Source
Warehouse:
Lady by the Lake Lady by the Lake Beryl Beryl Brume Character Profile
Brume Character Profile
Brume Profile Character
Brume Profile
Brume Kit Details
Brume Info
Brume Voice Lines
Brume Garments
Brume Story
Adèle Tavernier
DPSDynamoSupportChannelArray
ATK
HP
Reality DEF
Mental DEF
Critical Technique
The Unfated Hand
[Precognition]
Gains [Amplified Surge<id:3135>].<br>When entering battle, gains 10 stacks of [Dynamo].<br>At the start of the round, if not under a [Pulsing Field] of any level, deploy [Pulsing Field Lv.1].<br>At the end of the round, gains 5 stacks of [Dynamo] and transfers up to 15 stacks of [Dynamo] into the [Pulsing Field].<br>Ultimate does not take up the allied Incantation Draw Limit.<br>
[Insight I]
At the start of the round, Brume gains 5 stacks of [Thermoelectric Conversion].<br>For every 20 stacks of [Dynamo] the team transfers, Brume gains 5 stacks of [Thermoelectric Conversion].<br>For every 3 stacks of Burn inflicted on enemies, Brume gains 2 stacks of [Thermoelectric Conversion].<br>
[Insight II]
DMG Dealt +8% when entering battle.<br>
[Insight III]
When entering battle, Brume gains [Crystalline Discharge<id:1>] for 3 rounds.<br>For every 15 stacks of [Thermoelectric Conversion] gained, Brume gains 5 stacks of [Dynamo] and Moxie +1.<br>If at least 40 stacks of [Thermoelectric Conversion] are consumed during one channel of [Prismatic Power<id:1>], Brume casts [End of the Ride<id:1>] one extra time; for every 10 excess stacks of [Thermoelectric Conversion] consumed, [End of the Ride<id:1>] deals an additional 200% Mental DMG, up to 400%.<br>
Character Portray
Lv. 1
[Left-Hand Steering]<br>[Improvised Detour]: The additional Mental DMG dealt by [Cost of the Roadside View<id:1>]/[End of the Ride<id:1>] from [Crystalline Discharge<id:1>] is increased to 120%/250%.<br>[Calculated Path]: At rank 1/2/3, the amount of [Thermoelectric Conversion] gained is increased to 15/20/25 stacks. [Cost of the Roadside View<id:1>]'s Mental DMG dealt is increased to 240%. The additional Mental DMG dealt by one [Cost of the Roadside View<id:1>] attack for every 10 stacks of [Thermoelectric Conversion] consumed by [Prismatic Power<id:1>] is increased to 120%. The maximum amount of [Thermoelectric Conversion] consumed per channel is increased to 80 stacks. The maximum number of extra times [Cost of the Roadside View<id:1>] can be cast is increased to 3.<br>[The Unfated Hand]: When [Amplified Surge<id:3135>] is under [Pulsing Field Lv.3], the additional Mental DMG dealt by [Cost of the Roadside View<id:1>] increased to 480%.<br>
Lv. 2
[Testing Flame]: At rank 1/2/3, the amount of [Thermoelectric Conversion] gained increased to 15/20/25 stacks. [Truth Tempered<id:1>]'s DMG Bonus increased to 30%, and its additional Ultimate Might bonus for Mental DMG characters increased to 50%.<br>
Lv. 3
[The Unfated Hand]: [End of the Ride<id:1>]'s Mental DMG dealt increased to 800%, and the maximum additional Mental DMG dealt gained by consuming [Thermoelectric Conversion] increased to 800%.<br>
Lv. 4
[The Unfated Hand]: [End of the Ride<id:2>]'s Mental DMG dealt increased to 1200%, and its Ultimate Might enhancement increased to 125%. [End of the Ride<id:2>]'s additional Mental DMG for every 10 stacks of [Thermoelectric Conversion] consumed increased to 250%, up to 1000%.<br>
Lv. 5
[Testing Flame]: [Truth Tempered<id:2>]'s DMG Bonus increased to 40%, and its additional Ultimate Might Bonus for Mental DMG characters increased to 60%.<br>
Photomancy
Character Stats
Insight:
Level: 1 Max: 30
Sharpodonty
DustATK
N/AHP
N/AReality DEF
N/AMental DEF
N/ACritical Technique
N/ACurrent bonus: Critical Rate N/A%, Critical DMG N/A%
Voice Actors
English:
Netta Nakash | Sophie Vanier (Félicienne)
Japanese:
戸松遥 (Tomatsu Haruka)
Korean:
이다은 (Da-eun Lee)
Regional Names
Simplified Chinese:
灰调蓝
Traditional Chinese:
灰調藍
Japanese:
グレイッシュブルー
Korean:
브룸
Other Names
Adèle Tavernier
Character Tags
DPSDynamoSupportChannelArray
Euphoria Tags
Weapons
Character Info
◆ Medium介质介質ミディアム매개체
Firelight.火彩火彩ファイア불꽃
◆ Inspired灵感靈感本源영감
Iridescent Ash [Beast], The Final Journey.异色的灰烬[兽] 末路之旅異色的灰燼[獸] 末路之旅異彩を放つ燃えかす[獣] 破滅への旅이색 잿더미 [야수] 최후의 여행
◆ Fragrance note香调香調香調조향 노트
Aromatic woods, bergamot, ylang-ylang, sandalwood, dragonscale, musk.芳香木质调 香柠檬 依兰 檀香木 龙鳞 麝香芳香木質調 香檸檬 依蘭 檀香木 龍鱗 麝香アロマウッディノート ベルガモット カナンガ サンダルウッド 竜の鱗 ムスク아로마틱 우드향, 베르가모트, 일랑일랑, 샌들우드, 드래곤비늘, 머스크
◆ Dimensions尺寸尺寸サイズ규격
66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.
Brume灰调蓝灰調藍グレイッシュブルー브룸
Arcanist artwork, first exhibited in the 1930s, shown for twenty years. Originated on December 19th, winter. Initially displayed in Paris, the capital of the French Third Republic, later toured across the world.神秘学家艺术品，展出于20世纪30年代，参展时长20年，诞生自12月19日冬。原展出于法兰西第三共和国首都巴黎，后巡展于世界各地。神秘學家藝術品，展出於20世紀30年代，參展時長20年，誕生自12月19日冬。原展出於法蘭西第三共和國首都巴黎，後巡展於世界各地。神秘学家の芸術作品。20世紀30年代から、計20年間展示された。展示開始日は12月19日、冬。フランス第三共和国の首都パリで初めて展示された後、世界各地で巡回展が行われた。마도학자 예술품으로 1930년대 전시, 출품 기간 20년, 12월 19일 겨울 탄생. 프랑스 제3공화국 수도 파리에서 전시되었으며, 이후 세계 각지에서 순회 전시되었다.
Brume灰调蓝灰調藍グレイッシュブルー브룸
Arcanist artwork, first exhibited in the 1930s, shown for twenty years. Originated on December 19th, winter. Initially displayed in Paris, the capital of the French Third Republic, later toured across the world.神秘学家艺术品，展出于20世纪30年代，参展时长20年，诞生自12月19日冬。原展出于法兰西第三共和国首都巴黎，后巡展于世界各地。神秘學家藝術品，展出於20世紀30年代，參展時長20年，誕生自12月19日冬。原展出於法蘭西第三共和國首都巴黎，後巡展於世界各地。神秘学家の芸術作品。20世紀30年代から、計20年間展示された。展示開始日は12月19日、冬。フランス第三共和国の首都パリで初めて展示された後、世界各地で巡回展が行われた。마도학자 예술품으로 1930년대 전시, 출품 기간 20년, 12월 19일 겨울 탄생. 프랑스 제3공화국 수도 파리에서 전시되었으며, 이후 세계 각지에서 순회 전시되었다.
Medium:介质:介質:ミディアム:매개체: Firelight.火彩火彩ファイア불꽃
Inspired:灵感:靈感:本源:영감: Iridescent Ash [Beast], The Final Journey.异色的灰烬[兽] 末路之旅異色的灰燼[獸] 末路之旅異彩を放つ燃えかす[獣] 破滅への旅이색 잿더미 [야수] 최후의 여행
Fragrance note:香调:香調:香調:조향 노트: Aromatic woods, bergamot, ylang-ylang, sandalwood, dragonscale, musk.芳香木质调 香柠檬 依兰 檀香木 龙鳞 麝香芳香木質調 香檸檬 依蘭 檀香木 龍鱗 麝香アロマウッディノート ベルガモット カナンガ サンダルウッド 竜の鱗 ムスク아로마틱 우드향, 베르가모트, 일랑일랑, 샌들우드, 드래곤비늘, 머스크
Dimensions:尺寸:尺寸:サイズ:규격: 66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.66 15/16×27 23/64×25 19/32in.
First Encounter
If anyone here needs a lift, you know who to call!
I may not have driven much outside of Paris, but if I can survive those roundabouts,
I can handle just about anything.
Just tell me where to go, and consider it done.
