Source
Warehouse:
Darley ClatterDarley ClatterVoyagerVoyagerClick Character Profile
Click Character Profile
Click Profile Character
Click Profile
Click Kit Details
Click Info
Click Voice Lines
Click Garments
Click Story
Click
Click
Click
Click
DPS输出輸出アタッカー공격
ATK
攻击
攻擊
攻撃力
공격
HP
生命
生命
HP
HP
Reality DEF
现实防御
現實防禦
リアル防御力
현실 방어
Mental DEF
精神防御
精神防禦
メンタル防御力
정신 방어
Critical Technique
暴击技巧
暴擊技巧
クリティカルテクニック
치명타 기술
New Photography Theory新摄影论新攝影論新撮影論새로운 촬영
[Insight I]
At the beginning of every 2 rounds, enters [Lens Cap] status for 1 round.每2回合开始时，进入【隐现】状态1回合每2回合開始時，進入【隱現】狀態1回合2ターンごとに、1ターンの【隠見】状態になる。2턴 시작 시마다 1턴간 [은현] 상태 진입.
[Insight II]
DMG Taken -8% when entering battle.进入战斗时，受到伤害降低8%進入戰鬥時，受到傷害降低8%バトル開始時、被ダメージが8%ダウンする。전투 진입 시 받는 피해 8% 감소.
[Insight III]
When the caster is in [Lens Cap] status, Penetration Rate +30%.当自身处于【隐现】状态时，穿透率提升30%當自身處於【隱現】狀態時，穿透率提升30%自身が【隠見】状態の時、貫通率が30%アップする。자신이 [은현] 상태일 시 방어 무시율 30% 증가.
Character Portray
Lv.1
[A Picture at a Price]'s effect changes to: deals 350% Mental DMG.【昂贵的好照片】造成的精神创伤提升至350%【昂貴的好照片】造成的精神創傷提升至350%【高価な写真】の与えるメンタルダメージが350%にアップする。[값비싼 사진] 주는 정신 피해가 350%까지 증가
Lv.2
[The Onlooker]'s effect changes to: at 1/2/3 stars, deals 220/280/450% Mental DMG.【旁观者】在咒语1/2/3阶时，造成的精神创伤提升至220/280/450%【旁觀者】在咒語1/2/3階時，造成的精神創傷提升至220/280/450%【傍観者】スペルランク1/2/3の時、与えるメンタルダメージがそれぞれ220/280/450%にアップする。[방관자] 주문 1/2/3단계 시 주는 정신 피해가 220/280/450%까지 증가
Lv.3
[A Picture at a Price]: Mental DMG increased to 400%.【昂贵的好照片】造成的精神创伤提升至400%【昂貴的好照片】造成的精神創傷提升至400%【高価な写真】の与えるメンタルダメージが400%にアップする。[값비싼 사진] 주는 정신 피해가 400%까지 증가
Lv.4
[The Witness]'s effect changes to: at 1/2/3 stars, deals 220/280/450% Mental DMG.【见证者】在咒语1/2/3阶时，造成的精神创伤提升至220/280/450%【見證者】在咒語1/2/3階時，造成的精神創傷提升至220/280/450%【目撃者】スペルランク1/2/3の時、与えるメンタルダメージがそれぞれ220/280/450%にアップする。[목격자] 주문 1/2/3단계 시 주는 정신 피해가 220/280/450%까지 증가
Lv.5
[A Picture at a Price]: Mental DMG increased to 450%.【昂贵的好照片】造成的精神创伤提升至450%【昂貴的好照片】造成的精神創傷提升至450%【高価な写真】の与えるメンタルダメージが450%にアップする。[값비싼 사진] 주는 정신 피해가 450%까지 증가
Photomancy
Character Stats
Insight:
Level: 1Max: 30
Sharpodonty
DustATK攻击攻擊攻撃力공격
N/AHP生命生命HPHP
N/AReality DEF现实防御現實防禦リアル防御力현실 방어
N/AMental DEF精神防御精神防禦メンタル防御力정신 방어
N/ACritical Technique暴击技巧暴擊技巧クリティカルテクニック치명타 기술
N/ACurrent bonus:Critical Rate暴击率暴擊率クリティカル率치명타율 N/A%,Critical DMG暴击创伤暴擊創傷クリティカルダメージ치명타 피해 N/A%
Voice Actors
English:
Dalmar Abuzeid
Japanese:
内山昂輝 (Uchiyama Kōki)
Korean:
강성우 (Kang Seong-woo)
Regional Names
English:
Click
SimplifiedChinese:
喀嚓喀嚓
TraditionalChinese:
喀嚓喀嚓
Japanese:
カシャパシャ
Korean:
클릭
Character Tags
DPS输出輸出アタッカー공격
Euphoria Tags
Weapons
Character Info
◆Medium介质介質ミディアム매개체
Smoke of Gunpowder硝烟硝煙硝煙화약 연기
◆Inspired灵感靈感本源영감
Determined Soul [Spirit] War Photography笃志的魂灵[灵] 战地摄影篤志的魂靈[靈] 戰地攝影傾注の霊魂[霊] 戦場撮影굳건한 영혼[영혼] 전쟁터 촬영
◆Fragrance note香调香調香調조향 노트
Woody, Fougere - Arborvitae, Gunpowder, Olive Leaf, Daisy木质馥奇香调 柏树 火药 橄榄叶 小雏菊木質馥奇香調 柏樹 火藥 橄欖葉 小雛菊ウッディフゼアノート ヒノキ 火薬 オリーブリーフ デイジー우디 푸제르향 / 사이프러스, 화약, 올리브잎, 데이지
◆Dimensions尺寸尺寸サイズ규격
70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.
