Source
Warehouse:
RhiannonCoppéliaEverecho Character Profile
Everecho Character Profile
Everecho Profile Character
Everecho Profile
Everecho Kit Details
Everecho Info
Everecho Voice Lines
Everecho Garments
Everecho Story
Everecho
Heal治疗治療回復치료Conduit术具術具術具마도구Support辅助輔助サポート보조
ATK
攻击
攻擊
攻撃力
공격
HP
生命
生命
HP
HP
Reality DEF
现实防御
現實防禦
リアル防御力
현실 방어
Mental DEF
精神防御
精神防禦
メンタル防御力
정신 방어
Critical Technique
暴击技巧
暴擊技巧
クリティカルテクニック
치명타 기술
0
0
Lingering Here
[Precognition]
Does not obtain regular Incantations or Ultimate. Uses Chaotic Energy to trigger a [Conduit] to cast Incantations; Moxie is replaced by Harmonization; When entering battle, grants all allies [Soothing Song]; For every 1 Chaotic Energy consumed by allies, Everecho gains 1 stack of [Mend].
[Insight I]
At the start of the round, Everecho increases self Harmonization by +15, and restores HP to all allies equal to 20% of their [Remembrance].
[Insight II]
When entering battle, increases ATK by 5%.
[Insight III]
When entering battle, reduces all allies' DMG Taken by 30%; When ally [Conduit] characters' Harmonization overflows, it is temporarily stored; at the end of the round, if self Harmonization has remaining capacity, it is replenished, up to a maximum of 50 stored Harmonization; When entering battle, Everecho increases self Harmonization by +30.
Character Portray
Lv.1
[Echoes' Embrace] increases the stacks of [Past Shadows<id:1>] granted to all allies to 10; [Past Shadows<id:1>] stack cap increased to 20; 2 [Light's Might] cards in the deck gain Chaotic Energy increased to 2.
Lv.2
[Past Shadows<id:2>] DMG Bonus multiplier based on Everecho's ATK increased to 0.8%; additional DMG Bonus gained per stack increased to 1.5%; 1 [Light's Might] card in the deck gains Chaotic Energy increased to 2.
Lv.3
[Echoes' Embrace] [Hollow Shell<id:1>] Reality DEF reduction increased to 15%, Mental DEF reduction increased to 15%, Critical DEF reduction increased to 15%.
Lv.4
[Lingering Here] HP restored to all allies increased to 35% of self [Remembrance]; [Tomorrow's Hope] HP restored to all allies increased to Everecho's ATK * 240%.
Lv.5
[Past Shadows<id:3>] DMG Bonus multiplier based on Everecho's ATK increased to 1.2%; additional DMG Bonus gained per stack increased to 2%; 2 [Chaotic Energy II] cards in the deck gain Chaotic Energy increased to 3.
Photomancy
Character Stats
Insight:
Level: 1Max: 30
Sharpodonty
DustATK攻击攻擊攻撃力공격
N/AHP生命生命HPHP
N/AReality DEF现实防御現實防禦リアル防御力현실 방어
N/AMental DEF精神防御精神防禦メンタル防御力정신 방어
N/ACritical Technique暴击技巧暴擊技巧クリティカルテクニック치명타 기술
N/ACurrent bonus:Critical Rate暴击率暴擊率クリティカル率치명타율 N/A%,Critical DMG暴击创伤暴擊創傷クリティカルダメージ치명타 피해 N/A%
Voice Actors
Chinese:
KIYO
Regional Names
English:
Everecho
SimplifiedChinese:
回声谣
Character Tags
Heal治疗治療回復치료Conduit术具術具術具마도구Support辅助輔助サポート보조
Euphoria Tags
Weapons
Character Info
◆Medium介质介質ミディアム매개체
Vigil守望守望VigilVigil
◆Inspired灵感靈感本源영감
Echo of Memory [Mineral], Ruins Ballad忆念的回响[岩] 废墟歌谣忆念的回响[岩] 废墟歌谣Echo of Memory [Mineral], Ruins BalladEcho of Memory [Mineral], Ruins Ballad
◆Fragrance note香调香調香調조향 노트
Floral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter Orange花香西普调 冷杉 鸢尾根 雏菊 白垩粉末 苦橙油花香西普调 冷杉 鸢尾根 雏菊 白垩粉末 苦橙油Floral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter OrangeFloral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter Orange
◆Dimensions尺寸尺寸サイズ규격
64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.