I may not have driven much outside of Paris, but if I can survive those roundabouts,
I can handle just about anything.
Just tell me where to go, and consider it done.
Suitcase Climate
Honestly, given all the horrible endings my family have had, odds are one of them met their end facedown in the snow.
All I know is that just the sight of snow puts me in the mood to hide under the covers; I wouldn't even drive—if I could help it.
Perhaps that feeling is one of my ancestors telling me to:
« Reste près du feu et réchauffe-toi, ma petite. »
All I know is that just the sight of snow puts me in the mood to hide under the covers; I wouldn't even drive—if I could help it.
Perhaps that feeling is one of my ancestors telling me to:
« Reste près du feu et réchauffe-toi, ma petite. »
To the Future
The future? Like, a new life? Honestly, I'm not sure I'm prepared for that yet.
<Honestly, my dear, I've attended royal weddings that needed less preparation.>
As you can see, there are still many frustrating factors in play. Still, I think ... I'm looking forward to a change.
<And just what do you mean by that, pray tell?>
<Honestly, my dear, I've attended royal weddings that needed less preparation.>
As you can see, there are still many frustrating factors in play. Still, I think ... I'm looking forward to a change.
<And just what do you mean by that, pray tell?>
Idle
Actors, poets, scholars—they're usually talkative passengers.
But I've also noticed how often they drift into silence.
Most of the time, I stay quiet too, maybe because I never really understood what they were saying anyway.
What do you make of it, Vertin, my silence-loving friend?
But I've also noticed how often they drift into silence.
Most of the time, I stay quiet too, maybe because I never really understood what they were saying anyway.
What do you make of it, Vertin, my silence-loving friend?
Greetings
Bonjour, Vertin! I like your hat. I have one as well, though it seems they do totally different things for us.
It amazes me how something as simple as a hat can open up so many possibilities.
It amazes me how something as simple as a hat can open up so many possibilities.
Morning
Good morning! Ah, I had the most amazing dream last night!
I was driving down a long, open road—clear sky, spotless windows, and the car was freshly cleaned.
I picked up a few people along the way, and they gave me sandwiches and apples in thanks.
I just kept driving, with no destination in mind, only the anticipation of the next mile.
I was driving down a long, open road—clear sky, spotless windows, and the car was freshly cleaned.
I picked up a few people along the way, and they gave me sandwiches and apples in thanks.
I just kept driving, with no destination in mind, only the anticipation of the next mile.
Bond: Morning
Je me souviens, c'était le matin.
Papa a balancé le gros sac sur son épaule et Maman s'est agenouillée pour lacer ses bottes près de la porte.
« À bientôt, Adèle ! » ils ont dit, et je leur ai fait un grand sourire.
Je n'ai pu que leur faire signe au revoir tandis qu'ils partaient pour leur aventure funeste.
Papa a balancé le gros sac sur son épaule et Maman s'est agenouillée pour lacer ses bottes près de la porte.
« À bientôt, Adèle ! » ils ont dit, et je leur ai fait un grand sourire.
Je n'ai pu que leur faire signe au revoir tandis qu'ils partaient pour leur aventure funeste.
Night
Driving in the city is so much more exhausting than it may seem—you don't realize until you're in the thick of it, really.
Every night, I fall asleep the second I lie down. Insomnia? I hardly know the meaning of the word.
Every night, I fall asleep the second I lie down. Insomnia? I hardly know the meaning of the word.
Bond: Night
I've taken to keeping a journal lately. And writing postcards, too. Just a few words about the day.
Sometimes I find myself just repeating my old routines, like ...
like those postcards I used to receive.
I always hated how tedious and boring they were, until they stopped coming.
Sometimes I find myself just repeating my old routines, like ...
like those postcards I used to receive.
I always hated how tedious and boring they were, until they stopped coming.
Hat and Hair
These flowers? Well, it all began with a passenger I had once. She wore a flower in her gray hair.
Before she got out, she plucked a bloom from her bouquet and tucked it just above my ear as thanks for a lovely ride.
Since then, it's become a little habit of mine.
Before she got out, she plucked a bloom from her bouquet and tucked it just above my ear as thanks for a lovely ride.
Since then, it's become a little habit of mine.
Sleeves and Hands
You're knocking at the door of Félicienne's room.
<It's hardly a mere room—it's a suite!>
<It's hardly a mere room—it's a suite!>
Clothing and Torso
Two tenants sharing one body—it's a little cramped, really.
<I certainly would not mind if you choose to leave.>
I hope we can find a way to fix this soon.
<Hmph. On that we have a rare point of agreement.>
<I certainly would not mind if you choose to leave.>
I hope we can find a way to fix this soon.
<Hmph. On that we have a rare point of agreement.>
Hobby
Je n'ai jamais vraiment pensé à ce que je fais en termes de « loisir ».
J'aime bien l'opéra et la littérature, je suppose, mais c'est plutôt l'assaisonnement du quotidien.
Alors ... mon loisir, 'est juste vivre, finalement ?
J'aime bien l'opéra et la littérature, je suppose, mais c'est plutôt l'assaisonnement du quotidien.
Alors ... mon loisir, 'est juste vivre, finalement ?
Praise
You have a sort of calm that few of your peers possess. I think you would make a good driver if you ever need a change of career.
Intimacy
You're one of the few people around who lets me ramble on about all the nonsense that goes on in my life.
I find most people prefer more heady subjects—literature, the arts, etc.
But there's beauty in the small things, too.
I find most people prefer more heady subjects—literature, the arts, etc.
But there's beauty in the small things, too.
Chitchat I
That young lady runs her own ghost-hunting business!
I do believe I might propose a little partnership. I'll let her advertise on my car,
and then she can call me for all the shuttle rides her customers might need. It's a brilliant idea, n'est-ce pas?
I do believe I might propose a little partnership. I'll let her advertise on my car,
and then she can call me for all the shuttle rides her customers might need. It's a brilliant idea, n'est-ce pas?
Chitchat II
On dit qu'il y a une trentaine d'années, pendant l'Exposition de Paris, des gens du monde entier ont rempli les rues de Paris.
J'ai grandi en voyant beaucoup de ça, moi aussi.
On dit toujours qu'on peut trouver un morceau de chaque coin du monde à Paris,
mais moi, je préfère voir de petits morceaux de Paris éparpillés partout dans le monde.
J'ai grandi en voyant beaucoup de ça, moi aussi.
On dit toujours qu'on peut trouver un morceau de chaque coin du monde à Paris,
mais moi, je préfère voir de petits morceaux de Paris éparpillés partout dans le monde.
Monologue
People rarely figure out what they're meant to do,
but the Taverniers were never given much choice except to follow the path laid before them.
Me—I wandered off that path; maybe because the only thing I've ever wanted is for my life to be my own.
Of course, what that looks like keeps changing. I suppose it defies prediction in some way.
but the Taverniers were never given much choice except to follow the path laid before them.
Me—I wandered off that path; maybe because the only thing I've ever wanted is for my life to be my own.
Of course, what that looks like keeps changing. I suppose it defies prediction in some way.
Deployment
Time for some teamwork.
Pre-Battle
Will there be time for a nap later?
Select Incantation I
Give it a little throttle ...
Select Incantation II
It is heat-treated, non?
Select 3-star Incantation
Just a little singe.
Select Ultimate
The destination is set.
Cast Arcane Skill I
Purge the impurities.
Cast Arcane Skill I
Eliminate what is false.
Cast Arcane Skill II
Now, for the true spark.
Cast Arcane Skill II
Un éclat remarquable, n'est-ce pas ?
Cast Arcane Skill III
Stay back!
Cast Arcane Skill III
That's enough politeness for one day.
Cast Ultimate
Up with a little spark ... and down it goes! Bon courage!
Attacked I
Ah!
Attacked II
Let's not make a scene out of it!
Battle Victory
Don't stick around for a fight you're bound to lose,
but if you win, run fast—
the police may be on their way.
but if you win, run fast—
the police may be on their way.
Insight
Well, here we are, ending up in places we would never choose for ourselves.
But if nothing can be changed, then we must make the best of what choices we have.
Like bringing light into someone's day ... a small purpose I've found for myself.
But if nothing can be changed, then we must make the best of what choices we have.
Like bringing light into someone's day ... a small purpose I've found for myself.
Bottom of Insight
Je crois que j'ai toujours su que le destin me rattraperait, que je ne pourrais pas l'éviter éternellement.
Maintenant que c'est arrivé, il est temps de rattraper tout ce que j'ai manqué.
Maintenant que c'est arrivé, il est temps de rattraper tout ce que j'ai manqué.
"Feufeu"“小家伙”“小傢伙”「ちびっ子」‘페페’
Invaluable
A proud little dragon, its scales gleam like gemstones, its flame is hot enough to burn through any disguise—
it's just a shame its compact size makes it far less intimidating than it thinks it is.