Click喀嚓喀嚓喀嚓喀嚓カシャパシャ클릭
An arcanist's work exhibited in the 1940s for 19 years. Completed in summer, on June 28. First exhibition location unknown, the exhibit later went all over the world.神秘学家艺术品，展出于20世纪40年代，参展时长19年。诞生自6月28日夏。原展出地点未知，后巡展于世界各地。神秘學家藝術品，展出於20世紀40年代，參展時長19年。誕生自6月28日夏。原展出地點未知，後巡展於世界各地。神秘学家の芸術作品。20世紀40年代から、計19年間展示された。展示開始日は6月28日、夏。展示場所：公開地不明。その後世界各地で巡回展示された。마도학자 예술품으로 1940년대 전시, 출품 기간 19년, 6월 28일 여름 탄생. 출품 지역 미상, 이후 세계 각지에서 순회 전시되었다.
Pureblooded Arcanist
A race capable of using arcane skills, able to cast arcane skills by expending Cellular Activity. This race once flourished, but as the Human race grew in strength, it was gradually marginalized and forgotten.
Beneath the Arcanist race exist multiple sub-branches, and these branches are often determined by the purity and origin of bloodline.
“A race forgotten by the world for their gift, set apart from the rest of the busy world. No one knows why arcanists became arcanists; they once flourished, and now they have fallen.”
A race whose Arcanist bloodline purity reaches above a defined threshold. Pureblooded Arcanists are far stronger in their ability to use arcane skills than non-purebloods; bloodline purity and casting ability share a linear relationship.
Click喀嚓喀嚓喀嚓喀嚓カシャパシャ클릭
An arcanist's work exhibited in the 1940s for 19 years. Completed in summer, on June 28. First exhibition location unknown, the exhibit later went all over the world.神秘学家艺术品，展出于20世纪40年代，参展时长19年。诞生自6月28日夏。原展出地点未知，后巡展于世界各地。神秘學家藝術品，展出於20世紀40年代，參展時長19年。誕生自6月28日夏。原展出地點未知，後巡展於世界各地。神秘学家の芸術作品。20世紀40年代から、計19年間展示された。展示開始日は6月28日、夏。展示場所：公開地不明。その後世界各地で巡回展示された。마도학자 예술품으로 1940년대 전시, 출품 기간 19년, 6월 28일 여름 탄생. 출품 지역 미상, 이후 세계 각지에서 순회 전시되었다.
Medium:介质:介質:ミディアム:매개체:Smoke of Gunpowder硝烟硝煙硝煙화약 연기
Inspired:灵感:靈感:本源:영감:Determined Soul [Spirit] War Photography笃志的魂灵[灵] 战地摄影篤志的魂靈[靈] 戰地攝影傾注の霊魂[霊] 戦場撮影굳건한 영혼[영혼] 전쟁터 촬영
Fragrance note:香调:香調:香調:조향 노트:Woody, Fougere - Arborvitae, Gunpowder, Olive Leaf, Daisy木质馥奇香调 柏树 火药 橄榄叶 小雏菊木質馥奇香調 柏樹 火藥 橄欖葉 小雛菊ウッディフゼアノート ヒノキ 火薬 オリーブリーフ デイジー우디 푸제르향 / 사이프러스, 화약, 올리브잎, 데이지
Dimensions:尺寸:尺寸:サイズ:규격:70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.70 5/64×27 61/64×17 23/32in.