Everecho回声谣回声谣EverechoEverecho
Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.神秘学家艺术品，展出于20世纪90年代，参展时长不详，诞生日疑为4月中旬春。展出于波兰共和国诺瓦米奇乡镇，曾短时间暂停展出，暂未目击到长距离移动记录。神秘学家艺术品，展出于20世纪90年代，参展时长不详，诞生日疑为4月中旬春。展出于波兰共和国诺瓦米奇乡镇，曾短时间暂停展出，暂未目击到长距离移动记录。Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.
Pureblooded Arcanist
A race capable of using arcane skills, able to cast arcane skills by expending Cellular Activity. This race once flourished, but as the Human race grew in strength, it was gradually marginalized and forgotten.
Beneath the Arcanist race exist multiple sub-branches, and these branches are often determined by the purity and origin of bloodline.
“A race forgotten by the world for their gift, set apart from the rest of the busy world. No one knows why arcanists became arcanists; they once flourished, and now they have fallen.”
A race whose Arcanist bloodline purity reaches above a defined threshold. Pureblooded Arcanists are far stronger in their ability to use arcane skills than non-purebloods; bloodline purity and casting ability share a linear relationship.
Everecho回声谣回声谣EverechoEverecho
Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.神秘学家艺术品，展出于20世纪90年代，参展时长不详，诞生日疑为4月中旬春。展出于波兰共和国诺瓦米奇乡镇，曾短时间暂停展出，暂未目击到长距离移动记录。神秘学家艺术品，展出于20世纪90年代，参展时长不详，诞生日疑为4月中旬春。展出于波兰共和国诺瓦米奇乡镇，曾短时间暂停展出，暂未目击到长距离移动记录。Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.Arcanist work. Exhibited since the 1990s; exhibition duration unknown, believed to have first appeared in mid-April spring. Exhibition location: The town of Nowa Miedź, Republic of Poland. Has briefly ceased exhibition on occasion; no record of long-distance movement observed.
Medium:介质:介質:ミディアム:매개체:Vigil守望守望VigilVigil
Inspired:灵感:靈感:本源:영감:Echo of Memory [Mineral], Ruins Ballad忆念的回响[岩] 废墟歌谣忆念的回响[岩] 废墟歌谣Echo of Memory [Mineral], Ruins BalladEcho of Memory [Mineral], Ruins Ballad
Fragrance note:香调:香調:香調:조향 노트:Floral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter Orange花香西普调 冷杉 鸢尾根 雏菊 白垩粉末 苦橙油花香西普调 冷杉 鸢尾根 雏菊 白垩粉末 苦橙油Floral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter OrangeFloral Chypre - Fir, Orris Root, Daisy, Chalk, Bitter Orange
Dimensions:尺寸:尺寸:サイズ:규격:64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.64 11/64×26 49/64×25 13/64in.
First Encounter
When the wind began to stir, mother rose and wandered afar.
That Spinning Wheel has a familiar glow ... Warm. Bright.
Like the sunlight that used to fall from the dome.
That Spinning Wheel has a familiar glow ... Warm. Bright.
Like the sunlight that used to fall from the dome.
Suitcase Climate
Ms. Cornerstone told me the dome was destroyed once, when the first "Storm" happened.
She said, without it, even bright days were dark and gloomy ...
She said, without it, even bright days were dark and gloomy ...
To the Future
Hmm ... I wish to ride a train and visit all the places I have only heard about in songs—
stately statues, bustling towns, cheerful crowds ... I want to be a photographer and travel all of Europe!
<Where she goes, Honza goes!>
stately statues, bustling towns, cheerful crowds ... I want to be a photographer and travel all of Europe!
<Where she goes, Honza goes!>
Idle
Each of us is like a little singing island floating on a wide sea—
we can only catch bits of each other's songs when we drift close enough to hear them.
I've heard people sing of puppets that never speak, the devil's tricks, and garlic that keeps evil away ...
Oh, garlic! I love it in beet soup!
we can only catch bits of each other's songs when we drift close enough to hear them.
I've heard people sing of puppets that never speak, the devil's tricks, and garlic that keeps evil away ...
Oh, garlic! I love it in beet soup!
Greetings
Happy new year! Happy new year, everyone!
<No, silly-wig! Not yet, it's not New Year!>
New Year's Day ... music plays, sweets on plates!
<No, silly-wig! Not yet, it's not New Year!>
New Year's Day ... music plays, sweets on plates!
Morning
Vertin ... I ... um, I took a little bite of the food on your desk.
I had heard people saying how good a "pen-cake" is with a little "paper" on top.