Active and friendly by nature, it never refuses a curious pat or whatever treats it's offered.一条威风凛凛的飞龙，鳞片如宝石般闪耀，喷吐出的烈焰能燃尽一切伪装——
遗憾的是，较为迷你的尺寸令其威慑力大打折扣。
性格活泼友好，通常不会拒绝孩子们好奇的抚摸和投喂的各类食品。一條威風凜凜的飛龍，鱗片如寶石般閃耀，噴吐出的烈焰能燃盡一切偽裝——
遺憾的是，較為迷你的尺寸令其威懾力大打折扣。
性格活潑友好，通常不會拒絕孩子們好奇的撫摸和投餵的各類食品。威風堂々とした竜。宝石のごとく煌めく鱗をまとい、その口から吐き出される烈火は、あらゆる偽りを焼き払う力を宿しているが――
残念なことに、あまりにも小さな体のせいで、威圧の効果は著しく低下している。
明るく人懐っこい気質を持つため、子どもたちが近づいて撫でてきたり、何か食べ物をあげたりするのを嫌がる様子はめったにない。보석처럼 빛나는 비늘을 지닌 늠름한 드래곤 한 마리, 그가 내뿜는 불꽃은 모든 거짓을 태워버릴 수 있다...
아쉽게도, 크기가 작다보니 위압감이 매우 떨어진다.
성격은 활발하고 친근하며, 호기심 많은 아이들의 손길과 그들이 주는 음식도 마다하지 않는다.
it's just a shame its compact size makes it far less intimidating than it thinks it is.
Active and friendly by nature, it never refuses a curious pat or whatever treats it's offered.一条威风凛凛的飞龙，鳞片如宝石般闪耀，喷吐出的烈焰能燃尽一切伪装——
遗憾的是，较为迷你的尺寸令其威慑力大打折扣。
性格活泼友好，通常不会拒绝孩子们好奇的抚摸和投喂的各类食品。一條威風凜凜的飛龍，鱗片如寶石般閃耀，噴吐出的烈焰能燃盡一切偽裝——
遺憾的是，較為迷你的尺寸令其威懾力大打折扣。
性格活潑友好，通常不會拒絕孩子們好奇的撫摸和投餵的各類食品。威風堂々とした竜。宝石のごとく煌めく鱗をまとい、その口から吐き出される烈火は、あらゆる偽りを焼き払う力を宿しているが――
残念なことに、あまりにも小さな体のせいで、威圧の効果は著しく低下している。
明るく人懐っこい気質を持つため、子どもたちが近づいて撫でてきたり、何か食べ物をあげたりするのを嫌がる様子はめったにない。보석처럼 빛나는 비늘을 지닌 늠름한 드래곤 한 마리, 그가 내뿜는 불꽃은 모든 거짓을 태워버릴 수 있다...
아쉽게도, 크기가 작다보니 위압감이 매우 떨어진다.
성격은 활발하고 친근하며, 호기심 많은 아이들의 손길과 그들이 주는 음식도 마다하지 않는다.
"Dragonrider's Pauldron"“龙骑兵的肩甲”“龍騎兵的肩甲”「竜騎兵の肩当て」‘드래곤 라이더의 견갑’
35This lightweight metal pauldron is the favorite perch of the interviewee's tiny partner.
The stall owner at the Saint-Ouen flea market swore its original owner was a brave dragon-rider from the late 16th century—
but changed his story the moment he learned what the interviewee's arcanum can do. In the end, they settled on a price both sides found agreeable.这副轻盈的金属铠甲是受访者小搭档最中意的落脚处。
圣图安跳蚤市场的那名摊主宣称：它最初的主人是16世纪末一名英勇的龙骑兵——但在了解到受访者的神秘术效果后很快改了口。交易最终以一个双方都认可的价格成交。這副輕盈的金屬鎧甲是受訪者小搭檔最中意的落腳處。
聖圖安跳蚤市場的那名攤主宣稱：它最初的主人是16世紀末一名英勇的龍騎兵——但在瞭解到受訪者的神秘術效果後很快改了口。交易最終以一個雙方都認可的價格成交。この軽やかな金属の肩当ては、インタビューゲストの相棒が特に愛用する止まり木となっている。
サン・トゥアン蚤の市の古物商は、これを「16世紀末のある勇ましい竜騎兵の武具」だと吹き聴かせていたが、インタビューゲストの神秘術を知ると、その自慢も瞬く間に消え失せた。取引は、お互いに不満のない金額で話はまとまったのだ。이 가벼운 금속 갑옷은 인터뷰 대상자의 작은 파트너가 가장 좋아하는 자리이다.
생투앙 벼룩시장의 노점상은 갑옷을 이렇게 소개했다. 이 갑옷의 첫 주인은 16세기 말의 한 용감한 드래곤 라이더였는데... 그러다 인터뷰 대상자의 마도술 효과를 알게 된 이후로 그는 바로 말을 바꾸었고, 결국 양측 모두가 만족하는 가격에 거래가 성사되었다.
The stall owner at the Saint-Ouen flea market swore its original owner was a brave dragon-rider from the late 16th century—
but changed his story the moment he learned what the interviewee's arcanum can do. In the end, they settled on a price both sides found agreeable.这副轻盈的金属铠甲是受访者小搭档最中意的落脚处。
圣图安跳蚤市场的那名摊主宣称：它最初的主人是16世纪末一名英勇的龙骑兵——但在了解到受访者的神秘术效果后很快改了口。交易最终以一个双方都认可的价格成交。這副輕盈的金屬鎧甲是受訪者小搭檔最中意的落腳處。
聖圖安跳蚤市場的那名攤主宣稱：它最初的主人是16世紀末一名英勇的龍騎兵——但在瞭解到受訪者的神秘術效果後很快改了口。交易最終以一個雙方都認可的價格成交。この軽やかな金属の肩当ては、インタビューゲストの相棒が特に愛用する止まり木となっている。
サン・トゥアン蚤の市の古物商は、これを「16世紀末のある勇ましい竜騎兵の武具」だと吹き聴かせていたが、インタビューゲストの神秘術を知ると、その自慢も瞬く間に消え失せた。取引は、お互いに不満のない金額で話はまとまったのだ。이 가벼운 금속 갑옷은 인터뷰 대상자의 작은 파트너가 가장 좋아하는 자리이다.
생투앙 벼룩시장의 노점상은 갑옷을 이렇게 소개했다. 이 갑옷의 첫 주인은 16세기 말의 한 용감한 드래곤 라이더였는데... 그러다 인터뷰 대상자의 마도술 효과를 알게 된 이후로 그는 바로 말을 바꾸었고, 결국 양측 모두가 만족하는 가격에 거래가 성사되었다.
"The Gray"“灰调”“灰調”「グレイッシュ」‘회색빛’
Invaluable
The interviewee wears an unusual bracelet; its largest crystal shines with a deep, quiet blue.
Despite its outward beauty during the interview, we noticed she doesn't seem to like this piece at all.
She avoids talking about where it came from, and when asked what it means to her, a rare sadness flickers across her face.受访者佩戴着一条别致的手链，最大的那枚水晶中包裹着一抹幽深的蓝色。
然而，我们在采访过程中发现受访者似乎并不喜爱此物。
她不愿过多提及这件物品的来历，在被问及此物于她而言的意义时，受访者少有地露出了悲伤的表情。受訪者佩戴著一條別緻的手鏈，最大的那枚水晶中包裹著一抹幽深的藍色。
然而，我們在採訪過程中發現受訪者似乎並不喜愛此物。
她不願過多提及這件物品的來歷，在被問及此物於她而言的意義時，受訪者少有地露出了悲傷的表情。インタビューゲストの手首には、人目を引く美しいブレスレットが装飾されている。特に大きな一粒の水晶は、神秘的な深青の色彩を宿している。
だが、取材が進行するにつれ、インタビューゲストがそのブレスレットに対して愛着を抱いていないことが分かった。
ブレスレットの出自について、彼女は固く口を閉ざした。その上で、品物が彼女にとって何を意味するのかを問われると、インタビューゲストは滅多に人前では見せない悲しみの色をにじませた。인터뷰 대상자는 특이한 팔찌 하나를 착용하고 있는데, 팔찌의 가장 큰 수정에는 한 줄기의 깊은 파란빛이 감싸져 있다.
그런데 우리가 인터뷰 중 알아낸 바에 따르면 인터뷰 대상자는 이 물건을 그다지 좋아하지 않는 것 같다.
그녀는 이 물건에 대해 별로 얘기하고 싶어 하지 않았고, 이것이 어떤 의미인지 물어보자 보기 드물게 쓸쓸한 표정을 지었다.
Despite its outward beauty during the interview, we noticed she doesn't seem to like this piece at all.