First Encounter
Ms., your hat is tilted.
Suitcase Climate
Lighting needs to be appropriate. Too bright will cause overexposure ...
And the films should be saved for sensational moments.
And the films should be saved for sensational moments.
To the Future
The smoke of war has never fully cleared. It just occasionally gets thinner ...
I will follow it and keep photographing it until the day it eventually dissipates.
I will follow it and keep photographing it until the day it eventually dissipates.
Idle
I am no longer afraid of land mines ...
Wait, I never was.
Wait, I never was.
Greetings
If possible ... a knock on the door will be appreciated.
Morning
I am not afraid of the sun. I just dislike being exposed to it ...
Maybe I need a pair of sunglasses?
Maybe I need a pair of sunglasses?
Bond: Morning
If you are interested, I can show you my "workplace."
Hmm ... remember to take your safety helmet.
Hmm ... remember to take your safety helmet.
Night
Those air raids always strike at night,
so it is probably a good thing to stay awake late at night ...
no matter as a civilian or a war correspondent.
so it is probably a good thing to stay awake late at night ...
no matter as a civilian or a war correspondent.
Bond: Night
There's no day and night in the air-raid shelter ... but it's not depressing.
Sometimes, not frequently, people enjoy the afternoon tea in the dark ...
so do I. Taking photos of them sometimes makes me feel much better.
Sometimes, not frequently, people enjoy the afternoon tea in the dark ...
so do I. Taking photos of them sometimes makes me feel much better.
Hat and Hair
I once had a strong helmet. And then ... then what happened ...?
Sleeves and Hands
Baseline 100mm, shutter speed 1/1250 of a second; it's very resilient ...
This camera is the best device to take with me to cross the ruins and record the truth.
This camera is the best device to take with me to cross the ruins and record the truth.
Clothing and Torso
I am visible but impalpable ...
This is ideal for a journalist.
This is ideal for a journalist.
Hobby
Or ... sometimes, I have nothing to do but float ...
Praise
The Great Adventure of Ms. Vertin, another memorable photo portfolio.
Intimacy
Do you ... mind me putting these photos of you into my portfolio?
Chitchat I
A quarrel is happening in the hall 320 meters away.
It's the wolf and ... the lily. Sorry, I have to go.
It's the wolf and ... the lily. Sorry, I have to go.
Chitchat II
This one is much funnier. A white kitten is confronting a lady ...
It seems not into vegetables because cats just aren't.
It seems not into vegetables because cats just aren't.
Monologue
Is war correspondent a good occupation?
... It shaped me into somebody but also took my life away.
Now I can still take photos, so I think death is not a bad ending.
... It shaped me into somebody but also took my life away.
Now I can still take photos, so I think death is not a bad ending.
Deployment
Standing by you ... like an ally?
Pre-Battle
Join the battlefield, like what I've always been doing.
Select Incantation I
Bold composition.
Select Incantation II
One sec, need a better angle.
Select 3-star Incantation
Ha ah ...
Select Ultimate
... Good! Close enough.
Cast Arcane Skill I
Got it in the right time!
Cast Arcane Skill I
... Almost missed it.
Cast Arcane Skill II
A satisfactory negative.
Cast Arcane Skill II
What an amazing memory ...
Cast Ultimate
A historic moment for commemoration.
Attacked I
Urrgh ... My camera!
Attacked II
No!
Battle Victory
I used too many films ...
but it is worthwhile.
but it is worthwhile.
Insight
This portfolio ... you wanna buy it?
... It is my honor!
... It is my honor!
Bottom of Insight
... A perfect moment!
Photography Case手提箱手提箱アタッシュケース여행 가방
35There is nothing special about its design and the colors, but it is made of materials which are sturdy enough to survive all kinds of extreme cases.设计朴素，配色平庸，但好在质地坚硬，足以应付一系列极端的糟糕状况，且出色地完成它的使命。設計樸素，配色平庸，但好在質地堅硬，足以應付一系列極端的糟糕狀況，且出色地完成它的使命。素朴なデザイン、平凡な配色。しかし頑丈なため、どんな最悪な状況をも乗り越え、優秀に使命を果たしてきた。단조로운 디자인에 배색도 평범하지만, 단단한 재질 덕분에 최악의 상황을 견뎌내며 훌륭하게 사명을 완수한다.