But it tasted like old potatoes from the bottom of the cellar. It was ... really bad.
I had heard people saying how good a "pen-cake" is with a little "paper" on top.
But it tasted like old potatoes from the bottom of the cellar. It was ... really bad.
Bond: Morning
This is Honza, he's my friend ... Don't be afraid, he is a kind little boy with a very soft heart ...
<Urgh! That's more sickly-sweeting than a sticky-sugar bun! Oh, Honza's belly is grumbling—is breakfast ready?>
<Urgh! That's more sickly-sweeting than a sticky-sugar bun! Oh, Honza's belly is grumbling—is breakfast ready?>
Night
<Ru-bu-ska! Ska-bu-ru! Hehe! I like her, she's a real tricksty-trickster with her shadow plays.>
<Ooh, sending the shivery-livers down people's spines is so-so fun!>
<Ooh, sending the shivery-livers down people's spines is so-so fun!>
Bond: Night
I saw the workers gathered around the bonfire at dusk, leaning against the ruins of their homes and strumming the guitar.
And they sang ... until the last of the day's light faded away.
And they sang ... until the last of the day's light faded away.
Hat and Hair
Joy and sorrow, happiness and pain ... they all live in my head, like little people in a tiny house.
It gets a little crowded sometimes, but I treasure every one.
It gets a little crowded sometimes, but I treasure every one.
Sleeves and Hands
<One little puppet, tongue goes splat; two little puppets, hands go crack; three little puppets, heads go boom! ... >
<Heh-heh! Did Honza scare you?>
<Heh-heh! Did Honza scare you?>
Clothing and Torso
Ms. Heron said if I harness the stream of light inside me, I can help the daisies grow,
but ... what does that mean? I have never seen them wilt or bud.
They have always been as they are now, swaying softly whenever a breeze brushes against my skin.
but ... what does that mean? I have never seen them wilt or bud.
They have always been as they are now, swaying softly whenever a breeze brushes against my skin.
Hobby
Vertin, come! I am listening to Ms. Lorelei's little conch.
Here—do you hear her songs in it too? It is also a kind of Echo Stone, isn't it?
Here—do you hear her songs in it too? It is also a kind of Echo Stone, isn't it?
Praise
Vertin, are you an architect too, like Ms. Cornerstone?
I saw how you lined them up—many little hexagons side by side ... hehe, so pretty!
We have lots of hexagons in our building as well.
We should've asked you to help with the construction!
I saw how you lined them up—many little hexagons side by side ... hehe, so pretty!
We have lots of hexagons in our building as well.
We should've asked you to help with the construction!
Intimacy
Vertin, would you watch Jabberwocky with me? I have never made it to the end, and I really want to know what happens ...
What's it about? Mmm ... Well, there is a very, very adorable little black cat in it ...!
What's it about? Mmm ... Well, there is a very, very adorable little black cat in it ...!
Chitchat I
Ms. Cornerstone told me what happened after the "Storm" ... I'm glad I was able to protect everyone.
I like being with them—we sing together and watch many kinds of fun shows on the TV.
I like being with them—we sing together and watch many kinds of fun shows on the TV.
Chitchat II
Something about Ms. Recoleta feels ... very familiar.
But I think I might have let her down. She asked me about architectures and their history for a new book she is writing,
but ... I couldn't really answer.
Voices, cries, songs, children's faces ... that is all that comes to mind when I think of it.
But I think I might have let her down. She asked me about architectures and their history for a new book she is writing,
but ... I couldn't really answer.
Voices, cries, songs, children's faces ... that is all that comes to mind when I think of it.
Monologue
There used to be a quiet sense of loss in the air ...
So many wonderings: How did we end up here? Where are we meant to go?
And what is it that has left us all behind ...?
So many wonderings: How did we end up here? Where are we meant to go?
And what is it that has left us all behind ...?
Deployment
Yes, I am here.
Pre-Battle
<Keep up, my clobber-clog comrades!>
Select Incantation I
*mechanical clicks*
Select Incantation II
*a low hum deep within the stones*
Select 3-star Incantation
Memories of us together.
Select Ultimate
Spring has returned ...
Cast Arcane Skill I
<The Shades are coming!>
Cast Arcane Skill I
<Peek-a-boo, I found you!>
Cast Arcane Skill II
Never alone again.
Cast Arcane Skill II
Come to me.
Cast Ultimate
A voice echoed, a past returned ...
Attacked I
Ugh!