She avoids talking about where it came from, and when asked what it means to her, a rare sadness flickers across her face.受访者佩戴着一条别致的手链，最大的那枚水晶中包裹着一抹幽深的蓝色。
然而，我们在采访过程中发现受访者似乎并不喜爱此物。
她不愿过多提及这件物品的来历，在被问及此物于她而言的意义时，受访者少有地露出了悲伤的表情。受訪者佩戴著一條別緻的手鏈，最大的那枚水晶中包裹著一抹幽深的藍色。
然而，我們在採訪過程中發現受訪者似乎並不喜愛此物。
她不願過多提及這件物品的來歷，在被問及此物於她而言的意義時，受訪者少有地露出了悲傷的表情。インタビューゲストの手首には、人目を引く美しいブレスレットが装飾されている。特に大きな一粒の水晶は、神秘的な深青の色彩を宿している。
だが、取材が進行するにつれ、インタビューゲストがそのブレスレットに対して愛着を抱いていないことが分かった。
ブレスレットの出自について、彼女は固く口を閉ざした。その上で、品物が彼女にとって何を意味するのかを問われると、インタビューゲストは滅多に人前では見せない悲しみの色をにじませた。인터뷰 대상자는 특이한 팔찌 하나를 착용하고 있는데, 팔찌의 가장 큰 수정에는 한 줄기의 깊은 파란빛이 감싸져 있다.
그런데 우리가 인터뷰 중 알아낸 바에 따르면 인터뷰 대상자는 이 물건을 그다지 좋아하지 않는 것 같다.
그녀는 이 물건에 대해 별로 얘기하고 싶어 하지 않았고, 이것이 어떤 의미인지 물어보자 보기 드물게 쓸쓸한 표정을 지었다.
Silent Witnesses沉默的见证者沉默的見證者言葉を持たない立会人침묵의 목격자
Their ancestors served as revered paladins under Charlemagne and, centuries later, as jewel hunters entrusted by the Sun King himself.
One recovered the royal treasures of Napoleon III lost overseas during the Revolution, and their parents supplied curiosities for the Exposition Universelle ... For reasons no one can quite explain, the calling to roam the world for the glory of France has been etched into the Tavernier bloodline.
At the end of any journey, there should be a waiting prize—
and few prizes shine brighter than gemstones. Where people's love for these radiant minerals comes from is hard to say: identity, status, power, wealth, or some blessing ... or curse. These glittering, silent witnesses have carried too many meanings.
Mounted on swords, crowns, reliquaries—they saw Charlemagne's empire thunder across Europe, then fracture into three, watched kingdoms rise and fall, and finally saw the light of enlightenment sweep away the dark as liberty and democracy took hold ...
But for those who chase these jewels, none of that truly matters.
"Diamonds, emeralds, and a bit of onyx—that's what Mom and Dad brought back this time.
They said they'll add some fine pearls and make a bracelet to take to a fair in America.
"Look, isn't it pretty?"先祖是查理曼大帝麾下光荣的圣骑士，曾曾曾曾曾曾祖父是太阳王器重的宝石猎人，曾祖父为拿破仑三世寻回了因大革命而流失国外的皇室珍宝，父母则是巴黎世博会上新奇展品的有力提供者……为法兰西踏上冒险之旅的使命，不知为何就刻进了塔沃尼尔家的血脉中。
在旅途的终点总应有一份战利品，供一路披荆斩棘而来的英雄摘取，那些光彩夺目的宝石就是极好的选择之一。很难说人们对这些美丽矿物的喜爱究竟源自何处。身份、地位、权力、财富，又或是难以言说的祝福及诅咒……这些亮闪闪的沉默者被赋予了太多含义，它们被镶嵌于佩剑、皇冠又或是圣物匣上，见证查理曼大帝威震四方，又见帝国一分为三、王权兴衰动荡，最终启蒙之光驱散蒙昧，自由与民主的旗帜高悬于头上……
不过对于追逐这些宝石本身的人们来说，这些问题都不太值得关心。
“钻石、祖母绿和一些缟玛瑙，这就是爸爸妈妈这趟回来的收获。他们说要再配上一些上等的珍珠，做成一个手镯拿到美国去参加展览。
“看看，是不是很漂亮？”先祖是查理曼大帝麾下光榮的聖騎士，曾曾曾曾曾曾祖父是太陽王器重的寶石獵人，曾祖父為拿破崙三世尋回了因大革命而流失國外的皇室珍寶，父母則是巴黎世博會上新奇展品的有力提供者……為法蘭西踏上冒險之旅的使命，不知為何就刻進了塔沃尼爾家的血脈中。
在旅途的終點總應有一份戰利品，供一路披荊斬棘而來的英雄摘取，那些光彩奪目的寶石就是極好的選擇之一。很難說人們對這些美麗礦物的喜愛究竟源自何處。身份、地位、權力、財富，又或是難以言說的祝福及詛咒……這些亮閃閃的沉默者被賦予了太多含義，它們被鑲嵌於佩劍、皇冠又或是聖物匣上，見證查理曼大帝威震四方，又見帝國一分為三、王權興衰動盪，最終啟蒙之光驅散蒙昧，自由與民主的旗幟高懸於頭上……
不過對於追逐這些寶石本身的人們來說，這些問題都不太值得關心。
“鑽石、祖母綠和一些縞瑪瑙，這就是爸爸媽媽這趟回來的收穫。他們說要再配上一些上等的珍珠，做成一個手鐲拿到美國去參加展覽。
“看看，是不是很漂亮？”タヴェルニエ家の系譜をたどれば、先祖はシャルルマーニュ大帝に仕えた誉れの聖騎士。遠い代の祖父は太陽王御用達の宝石ハンターであり、曾祖父はナポレオン3世のもとで大革命の動乱で失われた王家の至宝を取り戻した。そして両親も、パリ万博への画期的な展示で知られる名士である。国のために探求の旅へ出る宿命は、なぜかこの家の血筋に刻み込まれたようだ。
過酷な旅路を経て還った英雄に対しては、常にその労に報いるための戦利品が用意されている。眩いばかりの宝石はまさにその代名詞だ。これらの麗しい鉱物に人が惹かれる根源を見極めるのは至難の業だ。身分や権勢、財力などに加え、秘められた加護や災いなど…言葉を持たない宝石には、多すぎるほどの意義が付与されている。かつてその宝石たちは佩剣や王冠、あるいは聖骨箱を飾る材料であった。シャルルマーニュ大帝の勢力拡大やその後の帝国の三分裂と、王権が繰り広げる栄枯盛衰の時代を経た先に、啓蒙の英知が無知の闇を消し去り、自由と民主の旗が空高くたなびく光景をその輝きの内に記憶したのである。
もちろん、宝石そのものを追い求める者たちにとっては、このような由緒や意義は考える必要がないのだ。
「ダイヤモンドにエメラルド、それにオーニキス。これが父さんと母さんが今回の収穫だよ。ここに上質なパールを足してブレスレットを作って、アメリカの展覧会に出品するんだって」
「ほら、きれいでしょ？」선조는 샤를마뉴 대제 휘하의 영광스러운 성기사였으며, 증증증증증증조부는 태양왕의 총애를 받는 보석 사냥꾼이었다. 증조부는 대혁명 당시에 해외로 유실된 황실 보물을 되찾아 나폴레옹 3세에게 헌상했으며, 부모는 파리 만국박람회에 여러 신기한 전시품을 제공한 바 있다... 어찌된 일인지 프랑스를 위해 모험을 떠나는 사명이 타베르니에 가문의 혈통에 새겨져 있는 것이다.
여행의 끝에는 전리품이 있기 마련이고, 영웅은 온갖 가시덤불을 헤치고 그것을 손에 넣는다. 눈부시게 빛나는 보석은 그중에서도 더없이 훌륭한 선택이다. 왜 사람들이 아름다운 광석에 매료되는지는 쉽게 설명하기 어렵다. 신분, 지위, 권력, 재력, 혹은 설명할 수 없는 축복과 저주까지... 이 반짝이는 침묵자들은 수많은 의미를 부여 받고, 그것들은 검, 왕관, 그리고 성물함에 박혔으며, 샤를마뉴 대제가 위세를 떨칠 때도, 제국이 세 개로 나뉘고 왕권이 흥하고 망할 때도, 계몽의 빛이 무지를 몰아낼 때도, 자유와 민주주의의 깃발이 높이 펄럭이는 때도 모든 걸 지켜보고 있었다...
하지만 보석 자체를 사냥하는 사람들에게 그런 문제들은 딱히 신경 쓸 일이 아니었다.
"다이아몬드, 에메랄드, 그리고 오닉스 조금. 이게 아빠 엄마가 이번에 갖고 온 수확물이야. 여기에 좋은 진주를 조금 더해 만든 팔찌를 미국에 가져가 전시할 거래."
"봐, 엄청 이쁘지?"
One recovered the royal treasures of Napoleon III lost overseas during the Revolution, and their parents supplied curiosities for the Exposition Universelle ... For reasons no one can quite explain, the calling to roam the world for the glory of France has been etched into the Tavernier bloodline.
At the end of any journey, there should be a waiting prize—
and few prizes shine brighter than gemstones. Where people's love for these radiant minerals comes from is hard to say: identity, status, power, wealth, or some blessing ... or curse. These glittering, silent witnesses have carried too many meanings.