Theia VI CameraVI型相机VI型相機Ⅵ型カメラVI형 카메라
571A worn and damaged camera. Generally speaking, every photographer is supposed to take good care of their camera, but this photographer should be pardoned for failing to keep his camera in good condition, given the nature of his job.一台看起来伤痕累累的相机。通常而言，每位摄影师都应该对自己的同伴无比珍重，但它的主人理应得到更多的谅解。一台看起來傷痕累累的相機。通常而言，每位攝影師都應該對自己的同伴無比珍重，但它的主人理應得到更多的諒解。傷だらけのカメラ。カメラマンというのは自分の相棒をこよなく大切にするものだが、このカメラの持ち主はもっと理解されてもいいはずだ。흠집이 많아 보이는 카메라다. 통상적으로 사진사는 자기 동료를 소중히 여겨야 하지만, 이 카메라의 주인은 이해해 줄 필요가 있다.
Film胶卷膠捲フィルム필름
Invaluable
This is not an arcane item that would capture your soul at the click. It is much more precious than that.这并非某种摄取灵魂的神秘术，但要比它们珍贵得多。這並非某種攝取靈魂的神秘術，但要比它們珍貴得多。別に魂を捕らえる類の神秘術ではない。そんなものより遥かに貴重なものだ。영혼을 찍는 마도술 같은 건 아니지만, 그보다 훨씬 귀중하다.
Cold Reality冰冷现实冰冷現實冷酷な現実냉혹한 현실
People always fail to recognize a mass atrocity when they are a part of it. From things as small as "art" left by tourists on ancient steles, to the lynchings in the square, or even more typically, full-scale wars. It always takes a long time before they finally feel the pain and truly reflect on what they have done.
WWII was exactly a mixture of these tragedies. The camera has faithfully recorded the cruelty of war: missiles, gunfire, building ruins, and countless sufferings. In front of these seemingly black-and-white yet in fact bloody photos, people finally came to their senses.
In order to obtain these photos and wake the people up, he had to get closer and closer to dangers and capture those brutal moments, until his body became as cold as reality.人们对于群体性的失序行为大多缺乏足够的感知。久远石碑上的个人艺术，广场上因怨而生的私刑审判，大规模的残酷战争，诸如此类。而人们的反省活动总是姗姗来迟，伴随着迟来的痛感与遗憾。
第二次世界大战是此类悲剧的巨大集合，导弹与炮火，折毁的钢筋水泥，数之不尽的悲剧。战争的残酷和暴戾在一个个定格的瞬间里一览无余。在这些黑白底色的方块格子前，人们的感知得以逐渐清醒。
为此，他站得越发靠近，靠近那些尚不为大众所知的冰冷瞬间，也越发靠近冰冷本身。人們對於群體性的失序行為大多缺乏足夠的感知。久遠石碑上的個人藝術，廣場上因怨而生的私刑審判，大規模的殘酷戰爭，諸如此類。而人們的反省活動總是姍姍來遲，伴隨著遲來的痛感與遺憾。
第二次世界大戰是此類悲劇的巨大集合，導彈與炮火，折毀的鋼筋水泥，數之不盡的悲劇。戰爭的殘酷和暴戾在一個個定格的瞬間裡一覽無餘。在這些黑白底色的方塊格子前，人們的感知得以逐漸清醒。
為此，他站得越發靠近，靠近那些尚不為大眾所知的冰冷瞬間，也越發靠近冰冷本身。人間は、集団における秩序の喪失に対しあまりにも鈍感である。不滅の石碑の個人芸術、広場で起きた因縁のための私刑裁判、大規模の残酷な戦争など、枚挙にいとまがない。一方反省はいつも後から、痛みと悔しさを伴って遅れてやってくる。
第二次世界大戦はまさにこのような悲劇の集大成である。ミサイルと砲火、潰れた鉄筋コンクリート、数え切れない悲劇がそこにあった。戦争の残酷さと暴虐さは切り取られた一瞬一瞬の中にまざまざと刻まれている。その白と黒を基調色とした四角の前に立ち、人々の感覚はようやくゆっくりと目覚め始める。
そのため、彼が世間に知られざる冷酷な瞬間に近づくほど、冷酷そのものに近づいていると言える。사람들은 대부분 집단적인 무질서 행위에 대한 인식이 부족하다. 오래된 비석 위에 행해진 개인 예술, 원한으로 인한 광장에서의 사적 제재, 대규모의 잔혹한 전쟁 같은 것들 말이다. 하지만 인간의 반성은 언제나 뒤늦은 고통이나 후회와 함께 서서히 찾아왔다.