Attacked II
<You've been shot!>
Battle Victory
You knew it true, it's me, my dear.
Insight
What a pretty light ... Almost as pretty as the sunlight streaming through the dome.
It is the light of memories—of songs sung on fields, troubling storms, and whirring factories ... of so many lives.
I will do everything I can to keep them from fading.
It is the light of memories—of songs sung on fields, troubling storms, and whirring factories ... of so many lives.
I will do everything I can to keep them from fading.
Bottom of Insight
I still think about that building ...
I was told that before I lost my memories, I wished my friends a bright future.
And now ... here I am, walking into it with them.
I was told that before I lost my memories, I wished my friends a bright future.
And now ... here I am, walking into it with them.
"I am Honza!"“我叫小洪扎！”“我叫小洪扎！”"I am Honza!""I am Honza!"
2A grotesque puppet crafted from linden wood, old linen, and leather—the most common materials found in Eastern Europe. The only unusual thing about it: "Hey! Don't look at me with those dull, ordinary eyes!" The interviewee suddenly produced a voice, though she herself had not spoken a word.由东欧地区最为常见的椴木、旧亚麻布和皮革制作而成的怪诞木偶，唯一的不寻常之处在于——“笨蛋！别拿你那庸常的眼光打量我！”受访者突然发出声音，但她未吐一词。由东欧地区最为常见的椴木、旧亚麻布和皮革制作而成的怪诞木偶，唯一的不寻常之处在于——“笨蛋！别拿你那庸常的眼光打量我！”受访者突然发出声音，但她未吐一词。A grotesque puppet crafted from linden wood, old linen, and leather—the most common materials found in Eastern Europe. The only unusual thing about it: "Hey! Don't look at me with those dull, ordinary eyes!" The interviewee suddenly produced a voice, though she herself had not spoken a word.A grotesque puppet crafted from linden wood, old linen, and leather—the most common materials found in Eastern Europe. The only unusual thing about it: "Hey! Don't look at me with those dull, ordinary eyes!" The interviewee suddenly produced a voice, though she herself had not spoken a word.
A Listener's Veil“倾听者的头纱”“倾听者的头纱”A Listener's VeilA Listener's Veil
Invaluable
A light, white lace veil that seems to have slipped free of the world's gravity. The interviewee explains that over the long course of history, people's fractured memories, emotions, and experiences have become the tiny pearls and star-like gems that adorn it.
"Nothing is ever truly forgotten."一片轻盈、洁白，仿佛摆脱了世界重力的蕾丝头纱。受访者解释道，在漫长的历史中，人们破碎的记忆、情绪和经验化作了点缀头纱的细碎珍珠和星辰般的宝石。
“任何事物都不会被遗忘。”一片轻盈、洁白，仿佛摆脱了世界重力的蕾丝头纱。受访者解释道，在漫长的历史中，人们破碎的记忆、情绪和经验化作了点缀头纱的细碎珍珠和星辰般的宝石。
“任何事物都不会被遗忘。”A light, white lace veil that seems to have slipped free of the world's gravity. The interviewee explains that over the long course of history, people's fractured memories, emotions, and experiences have become the tiny pearls and star-like gems that adorn it.
"Nothing is ever truly forgotten."A light, white lace veil that seems to have slipped free of the world's gravity. The interviewee explains that over the long course of history, people's fractured memories, emotions, and experiences have become the tiny pearls and star-like gems that adorn it.
"Nothing is ever truly forgotten."
"Nothing is ever truly forgotten."一片轻盈、洁白，仿佛摆脱了世界重力的蕾丝头纱。受访者解释道，在漫长的历史中，人们破碎的记忆、情绪和经验化作了点缀头纱的细碎珍珠和星辰般的宝石。
“任何事物都不会被遗忘。”一片轻盈、洁白，仿佛摆脱了世界重力的蕾丝头纱。受访者解释道，在漫长的历史中，人们破碎的记忆、情绪和经验化作了点缀头纱的细碎珍珠和星辰般的宝石。
“任何事物都不会被遗忘。”A light, white lace veil that seems to have slipped free of the world's gravity. The interviewee explains that over the long course of history, people's fractured memories, emotions, and experiences have become the tiny pearls and star-like gems that adorn it.
"Nothing is ever truly forgotten."A light, white lace veil that seems to have slipped free of the world's gravity. The interviewee explains that over the long course of history, people's fractured memories, emotions, and experiences have become the tiny pearls and star-like gems that adorn it.
"Nothing is ever truly forgotten."