Mounted on swords, crowns, reliquaries—they saw Charlemagne's empire thunder across Europe, then fracture into three, watched kingdoms rise and fall, and finally saw the light of enlightenment sweep away the dark as liberty and democracy took hold ...
But for those who chase these jewels, none of that truly matters.
"Diamonds, emeralds, and a bit of onyx—that's what Mom and Dad brought back this time.
They said they'll add some fine pearls and make a bracelet to take to a fair in America.
"Look, isn't it pretty?"先祖是查理曼大帝麾下光荣的圣骑士，曾曾曾曾曾曾祖父是太阳王器重的宝石猎人，曾祖父为拿破仑三世寻回了因大革命而流失国外的皇室珍宝，父母则是巴黎世博会上新奇展品的有力提供者……为法兰西踏上冒险之旅的使命，不知为何就刻进了塔沃尼尔家的血脉中。
在旅途的终点总应有一份战利品，供一路披荆斩棘而来的英雄摘取，那些光彩夺目的宝石就是极好的选择之一。很难说人们对这些美丽矿物的喜爱究竟源自何处。身份、地位、权力、财富，又或是难以言说的祝福及诅咒……这些亮闪闪的沉默者被赋予了太多含义，它们被镶嵌于佩剑、皇冠又或是圣物匣上，见证查理曼大帝威震四方，又见帝国一分为三、王权兴衰动荡，最终启蒙之光驱散蒙昧，自由与民主的旗帜高悬于头上……
不过对于追逐这些宝石本身的人们来说，这些问题都不太值得关心。
“钻石、祖母绿和一些缟玛瑙，这就是爸爸妈妈这趟回来的收获。他们说要再配上一些上等的珍珠，做成一个手镯拿到美国去参加展览。
“看看，是不是很漂亮？”先祖是查理曼大帝麾下光榮的聖騎士，曾曾曾曾曾曾祖父是太陽王器重的寶石獵人，曾祖父為拿破崙三世尋回了因大革命而流失國外的皇室珍寶，父母則是巴黎世博會上新奇展品的有力提供者……為法蘭西踏上冒險之旅的使命，不知為何就刻進了塔沃尼爾家的血脈中。
在旅途的終點總應有一份戰利品，供一路披荊斬棘而來的英雄摘取，那些光彩奪目的寶石就是極好的選擇之一。很難說人們對這些美麗礦物的喜愛究竟源自何處。身份、地位、權力、財富，又或是難以言說的祝福及詛咒……這些亮閃閃的沉默者被賦予了太多含義，它們被鑲嵌於佩劍、皇冠又或是聖物匣上，見證查理曼大帝威震四方，又見帝國一分為三、王權興衰動盪，最終啟蒙之光驅散蒙昧，自由與民主的旗幟高懸於頭上……
不過對於追逐這些寶石本身的人們來說，這些問題都不太值得關心。
“鑽石、祖母綠和一些縞瑪瑙，這就是爸爸媽媽這趟回來的收穫。他們說要再配上一些上等的珍珠，做成一個手鐲拿到美國去參加展覽。
“看看，是不是很漂亮？”タヴェルニエ家の系譜をたどれば、先祖はシャルルマーニュ大帝に仕えた誉れの聖騎士。遠い代の祖父は太陽王御用達の宝石ハンターであり、曾祖父はナポレオン3世のもとで大革命の動乱で失われた王家の至宝を取り戻した。そして両親も、パリ万博への画期的な展示で知られる名士である。国のために探求の旅へ出る宿命は、なぜかこの家の血筋に刻み込まれたようだ。
過酷な旅路を経て還った英雄に対しては、常にその労に報いるための戦利品が用意されている。眩いばかりの宝石はまさにその代名詞だ。これらの麗しい鉱物に人が惹かれる根源を見極めるのは至難の業だ。身分や権勢、財力などに加え、秘められた加護や災いなど…言葉を持たない宝石には、多すぎるほどの意義が付与されている。かつてその宝石たちは佩剣や王冠、あるいは聖骨箱を飾る材料であった。シャルルマーニュ大帝の勢力拡大やその後の帝国の三分裂と、王権が繰り広げる栄枯盛衰の時代を経た先に、啓蒙の英知が無知の闇を消し去り、自由と民主の旗が空高くたなびく光景をその輝きの内に記憶したのである。
もちろん、宝石そのものを追い求める者たちにとっては、このような由緒や意義は考える必要がないのだ。
「ダイヤモンドにエメラルド、それにオーニキス。これが父さんと母さんが今回の収穫だよ。ここに上質なパールを足してブレスレットを作って、アメリカの展覧会に出品するんだって」
「ほら、きれいでしょ？」선조는 샤를마뉴 대제 휘하의 영광스러운 성기사였으며, 증증증증증증조부는 태양왕의 총애를 받는 보석 사냥꾼이었다. 증조부는 대혁명 당시에 해외로 유실된 황실 보물을 되찾아 나폴레옹 3세에게 헌상했으며, 부모는 파리 만국박람회에 여러 신기한 전시품을 제공한 바 있다... 어찌된 일인지 프랑스를 위해 모험을 떠나는 사명이 타베르니에 가문의 혈통에 새겨져 있는 것이다.
여행의 끝에는 전리품이 있기 마련이고, 영웅은 온갖 가시덤불을 헤치고 그것을 손에 넣는다. 눈부시게 빛나는 보석은 그중에서도 더없이 훌륭한 선택이다. 왜 사람들이 아름다운 광석에 매료되는지는 쉽게 설명하기 어렵다. 신분, 지위, 권력, 재력, 혹은 설명할 수 없는 축복과 저주까지... 이 반짝이는 침묵자들은 수많은 의미를 부여 받고, 그것들은 검, 왕관, 그리고 성물함에 박혔으며, 샤를마뉴 대제가 위세를 떨칠 때도, 제국이 세 개로 나뉘고 왕권이 흥하고 망할 때도, 계몽의 빛이 무지를 몰아낼 때도, 자유와 민주주의의 깃발이 높이 펄럭이는 때도 모든 걸 지켜보고 있었다...
하지만 보석 자체를 사냥하는 사람들에게 그런 문제들은 딱히 신경 쓸 일이 아니었다.
"다이아몬드, 에메랄드, 그리고 오닉스 조금. 이게 아빠 엄마가 이번에 갖고 온 수확물이야. 여기에 좋은 진주를 조금 더해 만든 팔찌를 미국에 가져가 전시할 거래."
"봐, 엄청 이쁘지?"
A Tourist's Guide to Paris巴黎漫游指南巴黎漫遊指南パリ巡りのしおり파리 유람 가이드
(A city map of Paris distributed by a taxi company. Many landmarks are circled with notes scribbled beside them.)
Louvre Museum
If asked about famous pieces: Venus de Milo (ancient Greek sculpture), Mona Lisa (stolen once twenty-plus years ago—thief was a museum employee).
Nearby are Tuileries Garden (nice for a walk, no entry fee) and Place de la Concorde (old execution square, but no guillotine now—just the Egyptian obelisk).
Eiffel Tower
Built for the 1889 Exposition Universelle.
Once the tallest structure in the world, until the Americans started building skyscrapers (no need to bring up).
Crowded by day, better at night. (Find Marcel—discounted tickets plus 60/40 split.)
Champs-Élysées
Quick drive from one end to the other, but most prefer walking—make sure to allow enough time.
Ends at Arc de Triomphe.
Viewing deck overlooks the whole avenue. If guests don't like walking, bring straight here—can admire carvings and the Tomb of the Unknown Soldier.