2차 세계대전은 이러한 비극의 거대한 집합체였다. 미사일과 포격, 부서진 철근 콘크리트... 헤아릴 수 없이 많은 비극이 찾아왔다. 전쟁의 잔혹함과 포악함은 정지된 순간의 한 장면에서도 잘 드러난다. 흑백 컬러의 네모난 틀 앞에서 사람들은 점점 명확하게 인지한다.
이를 위해 그는 점점 더 대중이 알지 못하는 냉혹한 순간에 다가가며 차가움 그 자체에 근접한다.
WWII was exactly a mixture of these tragedies. The camera has faithfully recorded the cruelty of war: missiles, gunfire, building ruins, and countless sufferings. In front of these seemingly black-and-white yet in fact bloody photos, people finally came to their senses.
In order to obtain these photos and wake the people up, he had to get closer and closer to dangers and capture those brutal moments, until his body became as cold as reality.人们对于群体性的失序行为大多缺乏足够的感知。久远石碑上的个人艺术，广场上因怨而生的私刑审判，大规模的残酷战争，诸如此类。而人们的反省活动总是姗姗来迟，伴随着迟来的痛感与遗憾。
第二次世界大战是此类悲剧的巨大集合，导弹与炮火，折毁的钢筋水泥，数之不尽的悲剧。战争的残酷和暴戾在一个个定格的瞬间里一览无余。在这些黑白底色的方块格子前，人们的感知得以逐渐清醒。
为此，他站得越发靠近，靠近那些尚不为大众所知的冰冷瞬间，也越发靠近冰冷本身。人們對於群體性的失序行為大多缺乏足夠的感知。久遠石碑上的個人藝術，廣場上因怨而生的私刑審判，大規模的殘酷戰爭，諸如此類。而人們的反省活動總是姍姍來遲，伴隨著遲來的痛感與遺憾。
第二次世界大戰是此類悲劇的巨大集合，導彈與炮火，折毀的鋼筋水泥，數之不盡的悲劇。戰爭的殘酷和暴戾在一個個定格的瞬間裡一覽無餘。在這些黑白底色的方塊格子前，人們的感知得以逐漸清醒。
為此，他站得越發靠近，靠近那些尚不為大眾所知的冰冷瞬間，也越發靠近冰冷本身。人間は、集団における秩序の喪失に対しあまりにも鈍感である。不滅の石碑の個人芸術、広場で起きた因縁のための私刑裁判、大規模の残酷な戦争など、枚挙にいとまがない。一方反省はいつも後から、痛みと悔しさを伴って遅れてやってくる。
第二次世界大戦はまさにこのような悲劇の集大成である。ミサイルと砲火、潰れた鉄筋コンクリート、数え切れない悲劇がそこにあった。戦争の残酷さと暴虐さは切り取られた一瞬一瞬の中にまざまざと刻まれている。その白と黒を基調色とした四角の前に立ち、人々の感覚はようやくゆっくりと目覚め始める。
そのため、彼が世間に知られざる冷酷な瞬間に近づくほど、冷酷そのものに近づいていると言える。사람들은 대부분 집단적인 무질서 행위에 대한 인식이 부족하다. 오래된 비석 위에 행해진 개인 예술, 원한으로 인한 광장에서의 사적 제재, 대규모의 잔혹한 전쟁 같은 것들 말이다. 하지만 인간의 반성은 언제나 뒤늦은 고통이나 후회와 함께 서서히 찾아왔다.
2차 세계대전은 이러한 비극의 거대한 집합체였다. 미사일과 포격, 부서진 철근 콘크리트... 헤아릴 수 없이 많은 비극이 찾아왔다. 전쟁의 잔혹함과 포악함은 정지된 순간의 한 장면에서도 잘 드러난다. 흑백 컬러의 네모난 틀 앞에서 사람들은 점점 명확하게 인지한다.
이를 위해 그는 점점 더 대중이 알지 못하는 냉혹한 순간에 다가가며 차가움 그 자체에 근접한다.