Daisy-Dyed Vest雏菊与马甲雏菊与马甲Daisy-Dyed VestDaisy-Dyed Vest
8.4A child's vest, lost and left behind in the mud of history. Someone picked it up, washed it in silence, and dyed it the color of the golden daisies that grow everywhere among the ruins. After a long while, as it hung drying in the light—the interviewee says she heard a whisper carried on the wind: "Don't leave me, Mama."一件在历史的泥泞中被遗落的、孩童的马甲。不知何人捡起了它，沉默着洗净，为其铺染上废墟中随处可见的金黄雏菊的色彩。良久，在晾晒的光中——据受访者称，她听见风中传来了一句呓语：“别丢下我，妈妈。”一件在历史的泥泞中被遗落的、孩童的马甲。不知何人捡起了它，沉默着洗净，为其铺染上废墟中随处可见的金黄雏菊的色彩。良久，在晾晒的光中——据受访者称，她听见风中传来了一句呓语：“别丢下我，妈妈。”A child's vest, lost and left behind in the mud of history. Someone picked it up, washed it in silence, and dyed it the color of the golden daisies that grow everywhere among the ruins. After a long while, as it hung drying in the light—the interviewee says she heard a whisper carried on the wind: "Don't leave me, Mama."A child's vest, lost and left behind in the mud of history. Someone picked it up, washed it in silence, and dyed it the color of the golden daisies that grow everywhere among the ruins. After a long while, as it hung drying in the light—the interviewee says she heard a whisper carried on the wind: "Don't leave me, Mama."
Portrait of an Intergenerational Phantom代际“幽灵”的宣言N/AN/AN/A
What is history? Or rather, how should people remember?
For those who have not yet crossed into misfortune, the answer is self-evident—eating, dressing, moving, speaking. Living within tradition. All the smallest, most ordinary daily acts repeat in the human body like an ancient, inherited faith. History is memory, and memory is an ever-living present.
Then came the twentieth century.
Humanity's understanding of the world grew alongside its ambitions, and countless peoples were swept into political persecution, war, and massacre. The borders of lands were forcibly torn apart, the processes of national independence were severed, until people—the most fundamental unit of society—found themselves, willingly or not, stripped of their homes, their cultures, and even their languages.
How, then, should people remember?
Those who had been uprooted could not answer. They came to a mysterious building, some seeking long refuge, others craving a brief moment of peace.
In the undisturbed quiet, the fractured, suppressed, and forgotten moments were remembered once more.
Someone recalled a song—one that had been sung for a long time along the field paths of this land, in the snow-covered birch forests:
"To find my mother's footsteps, I walked through every grave ..."
With each passing verse, or perhaps in the way the light fell, the song grew fuller in flesh and blood, until at last —
She woke.历史是什么？抑或者，人们该以何种方式记忆？
这对于尚未迈入不幸的人们来说，答案不言自明——吃、穿、行动与言说。在传统中生活——所有最细微的日常活动，都如古老传承的信仰一般，在人的肉身中重复着。历史即记忆，记忆即永远鲜活的当下。
直至进入二十世纪。
人类对世界的认识和野心一同膨胀，无数民族卷入政治迫害、战争乃至屠杀。土地边界被强行撕破，民族独立进程被打断，以至于人——这个组成社会最基本的单元——被动或主动地失去了自身的家园、文化甚至语言。
此刻，人们该以何种方式记忆？
被拔根的人无法回答这个问题。他们来到一栋神秘的建筑，或寻求长久庇护，或渴望短暂宁静。
在无人打扰的静谧中，曾经破碎的、被压抑和遗忘的时刻再次被忆起。
有人想起了一首歌，那是一首在这片土地的田埂中、在白桦覆盖的雪原里被传唱许久的歌：
“为了寻找母亲的足迹，我走遍了所有的坟墓……”
在声声传唱中，或是在光线的作用下，这首歌的血肉愈加饱满，最终——
她苏醒了。N/AN/AN/A
For those who have not yet crossed into misfortune, the answer is self-evident—eating, dressing, moving, speaking. Living within tradition. All the smallest, most ordinary daily acts repeat in the human body like an ancient, inherited faith. History is memory, and memory is an ever-living present.
Then came the twentieth century.
Humanity's understanding of the world grew alongside its ambitions, and countless peoples were swept into political persecution, war, and massacre. The borders of lands were forcibly torn apart, the processes of national independence were severed, until people—the most fundamental unit of society—found themselves, willingly or not, stripped of their homes, their cultures, and even their languages.
How, then, should people remember?