...（一张由出租车公司派发的巴黎市区地图，许多景点被圈出来，在一旁标示着备注）
卢浮宫
如果有人问起藏品：断臂维纳斯（一座古希腊雕像）、蒙娜丽莎的微笑（二十多年前曾经丢过一次，犯人是博物馆里的员工）
附近有杜伊勒里花园（可以散步，不要门票钱）和协和广场（就是革命广场，不过现在已经没有断头台了，倒是可以看看那座埃及的方尖碑
埃菲尔铁塔
是为1889年的世界博览会建造的
曾经是全世界最高的人造建筑，直到美国人开始修他们的那些大楼（不过不需要提美国人的那些事）
白天人多，晚上去更好。（找马塞尔可以搞到便宜的票，四六分）
香榭丽舍大道
从东头到西头只要一脚油门，客人们更喜欢徒步穿越这条大街，最好预留出足够的时间。
尽头凯旋门的观景台可以俯瞰整条大道的风景，如果有客人对散步没兴趣，直接来这里也行，还能参观那些漂亮的雕刻和无名烈士墓
……（一張由計程車公司派發的巴黎市區地圖，許多景點被圈出來，在一旁標示著備註）
羅浮宮
如果有人問起藏品：斷臂維納斯（一座古希臘雕像）、蒙娜麗莎的微笑（二十多年前曾經丟過一次，犯人是博物館裡的員工）
附近有杜樂麗花園（可以散步，不要門票錢）和協和廣場（就是革命廣場，不過現在已經沒有斷頭台了，倒是可以看看那座埃及的方尖碑
艾菲爾鐵塔
是為1889年的世界博覽會建造的
曾經是全世界最高的人造建築，直到美國人開始修他們的那些大樓（不過不需要提美國人的那些事）
白天人多，晚上去更好。（找馬塞爾可以弄到便宜的票，四六分）
香榭麗舍大道
從東頭到西頭只要一腳油門，客人們更喜歡徒步穿越這條大街，最好預留出足夠的時間。
盡頭凱旋門的觀景台可以俯瞰整條大道的風景，如果有客人對散步沒興趣，直接來這裡也行，還能參觀那些漂亮的雕刻和無名烈士墓
……（タクシー会社から配布されたパリ市内の地図。様々な観光スポットが円で囲まれ、その横にメモが添えられている）
ルーヴル美術館
収蔵品について尋ねられたら：ミロのヴィーナス（古代ギリシアの彫像）、モナ・リザ（20年以上前に一度盗まれたが、犯人は美術館の職員だった）
近くにはチュイルリー公園（散歩に最適で、入場無料）とコンコルド広場（昔の革命広場で、今や断頭台はなく、エジプトのオベリスクは必見）がある
エッフェル塔
1889年の万国博覧会のために建造された
最初は世界一高い人工建造物だったが、それはアメリカが高層ビルの建設に着手するまでの話（とはいえ、アメリカの話はしないほうがいい）
昼間は混んでいるため、夜に行くのがおすすめ（マルセルに頼めば割引券が手に入る。利益は四対六で）
シャンゼリゼ大通り
東の端から西の端まではアクセルを踏めばすぐに到着するが、客は歩いて行くことを好む。十分な時間を確保しておくこと。
終点の凱旋門にある展望台からは、大通り全体の景色が一望できる。散歩に興味のない客は直接ここに案内してもいい。綺麗な彫刻や無名戦士の墓もあわせて見ることができる
……(택시 회사에서 나눠준 파리 시내 지도. 여러 관광지에 동그라미가 그려져 있고, 옆에 메모도 적혀 있다)
루브르 박물관
누군가 소장품에 대해 물을 시: 밀로의 비너스(고대 그리스 조각상), 모나리자의 미소(20여 년 전에 한 번 도난 당했는데, 범인은 박물관 직원이었음)
근처에 튈르리 정원이 있음(산책 가능, 입장료 없음), 콩코르드 광장도 있음(혁명 광장으로도 알려져 있으나 현재 단두대는 없음. 대신 이집트 오벨리스크가 있음)
에펠 탑
1889년 세계 박람회를 위해 만들어진 것
한때는 세계에서 가장 높은 인공 건축물이었지만, 미국인들이 빌딩을 짓기 시작하면서 그 자리를 내줬다(미국인들에 관해서는 얘기할 필요 없음)
낮에는 사람이 많으니, 밤에 가는 게 더 좋다(마르셀에게 가면 표를 싸게 구할 수 있음. 4:6 분배)
샹젤리제 거리
동쪽 끝에서 서쪽 끝까지 액셀 쭉 밟으면 됨. 대부분의 손님은 걸어가는 걸 더 좋아하니, 시간을 충분히 주는 것이 좋다.
끝에 있는 개선문 전망대에서는 거리 전체의 풍경이 보이며, 산책을 좋아하지 않는 손님이라면 바로 그곳으로 가는 것도 좋다. 아름다운 조각과 무명용사의 묘도 둘러볼 수 있다
......
Louvre Museum
If asked about famous pieces: Venus de Milo (ancient Greek sculpture), Mona Lisa (stolen once twenty-plus years ago—thief was a museum employee).
Nearby are Tuileries Garden (nice for a walk, no entry fee) and Place de la Concorde (old execution square, but no guillotine now—just the Egyptian obelisk).
Eiffel Tower
Built for the 1889 Exposition Universelle.
Once the tallest structure in the world, until the Americans started building skyscrapers (no need to bring up).
Crowded by day, better at night. (Find Marcel—discounted tickets plus 60/40 split.)
Champs-Élysées
Quick drive from one end to the other, but most prefer walking—make sure to allow enough time.
Ends at Arc de Triomphe.
Viewing deck overlooks the whole avenue. If guests don't like walking, bring straight here—can admire carvings and the Tomb of the Unknown Soldier.
...（一张由出租车公司派发的巴黎市区地图，许多景点被圈出来，在一旁标示着备注）
卢浮宫
如果有人问起藏品：断臂维纳斯（一座古希腊雕像）、蒙娜丽莎的微笑（二十多年前曾经丢过一次，犯人是博物馆里的员工）
附近有杜伊勒里花园（可以散步，不要门票钱）和协和广场（就是革命广场，不过现在已经没有断头台了，倒是可以看看那座埃及的方尖碑
埃菲尔铁塔
是为1889年的世界博览会建造的
曾经是全世界最高的人造建筑，直到美国人开始修他们的那些大楼（不过不需要提美国人的那些事）
白天人多，晚上去更好。（找马塞尔可以搞到便宜的票，四六分）
香榭丽舍大道
从东头到西头只要一脚油门，客人们更喜欢徒步穿越这条大街，最好预留出足够的时间。
尽头凯旋门的观景台可以俯瞰整条大道的风景，如果有客人对散步没兴趣，直接来这里也行，还能参观那些漂亮的雕刻和无名烈士墓
……（一張由計程車公司派發的巴黎市區地圖，許多景點被圈出來，在一旁標示著備註）
羅浮宮
如果有人問起藏品：斷臂維納斯（一座古希臘雕像）、蒙娜麗莎的微笑（二十多年前曾經丟過一次，犯人是博物館裡的員工）
附近有杜樂麗花園（可以散步，不要門票錢）和協和廣場（就是革命廣場，不過現在已經沒有斷頭台了，倒是可以看看那座埃及的方尖碑
艾菲爾鐵塔
是為1889年的世界博覽會建造的
曾經是全世界最高的人造建築，直到美國人開始修他們的那些大樓（不過不需要提美國人的那些事）
白天人多，晚上去更好。（找馬塞爾可以弄到便宜的票，四六分）
香榭麗舍大道
從東頭到西頭只要一腳油門，客人們更喜歡徒步穿越這條大街，最好預留出足夠的時間。
盡頭凱旋門的觀景台可以俯瞰整條大道的風景，如果有客人對散步沒興趣，直接來這裡也行，還能參觀那些漂亮的雕刻和無名烈士墓
……（タクシー会社から配布されたパリ市内の地図。様々な観光スポットが円で囲まれ、その横にメモが添えられている）
ルーヴル美術館
収蔵品について尋ねられたら：ミロのヴィーナス（古代ギリシアの彫像）、モナ・リザ（20年以上前に一度盗まれたが、犯人は美術館の職員だった）
近くにはチュイルリー公園（散歩に最適で、入場無料）とコンコルド広場（昔の革命広場で、今や断頭台はなく、エジプトのオベリスクは必見）がある
エッフェル塔
1889年の万国博覧会のために建造された
最初は世界一高い人工建造物だったが、それはアメリカが高層ビルの建設に着手するまでの話（とはいえ、アメリカの話はしないほうがいい）
昼間は混んでいるため、夜に行くのがおすすめ（マルセルに頼めば割引券が手に入る。利益は四対六で）
シャンゼリゼ大通り
東の端から西の端まではアクセルを踏めばすぐに到着するが、客は歩いて行くことを好む。十分な時間を確保しておくこと。
終点の凱旋門にある展望台からは、大通り全体の景色が一望できる。散歩に興味のない客は直接ここに案内してもいい。綺麗な彫刻や無名戦士の墓もあわせて見ることができる
……(택시 회사에서 나눠준 파리 시내 지도. 여러 관광지에 동그라미가 그려져 있고, 옆에 메모도 적혀 있다)
루브르 박물관
누군가 소장품에 대해 물을 시: 밀로의 비너스(고대 그리스 조각상), 모나리자의 미소(20여 년 전에 한 번 도난 당했는데, 범인은 박물관 직원이었음)
근처에 튈르리 정원이 있음(산책 가능, 입장료 없음), 콩코르드 광장도 있음(혁명 광장으로도 알려져 있으나 현재 단두대는 없음. 대신 이집트 오벨리스크가 있음)
에펠 탑
1889년 세계 박람회를 위해 만들어진 것
한때는 세계에서 가장 높은 인공 건축물이었지만, 미국인들이 빌딩을 짓기 시작하면서 그 자리를 내줬다(미국인들에 관해서는 얘기할 필요 없음)
낮에는 사람이 많으니, 밤에 가는 게 더 좋다(마르셀에게 가면 표를 싸게 구할 수 있음. 4:6 분배)
샹젤리제 거리
동쪽 끝에서 서쪽 끝까지 액셀 쭉 밟으면 됨. 대부분의 손님은 걸어가는 걸 더 좋아하니, 시간을 충분히 주는 것이 좋다.
끝에 있는 개선문 전망대에서는 거리 전체의 풍경이 보이며, 산책을 좋아하지 않는 손님이라면 바로 그곳으로 가는 것도 좋다. 아름다운 조각과 무명용사의 묘도 둘러볼 수 있다
......