Monthly Collection值得珍藏值得珍藏コレクションすべき逸品이달의 컬렉션
Sprint Race between Ms. Check and the Carbuncle
Boy with Umbrella Still at Work
The Wolf & The Girl in Red Cloak
Ms. EM Current's Wanted Poster: X
Trialogue between The Spherical Satellite, The UFO & Cow, and Ms. Zinnia
Ms. Orb Reciting A New Poem
...—《格子小姐与卡邦克鲁的短跑比赛》
—《撑伞少年尚未下班》
—《狼与小红帽》
—《磁流女士的通缉令：X》
—《球型卫星、飞碟奶牛、百日菊小姐的三方会谈》
—《水晶球小姐背诵新诗》
……—《格子小姐與卡邦克魯的短跑比賽》
—《撐傘少年尚未下班》
—《狼與小紅帽》
—《磁流女士的通緝令：X》
—《球型衛星、飛碟奶牛、百日菊小姐的三方會談》
—《水晶球小姐背誦新詩》
……―『ミス・チェックとカーバンクルの短距離走』
―『傘を差した少年は未だ退勤できず』
―『オオカミと赤ずきんちゃん』
―『マダム・電流の指名手配書：X』
―『球体衛星、UFO乳牛、ミス・ジニアの三者会談』
―『ミス・水晶玉が新作の詩を詠む』
……- <체크 아가씨와 카벙클의 단거리 경주>
- <퇴근 전의 우산 쓴 소년>
- <늑대와 빨간 망토>
- <자기장 레이디의 수배령: X>
- <위성, 비행접시 젖소, 백일홍 양의 삼자 회담>
- <새로운 시를 암송하는 수정구 소녀>
...
Boy with Umbrella Still at Work
The Wolf & The Girl in Red Cloak
Ms. EM Current's Wanted Poster: X
Trialogue between The Spherical Satellite, The UFO & Cow, and Ms. Zinnia
Ms. Orb Reciting A New Poem
...—《格子小姐与卡邦克鲁的短跑比赛》
—《撑伞少年尚未下班》
—《狼与小红帽》
—《磁流女士的通缉令：X》
—《球型卫星、飞碟奶牛、百日菊小姐的三方会谈》
—《水晶球小姐背诵新诗》
……—《格子小姐與卡邦克魯的短跑比賽》
—《撐傘少年尚未下班》
—《狼與小紅帽》
—《磁流女士的通緝令：X》
—《球型衛星、飛碟奶牛、百日菊小姐的三方會談》
—《水晶球小姐背誦新詩》
……―『ミス・チェックとカーバンクルの短距離走』
―『傘を差した少年は未だ退勤できず』
―『オオカミと赤ずきんちゃん』
―『マダム・電流の指名手配書：X』
―『球体衛星、UFO乳牛、ミス・ジニアの三者会談』
―『ミス・水晶玉が新作の詩を詠む』
……- <체크 아가씨와 카벙클의 단거리 경주>
- <퇴근 전의 우산 쓴 소년>
- <늑대와 빨간 망토>
- <자기장 레이디의 수배령: X>
- <위성, 비행접시 젖소, 백일홍 양의 삼자 회담>
- <새로운 시를 암송하는 수정구 소녀>
...
The Torpid Yet Discerning Observant迟钝与敏锐遲鈍與敏銳のろまと俊敏둔함과 예리함
[UTTU×Click][UTTU×喀嚓喀嚓][UTTU×喀嚓喀嚓][UTTU×カシャパシャ][UTTU×클릭]
Pandora Wilson: Many are impressed by your works ... Those dangerous moments on the battlefield are cruel, bloody, yet astounding.
Click: ...
Pandora Wilson: There are even doubts about their authenticity.
Click: ...
Pandora Wilson: Aren't you going to say anything to defend yourself? Won't you discuss your work philosophy, photographic composition, angles ...?
Click: Thank you.
Pandora Wilson: ?
Click: ... They are true. The wars happened in front of me.
Pandora Wilson: Looks like not all photographers are responsive to their surroundings.
Click: An insect.
Pandora Wilson: ?
With a short click, the camera perfectly captured the moment when the insect landed on Pandora Wilson.
