的绅士。
白雪松：但当你呈现虚假的画面，我是说——容貌、财富……任何不可及的事物，你不怕人们会因发现事实而崩溃吗？
门：你错了，人们大多知晓自身的匮乏，他们只是需要慰藉——就像用一块香草糖来驱散嘴里的苦涩。
门：不过，也有些……人会因此陷入对镜中画面的妄想中，他们会把头凑过——呃，抱歉，我没法回想。
白雪松：是的，你的脸色不太好。
白雪松：到此为止吧。
门：呕，呃——非常抱歉。門：女士，你嘴唇側邊的口紅似乎有些不勻稱。
白雪松：呵呵，這絕無可能，受訪者。但我欣賞你敏銳的洞察力。
門：謝謝誇獎，如你所說，我歷任的“老闆”大多都是年輕的女士，她們……喜歡我察覺瑕疵，繼而呈現出一個完美的畫面。
白雪松：不得不說，你是一位持有善意的紳士。
白雪松：但當你呈現虛假的畫面，我是說——容貌、財富……任何不可及的事物，你不怕人們會因發現事實而崩潰嗎？
門：你錯了，人們大多知曉自身的匱乏，他們只是需要慰藉——就像用一塊香草糖來驅散嘴裡的苦澀。
門：不過，也有些……人會因此陷入對鏡中畫面的妄想中，他們會把頭湊過——呃，抱歉，我沒法回想。
白雪松：是的，你的臉色不太好。
白雪松：到此為止吧。
門：嘔，呃——非常抱歉。ドア：レディ、きみの口の端、口紅が少しムラになってるよ。
パンドラ・ウィルソン：ご冗談を。でも、貴方は素晴らしい洞察力をお持ちのようですね。
ドア：それはどうも。ご存知の通り、僕の「オーナー」は若い女性ばかりなので。皆…より完璧な画面になるように、僕に粗探しをさせたがるんです。
パンドラ・ウィルソン：貴方は優しい紳士ですね。
パンドラ・ウィルソン：しかし貴方が偽りの画面を、つまり、容姿や富、その他の有り得ないモノを映し出す時、のちに真実を知った人々が絶望してしまうとは思わなかったのですか？
ドア：それは違いますよ。彼らのほとんどは自身の欠陥を認知しています。必要なのは心の慰めだけ。例えるなら、バニラキャンディを舐めて口の中の苦さを誤魔化す、といったように。
ドア：しかし、確かに…鏡の世界にのめり込みすぎる人もいました…こちらに顔を寄せて…クッ、すみません、この話はここまでにしましょう。
パンドラ・ウィルソン：はい。顔色が優れないようですね。
パンドラ・ウィルソン：では本日はこれで。
ドア：ウッ、オェ…本当に申し訳ない。문: 레이디, 입가의 립스틱이 약간 균형이 안 맞는 것 같은데요.
판도라 윌슨: 하하, 그럴 리가요. 하지만 관찰력이 좋은 건 칭찬드리죠.
문: 칭찬 감사합니다. 당신 말대로 그동안 제 '주인'은 대부분 젊은 여성분들이었습니다. 그분들은... 제가 결점을 찾아내 완벽한 화면을 보여드리는 걸 좋아하셨죠.
판도라 윌슨: 다정한 신사이시군요.
판도라 윌슨: 하지만 거짓된 장면을 보여줄 때, 그러니까 외모나 재산 같은... 닿을 수 없는 대상 말입니다. 당신은 사람들이 사실을 알고 무너지지 않을까 두렵지 않습니까?
문: 그건 틀린 생각입니다. 사람들은 대부분 자신의 결핍이 무엇인지 알고 있어요. 그들은 그저 위로가 필요한 것뿐입니다. 바닐라 설탕으로 입안의 쓴맛을 없애려는 것처럼요.
문: 하지만 또 일부는... 그 때문에 거울 속 화면의 망상에 빠지기도 합니다. 그들은 머리를 가져다 대고... 윽, 죄송합니다. 떠올리기 쉽지 않군요.
판도라 윌슨: 네, 안색이 별로 좋지 않네요.
판도라 윌슨: 여기까지 하죠.
문: 우읍, 욱... 정말 죄송합니다.
Letter 1
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Default默认默認デフォルト기본
defaultIt's a door to you.它通往你。它通往你。それはあなたに通じている。이것은 당신에게로 향한다.
DRESSING ROOM
You can have anything you
want in life
if you dress for it.
—Edith Head
want in life
if you dress for it.
—Edith Head
Door门門ドア문
Default默认默認デフォルト기본
defaultIt's a door to you.它通往你。它通往你。それはあなたに通じている。이것은 당신에게로 향한다.
Promotion Folding宣传折页宣傳折頁フィーチャー접이식 리플렛
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⚠ Fresh Patch, mistakes are highly likely. If you have clarification or corrections, please chat on my stream if it is still ongoing, or comment on my latest video or post.
Euphoria
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Harmonization
Psst — this bit hasn't been translated to your language yet, so I dug up another version for you!