Retro Series: Antique Car Restoration Handbook怀旧系列：古董车翻新手册懷舊系列：古董車翻新手冊レトロ・シリーズ：
古典車を蘇らせるためのマニュアル회상 시리즈: 골동품 차량 복원 매뉴얼
古典車を蘇らせるためのマニュアル회상 시리즈: 골동품 차량 복원 매뉴얼
[UTTUxBrume]
Pandora Wilson: By now, you've lived through six "Storms," haven't you?
Brume: Now that you mention it ... I suppose I have.
Pandora Wilson: You haven't kept count?
Brume: Well, it doesn't get any easier, I'll tell you that much.
Pandora Wilson: Have you experienced any trouble over the past years?
Brume: ... Nothing worth complaining about. Ms. Bouanich is a straightforward employer. Even if this job wasn't part of my original plan, traveling everywhere, seeing different places—it's been rather fun, in its own way.
Brume: Laugh if you want, but ever since I was young, I've longed to see the world someday ... In that sense, I suppose I've achieved my childhood dream—just not in the way I'd expected.
Pandora Wilson: So you haven't had a fixed place to live for years, right?
Brume: I have my Peugeot 201. Wherever I go, that's home.
Brume: Though, since you bring it up, I suppose it does come with its difficulties. The old girl's been with me for years—which comes with plenty of quirks, of course. It can all be quite nightmarish when I need a repair on the road.
Brume: The mechanics either tell me, "We don't have parts for antique cars," or they open the hood and freeze, saying, "I've never seen anything built this way" ...
Brume: That's why I've started carrying around the backup parts Laplace provided me with.
I'd say my repair skills are getting rather good too. If I ever lose this job, perhaps I might make a living as a mechanic.白雪松：迄今为止，您应该已经经历过六次“暴雨”了？
灰调蓝：你这么一说……还真是。
白雪松：您没有数过吗？
灰调蓝：不管发生过多少次，那都不是什么令人愉快的经历。
白雪松：这期间您曾有过什么困扰吗？
灰调蓝：……没什么值得抱怨的，布翁尼女士是个爽快的老板，虽然这份工作不在我原本的职业规划内，但能去到天南海北，看看不同地方的风土人情，其实也蛮有趣的。
灰调蓝：说出来不怕你笑话，其实从小我就想着也许有一天能到世界各地去走走……从这个角度看，我甚至实现了原本的梦想，只是过程不太符合预期而已。
白雪松：所以您在这几年并没有固定的居所，是吗？
灰调蓝：我有我的标致201。我去到哪儿，我的家就在哪儿。
灰调蓝：不过说到这里，的确有件事让人头疼。我这老伙计已经陪伴我有些年头了，难免落下些毛病，可出门在外时想找地方维修却不容易。
灰调蓝：修车铺的家伙们不是和我说“这里没有给古董车用的配件”，就是在掀开引擎盖后瞠目结舌，说“我从没见过这样的设计”……
灰调蓝：所以你瞧，现在我出门都带着拉普拉斯那些人帮我搞的备用配件，修车的技术也是越来越好了。等哪天要是又失业了，也许我还能靠这门手艺养活自己。白雪松：迄今為止，您應該已經經歷過六次“暴雨”了？
灰調藍：你這麼一說……還真是。
白雪松：您沒有數過嗎？
灰調藍：不管發生過多少次，那都不是什麼令人愉快的經歷。
白雪松：這期間您曾有過什麼困擾嗎？
灰調藍：……沒什麼值得抱怨的，布翁尼女士是個爽快的老闆，雖然這份工作不在我原本的職業規劃內，但能去到天南海北，看看不同地方的風土人情，其實也蠻有趣的。
灰調藍：說出來不怕你笑話，其實從小我就想著也許有一天能到世界各地去走走……從這個角度看，我甚至實現了原本的夢想，只是過程不太符合預期而已。
白雪松：所以您在這幾年並沒有固定的居所，是嗎？
灰調藍：我有我的Peugeot 201 。我去到哪裡，我的家就在哪裡。
灰調藍：不過說到這裡，的確有件事讓人頭痛。我這老夥計已經陪伴我有些年頭了，難免落下些毛病，可出門在外時想找地方維修卻不容易。
灰調藍：修車廠的傢伙們不是和我說“這裡沒有給古董車用的配件”，就是在掀開引擎蓋後瞠目結舌，說“我從沒見過這樣的設計”……
灰調藍：所以你看，現在我出門都帶著拉普拉斯那些人幫我弄的備用配件，修車的技術也是越來越好了。等哪天要是又失業了，也許我還能靠這門手藝養活自己。パンドラ・ウィルソン：貴女は今日までに、すでに6度の「ストーム」を経験なさっているのですね？
グレイッシュブルー：言われてみると…たしかにそうだね。
パンドラ・ウィルソン：回数は特に気にしていなかったのでしょうか？
グレイッシュブルー：まぁ、数えたところで、あたしにとっては楽しい経験じゃないから。
パンドラ・ウィルソン：その間、何か不便に感じた点などはありましたか？
グレイッシュブルー：…まあ、特にはないかな。マダム・ベリルは気前のいい雇い主だし、本来の仕事じゃないにしろ、色んな場所に行って、その土地の風俗や人々の暮らしを見られるのは、案外楽しいしね。
グレイッシュブルー：笑われるかもだけど、小さい頃からいつか世界を巡りたいって思ってたんだ。だから、思ってた道筋とは違うけど、夢自体は叶ってると思ってる。
パンドラ・ウィルソン：なるほど。ではこの数年間、特定の住まいはなかった、ということでしょうか？
グレイッシュブルー：あたしにはプジョー201があるからね、行く先々が家になるんだよ。
グレイッシュブルー：ただ、それで言うと一つだけ悩みがあるかな。相棒とは長いからどうしても道中でガタがくるんだけど、出先で修理するのがほんとに大変でね。
グレイッシュブルー：奇跡的に修理工場が見つかっても、「古すぎてパーツがない」とか、エンジンルームを見て「こんな仕組みは見たことない」って言われるんだ…
グレイッシュブルー：だから、今はラプラスの人たちに用意してもらった予備パーツを持って行くようにしてるよ。おかげで修理の腕もめきめき上がってきたから、いつか仕事を失ってもこっちで生きてけるかもね。판도라 윌슨: 지금까지, 여섯 번의 ‘폭풍우’를 경험하신 거죠?
브룸: 생각해 보면... 맞는 것 같네.
판도라 윌슨: 세보지는 않았나 보죠?
브룸: 몇 번 있었는지는 모르지만, 여하튼 다 그렇게 즐거운 경험은 아니었으니까.
판도라 윌슨: 그동안 뭔가 안 좋은 일이 있었나 보네요?
브룸: ...불평할 정도는 아니야. 부아닉 씨가 좀 시원시원한 사장님이라서. 내 원래 직업과는 조금 다르긴 하지만 사방팔방 돌아다니면서 각지의 문화와 사람들을 접하는 건 사실 꽤 재밌거든.
브룸: 웃기다고 생각할지도 모르지만, 난 어릴 때부터 세상 이곳저곳을 둘러보고 싶었어... 그런 관점에서 보면 난 오히려 꿈을 이룬 셈이지. 과정이 생각했던 것과 달랐을 뿐이고.
판도라 윌슨: 그럼 최근 몇 년 동안은 따로 정해진 거처 없이 지내신 거네요. 맞나요?
브룸: 내겐 푸조 201이 있어. 어디를 가든, 그곳이 내 집이야.
브룸: 아, 그러고 보니 골치 아픈 점이 하나 있는데... 이 녀석도 벌써 몇 년을 함께 해서 그런지 잔고장이 늘어나서 걱정이야. 밖을 돌아다니다 보면 수리할 곳이 마땅치 않거든.
브룸: 정비소 사람들이 늘 하는 얘기가 ‘이런 오래된 자동차 부품이 없다’ 라거나, 보닛을 열고는 ‘이런 구조는 처음 본다’는 말뿐이라니까...
브룸: 그래서 봐. 나갈 때마다 라플라스 사람들이 챙겨준 예비 부품을 들고 다니고, 차 수리 솜씨도 점점 늘고 있어. 언젠가 또 실직하면 이걸로 먹고 살 수도 있겠지.
Brume: Now that you mention it ... I suppose I have.
Pandora Wilson: You haven't kept count?
Brume: Well, it doesn't get any easier, I'll tell you that much.
Pandora Wilson: Have you experienced any trouble over the past years?
Brume: ... Nothing worth complaining about. Ms. Bouanich is a straightforward employer. Even if this job wasn't part of my original plan, traveling everywhere, seeing different places—it's been rather fun, in its own way.
Brume: Laugh if you want, but ever since I was young, I've longed to see the world someday ... In that sense, I suppose I've achieved my childhood dream—just not in the way I'd expected.
Pandora Wilson: So you haven't had a fixed place to live for years, right?