Click: New work: Ms. Lips Kissing Nature.白雪松：许多人都惊讶于你的作品……那些硝烟弥漫的瞬间，它们残酷，激进，却也震撼人心。
喀嚓喀嚓：……
白雪松：甚至有好事者质疑它们的真实性。
喀嚓喀嚓：……
白雪松：对此，你没有丝毫打算解释的么？例如摄影理念、构图技巧、拍摄角度……
喀嚓喀嚓：谢谢。
白雪松：？
喀嚓喀嚓：……是真的，战争，它们，在我的眼前。
白雪松：我想反应速度并非成为摄像师的必要条件。
喀嚓喀嚓：飞虫。
白雪松：？
一声短促的喀嚓声后，镜头准确地捕捉到了落下的小虫子。
喀嚓喀嚓：新作品，《嘴唇女士亲吻自然》。白雪松：許多人都驚訝於你的作品……那些硝煙瀰漫的瞬間，它們殘酷，激進，卻也震撼人心。
喀嚓喀嚓：……
白雪松：甚至有好事者質疑它們的真實性。
喀嚓喀嚓：……
白雪松：對此，你沒有絲毫打算解釋的嗎？例如攝影理念、構圖技巧、拍攝角度……
喀嚓喀嚓：謝謝。
白雪松：？
喀嚓喀嚓：……是真的，戰爭，它們，在我的眼前。
白雪松：我想反應速度並非成為攝像師的必要條件。
喀嚓喀嚓：飛蟲。
白雪松：？
一聲短促的喀嚓聲後，鏡頭準確地捕捉到了落下的小蟲子。
喀嚓喀嚓：新作品，《嘴唇女士親吻自然》。パンドラ・ウィルソン：貴方の作品は多くの人を驚愕させています…あの硝煙の匂いがする一瞬一瞬は残酷であり過激ながらも、なぜか心が震えます。
カシャパシャ：……
パンドラ・ウィルソン：中にはその信憑性を疑う者もいますが。
カシャパシャ：……
パンドラ・ウィルソン：そのことについて、何か説明したいことはありませんか？例えば撮影上の理念や構図のテクニック、こだわりの角度など…
カシャパシャ：ありがとう。
パンドラ・ウィルソン：……？
カシャパシャ：…全部本物だ。戦争も、それらも全部、ぼくの目の前にあったことなんだ。
パンドラ・ウィルソン：反応の速さは必ずしもカメラマンに求められる条件じゃないのかもしれませんね。
カシャパシャ：虫が飛んでる。
パンドラ・ウィルソン：え？
短いシャッター音の後、カメラは落下する小さな虫の姿を正確に捉えた。
カシャパシャ：新作だ。「マダム・唇は自然にキスする」。판도라 윌슨: 당신의 작품에 꽤 많은 이들이 놀랐는데요... 화약 연기가 자욱한 그 순간의 잔혹하고 급진적인 모습이 사람의 마음을 뒤흔들기도 했죠.
클릭: ...
판도라 윌슨: 평론가들은 그 진실성에 의문을 제기하기도 합니다.
클릭: ...
판도라 윌슨: 이와 관련하여 설명할 생각이 전혀 없으신가요? 촬영 콘셉트, 구도 스킬, 촬영 각도 같은...
클릭: 감사합니다.
판도라 윌슨: ?
클릭: ...진짜입니다. 전쟁, 그것들은 제 눈앞에 있어요.
판도라 윌슨: 반응 속도가 카메라맨의 필수 요건은 아니라고 생각하는데요.
클릭: 날벌레.
판도라 윌슨: ?
찰칵, 소리와 함께 카메라가 떨어지는 작은 벌레를 정확하게 포착한다.
클릭: 신작, <자연에 입 맞추는 레이디 마우스>.
Click: ...
Pandora Wilson: There are even doubts about their authenticity.
Click: ...
Pandora Wilson: Aren't you going to say anything to defend yourself? Won't you discuss your work philosophy, photographic composition, angles ...?
Click: Thank you.
Pandora Wilson: ?
Click: ... They are true. The wars happened in front of me.
Pandora Wilson: Looks like not all photographers are responsive to their surroundings.
Click: An insect.
Pandora Wilson: ?
With a short click, the camera perfectly captured the moment when the insect landed on Pandora Wilson.