Brume: I have my Peugeot 201. Wherever I go, that's home.
Brume: Though, since you bring it up, I suppose it does come with its difficulties. The old girl's been with me for years—which comes with plenty of quirks, of course. It can all be quite nightmarish when I need a repair on the road.
Brume: The mechanics either tell me, "We don't have parts for antique cars," or they open the hood and freeze, saying, "I've never seen anything built this way" ...
Brume: That's why I've started carrying around the backup parts Laplace provided me with.
I'd say my repair skills are getting rather good too. If I ever lose this job, perhaps I might make a living as a mechanic.白雪松：迄今为止，您应该已经经历过六次“暴雨”了？
灰调蓝：你这么一说……还真是。
白雪松：您没有数过吗？
灰调蓝：不管发生过多少次，那都不是什么令人愉快的经历。
白雪松：这期间您曾有过什么困扰吗？
灰调蓝：……没什么值得抱怨的，布翁尼女士是个爽快的老板，虽然这份工作不在我原本的职业规划内，但能去到天南海北，看看不同地方的风土人情，其实也蛮有趣的。
灰调蓝：说出来不怕你笑话，其实从小我就想着也许有一天能到世界各地去走走……从这个角度看，我甚至实现了原本的梦想，只是过程不太符合预期而已。
白雪松：所以您在这几年并没有固定的居所，是吗？
灰调蓝：我有我的标致201。我去到哪儿，我的家就在哪儿。
灰调蓝：不过说到这里，的确有件事让人头疼。我这老伙计已经陪伴我有些年头了，难免落下些毛病，可出门在外时想找地方维修却不容易。
灰调蓝：修车铺的家伙们不是和我说“这里没有给古董车用的配件”，就是在掀开引擎盖后瞠目结舌，说“我从没见过这样的设计”……
灰调蓝：所以你瞧，现在我出门都带着拉普拉斯那些人帮我搞的备用配件，修车的技术也是越来越好了。等哪天要是又失业了，也许我还能靠这门手艺养活自己。白雪松：迄今為止，您應該已經經歷過六次“暴雨”了？
灰調藍：你這麼一說……還真是。
白雪松：您沒有數過嗎？
灰調藍：不管發生過多少次，那都不是什麼令人愉快的經歷。
白雪松：這期間您曾有過什麼困擾嗎？
灰調藍：……沒什麼值得抱怨的，布翁尼女士是個爽快的老闆，雖然這份工作不在我原本的職業規劃內，但能去到天南海北，看看不同地方的風土人情，其實也蠻有趣的。
灰調藍：說出來不怕你笑話，其實從小我就想著也許有一天能到世界各地去走走……從這個角度看，我甚至實現了原本的夢想，只是過程不太符合預期而已。
白雪松：所以您在這幾年並沒有固定的居所，是嗎？
灰調藍：我有我的Peugeot 201 。我去到哪裡，我的家就在哪裡。
灰調藍：不過說到這裡，的確有件事讓人頭痛。我這老夥計已經陪伴我有些年頭了，難免落下些毛病，可出門在外時想找地方維修卻不容易。
灰調藍：修車廠的傢伙們不是和我說“這裡沒有給古董車用的配件”，就是在掀開引擎蓋後瞠目結舌，說“我從沒見過這樣的設計”……
灰調藍：所以你看，現在我出門都帶著拉普拉斯那些人幫我弄的備用配件，修車的技術也是越來越好了。等哪天要是又失業了，也許我還能靠這門手藝養活自己。パンドラ・ウィルソン：貴女は今日までに、すでに6度の「ストーム」を経験なさっているのですね？
グレイッシュブルー：言われてみると…たしかにそうだね。
パンドラ・ウィルソン：回数は特に気にしていなかったのでしょうか？
グレイッシュブルー：まぁ、数えたところで、あたしにとっては楽しい経験じゃないから。
パンドラ・ウィルソン：その間、何か不便に感じた点などはありましたか？
グレイッシュブルー：…まあ、特にはないかな。マダム・ベリルは気前のいい雇い主だし、本来の仕事じゃないにしろ、色んな場所に行って、その土地の風俗や人々の暮らしを見られるのは、案外楽しいしね。
グレイッシュブルー：笑われるかもだけど、小さい頃からいつか世界を巡りたいって思ってたんだ。だから、思ってた道筋とは違うけど、夢自体は叶ってると思ってる。
パンドラ・ウィルソン：なるほど。ではこの数年間、特定の住まいはなかった、ということでしょうか？
グレイッシュブルー：あたしにはプジョー201があるからね、行く先々が家になるんだよ。
グレイッシュブルー：ただ、それで言うと一つだけ悩みがあるかな。相棒とは長いからどうしても道中でガタがくるんだけど、出先で修理するのがほんとに大変でね。
グレイッシュブルー：奇跡的に修理工場が見つかっても、「古すぎてパーツがない」とか、エンジンルームを見て「こんな仕組みは見たことない」って言われるんだ…
グレイッシュブルー：だから、今はラプラスの人たちに用意してもらった予備パーツを持って行くようにしてるよ。おかげで修理の腕もめきめき上がってきたから、いつか仕事を失ってもこっちで生きてけるかもね。판도라 윌슨: 지금까지, 여섯 번의 ‘폭풍우’를 경험하신 거죠?
브룸: 생각해 보면... 맞는 것 같네.
판도라 윌슨: 세보지는 않았나 보죠?
브룸: 몇 번 있었는지는 모르지만, 여하튼 다 그렇게 즐거운 경험은 아니었으니까.
판도라 윌슨: 그동안 뭔가 안 좋은 일이 있었나 보네요?
브룸: ...불평할 정도는 아니야. 부아닉 씨가 좀 시원시원한 사장님이라서. 내 원래 직업과는 조금 다르긴 하지만 사방팔방 돌아다니면서 각지의 문화와 사람들을 접하는 건 사실 꽤 재밌거든.
브룸: 웃기다고 생각할지도 모르지만, 난 어릴 때부터 세상 이곳저곳을 둘러보고 싶었어... 그런 관점에서 보면 난 오히려 꿈을 이룬 셈이지. 과정이 생각했던 것과 달랐을 뿐이고.
판도라 윌슨: 그럼 최근 몇 년 동안은 따로 정해진 거처 없이 지내신 거네요. 맞나요?
브룸: 내겐 푸조 201이 있어. 어디를 가든, 그곳이 내 집이야.
브룸: 아, 그러고 보니 골치 아픈 점이 하나 있는데... 이 녀석도 벌써 몇 년을 함께 해서 그런지 잔고장이 늘어나서 걱정이야. 밖을 돌아다니다 보면 수리할 곳이 마땅치 않거든.
브룸: 정비소 사람들이 늘 하는 얘기가 ‘이런 오래된 자동차 부품이 없다’ 라거나, 보닛을 열고는 ‘이런 구조는 처음 본다’는 말뿐이라니까...
브룸: 그래서 봐. 나갈 때마다 라플라스 사람들이 챙겨준 예비 부품을 들고 다니고, 차 수리 솜씨도 점점 늘고 있어. 언젠가 또 실직하면 이걸로 먹고 살 수도 있겠지.
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Default默认默認デフォルト기본
defaultFrom the driver's seat, the afternoon sun presents an invitation for fun and freedom.方向盘将索要一份午后阳光的自由。方向盤將索要一份午後陽光的自由。ハンドルは、午後の日差しの下を走る自由を望んでいる。운전대는 오후의 햇살과도 같은 자유를 갈망한다.
A Wayward Intermission意外停靠意外停靠予期せぬ停車뜻밖의 정차
insightA hero may pass you by, but a taxi driver never will.英雄不会随叫随到，司机却招手即停。英雄不會隨叫隨到，司機卻招手即停。英雄はいつでも駆けつけるわけではないが、運転手は手を挙げればすぐに止まる。영웅은 부른다고 오지 않지만, 운전 기사는 손짓 한 번에 멈춘다.
DRESSING ROOM
You can have anything you
want in life
if you dress for it.
—Edith Head
want in life
if you dress for it.
—Edith Head
Brume灰调蓝灰調藍グレイッシュブルー브룸
Default默认默認デフォルト기본
defaultFrom the driver's seat, the afternoon sun presents an invitation for fun and freedom.方向盘将索要一份午后阳光的自由。方向盤將索要一份午後陽光的自由。ハンドルは、午後の日差しの下を走る自由を望んでいる。운전대는 오후의 햇살과도 같은 자유를 갈망한다.
Brume灰调蓝灰調藍グレイッシュブルー브룸
A Wayward Intermission意外停靠意外停靠予期せぬ停車뜻밖의 정차
insightA hero may pass you by, but a taxi driver never will.英雄不会随叫随到，司机却招手即停。英雄不會隨叫隨到，司機卻招手即停。英雄はいつでも駆けつけるわけではないが、運転手は手を挙げればすぐに止まる。영웅은 부른다고 오지 않지만, 운전 기사는 손짓 한 번에 멈춘다.
Euphoria
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Rank 2
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Materials
Materials
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