Click: New work: Ms. Lips Kissing Nature.白雪松：许多人都惊讶于你的作品……那些硝烟弥漫的瞬间，它们残酷，激进，却也震撼人心。
喀嚓喀嚓：……
白雪松：甚至有好事者质疑它们的真实性。
喀嚓喀嚓：……
白雪松：对此，你没有丝毫打算解释的么？例如摄影理念、构图技巧、拍摄角度……
喀嚓喀嚓：谢谢。
白雪松：？
喀嚓喀嚓：……是真的，战争，它们，在我的眼前。
白雪松：我想反应速度并非成为摄像师的必要条件。
喀嚓喀嚓：飞虫。
白雪松：？
一声短促的喀嚓声后，镜头准确地捕捉到了落下的小虫子。
喀嚓喀嚓：新作品，《嘴唇女士亲吻自然》。白雪松：許多人都驚訝於你的作品……那些硝煙瀰漫的瞬間，它們殘酷，激進，卻也震撼人心。
喀嚓喀嚓：……
白雪松：甚至有好事者質疑它們的真實性。
喀嚓喀嚓：……
白雪松：對此，你沒有絲毫打算解釋的嗎？例如攝影理念、構圖技巧、拍攝角度……
喀嚓喀嚓：謝謝。
白雪松：？
喀嚓喀嚓：……是真的，戰爭，它們，在我的眼前。
白雪松：我想反應速度並非成為攝像師的必要條件。
喀嚓喀嚓：飛蟲。
白雪松：？
一聲短促的喀嚓聲後，鏡頭準確地捕捉到了落下的小蟲子。
喀嚓喀嚓：新作品，《嘴唇女士親吻自然》。パンドラ・ウィルソン：貴方の作品は多くの人を驚愕させています…あの硝煙の匂いがする一瞬一瞬は残酷であり過激ながらも、なぜか心が震えます。
カシャパシャ：……
パンドラ・ウィルソン：中にはその信憑性を疑う者もいますが。
カシャパシャ：……
パンドラ・ウィルソン：そのことについて、何か説明したいことはありませんか？例えば撮影上の理念や構図のテクニック、こだわりの角度など…
カシャパシャ：ありがとう。
パンドラ・ウィルソン：……？
カシャパシャ：…全部本物だ。戦争も、それらも全部、ぼくの目の前にあったことなんだ。
パンドラ・ウィルソン：反応の速さは必ずしもカメラマンに求められる条件じゃないのかもしれませんね。
カシャパシャ：虫が飛んでる。
パンドラ・ウィルソン：え？
短いシャッター音の後、カメラは落下する小さな虫の姿を正確に捉えた。
カシャパシャ：新作だ。「マダム・唇は自然にキスする」。판도라 윌슨: 당신의 작품에 꽤 많은 이들이 놀랐는데요... 화약 연기가 자욱한 그 순간의 잔혹하고 급진적인 모습이 사람의 마음을 뒤흔들기도 했죠.
클릭: ...
판도라 윌슨: 평론가들은 그 진실성에 의문을 제기하기도 합니다.
클릭: ...
판도라 윌슨: 이와 관련하여 설명할 생각이 전혀 없으신가요? 촬영 콘셉트, 구도 스킬, 촬영 각도 같은...
클릭: 감사합니다.
판도라 윌슨: ?
클릭: ...진짜입니다. 전쟁, 그것들은 제 눈앞에 있어요.
판도라 윌슨: 반응 속도가 카메라맨의 필수 요건은 아니라고 생각하는데요.
클릭: 날벌레.
판도라 윌슨: ?
찰칵, 소리와 함께 카메라가 떨어지는 작은 벌레를 정확하게 포착한다.
클릭: 신작, <자연에 입 맞추는 레이디 마우스>.
Letter 1
Letter 2
Letter 3
Letter 4
Letter 5
Default默认默認デフォルト기본
defaultCloser, and closer. He is trying to put every detail in the lens.近一些，再近一些。他要将所有细节都装进镜头之中。近一些，再近一些。他要將所有細節都裝進鏡頭之中。近くへ、もっと近くへ。彼はすべてをカメラに収めようとする。가까이, 더 가까이. 그는 모든 디테일을 카메라에 담을 것이다.
The Best Angle绝妙的角度絕妙的角度絶妙な角度완벽한 구도
insightHe takes photos of the cruel wars, in the best angle.他拍摄战争的残酷，从绝妙的角度。他拍攝戰爭的殘酷，從絕妙的角度。彼は戦争の残酷さを撮る。絶妙な角度から。그는 아주 절묘한 각도에서 전쟁의 잔혹함을 촬영한다.
DRESSING ROOM
You can have anything you
want in life
if you dress for it.
—Edith Head
want in life
if you dress for it.
—Edith Head
Click喀嚓喀嚓喀嚓喀嚓カシャパシャ클릭
Default默认默認デフォルト기본
defaultCloser, and closer. He is trying to put every detail in the lens.近一些，再近一些。他要将所有细节都装进镜头之中。近一些，再近一些。他要將所有細節都裝進鏡頭之中。近くへ、もっと近くへ。彼はすべてをカメラに収めようとする。가까이, 더 가까이. 그는 모든 디테일을 카메라에 담을 것이다.
Promotion Folding宣传折页宣傳折頁フィーチャー접이식 리플렛
Price价格價格価格가격
Preview预览預覽プレビュー미리보기
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⚠ Fresh Patch, mistakes are highly likely. If you have clarification or corrections, please chat on my stream if it is still ongoing, or comment on my latest video or post.
Euphoria
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Harmonization
Psst — this bit hasn't been translated to your language yet, so I dug up another version for you!