Those who had been uprooted could not answer. They came to a mysterious building, some seeking long refuge, others craving a brief moment of peace.
In the undisturbed quiet, the fractured, suppressed, and forgotten moments were remembered once more.
Someone recalled a song—one that had been sung for a long time along the field paths of this land, in the snow-covered birch forests:
"To find my mother's footsteps, I walked through every grave ..."
With each passing verse, or perhaps in the way the light fell, the song grew fuller in flesh and blood, until at last —
She woke.历史是什么？抑或者，人们该以何种方式记忆？
这对于尚未迈入不幸的人们来说，答案不言自明——吃、穿、行动与言说。在传统中生活——所有最细微的日常活动，都如古老传承的信仰一般，在人的肉身中重复着。历史即记忆，记忆即永远鲜活的当下。
直至进入二十世纪。
人类对世界的认识和野心一同膨胀，无数民族卷入政治迫害、战争乃至屠杀。土地边界被强行撕破，民族独立进程被打断，以至于人——这个组成社会最基本的单元——被动或主动地失去了自身的家园、文化甚至语言。
此刻，人们该以何种方式记忆？
被拔根的人无法回答这个问题。他们来到一栋神秘的建筑，或寻求长久庇护，或渴望短暂宁静。
在无人打扰的静谧中，曾经破碎的、被压抑和遗忘的时刻再次被忆起。
有人想起了一首歌，那是一首在这片土地的田埂中、在白桦覆盖的雪原里被传唱许久的歌：
“为了寻找母亲的足迹，我走遍了所有的坟墓……”
在声声传唱中，或是在光线的作用下，这首歌的血肉愈加饱满，最终——
她苏醒了。N/AN/AN/A
The Explorer's Handbook: The Nowa Miedź Ruins《诺瓦米奇废墟探险手册》N/AN/AN/A
Congratulations! If you have picked up this handbook—which has no business appearing in your otherwise perfect life of adventure—and are determined to find a solution to a "special ruins situation" within these pages, trust me: follow the instructions below, and your misfortune will soon turn into the joy of finding your way back to the light.
1. Follow the triangular patterns on the ceiling.
Do not follow any other basic geometric shapes, such as rectangles or semicircles. Only triangles indicate guidance and a path forward.
In clear handwriting: ...A materialist proof of sacred geometry? But now is not the time to think about that.
2. If you hear singing coming from the ruins and spot "a girl wearing a hand puppet," do not be afraid—keep moving forward.
This is a perfectly normal natural phenomenon in the local area. Please note: if you insist on chasing after the girl, you are very likely to get lost even deeper inside.
In angry, crooked handwriting: How could this possibly be a normal natural phenomenon?! This place is clearly haunted!
3. If you are unfortunately caught in the situation described in the second instruction, wait calmly for a short while.
During this time, if you hear the sound of a child laughing, and observe a combination of a hand puppet, a stage, singing, and twisting branches—stay calm. It and she are trying to scare you away.
4. If, while waiting, you feel utterly exhausted and frightened and want to cry—go ahead and cry. In fact, it is best if you do.
Experience has shown that if they determine you pose no threat and are simply a lost, desperate explorer, the puppet and the singing will very likely—one might even say almost certainly—slowly disappear.
Afterward, when you hear the singing start up again, follow the direction of the voice. It will lead you safely to the exit of the ruins.
In ink-smeared handwriting: It's true ... it's true! Thank God ... no, thank the shade!恭喜！若您已捡到这份本不该出现在您完美探险生活中的说明手册，并执意在此寻找“废墟特殊情况”的解决方案，相信我，只要跟随以下指引，您的不幸很快便能转化为重获外界光明的欣喜！
1.跟随三角形纹样的天花板
切勿跟随其他基础几何图案，如矩形、半圆等图案，唯有三角形才意味着指引和通路。
清晰的字迹：……神圣几何的形而下论证方式？但现在并非思考的时刻。
2.若您听见废墟传来歌声，并目击“戴着手偶的少女”，请不要害怕，继续前进
此为当地极为正常的自然现象。请注意，若您执意追寻少女的身影，您极有可能迷路至更深处。
愤怒歪扭的字迹：这怎么会是正常的自然现象呢？！这里明显是闹鬼了！
3.若您不幸遭遇了第二条指引中的情况，请短暂等待一段时间
在此期间，若您听见了小孩的嘲笑声，同时观察到了手偶、舞台、歌声以及扭动的树枝等事物组合出现的现象，请保持镇定，它和她在试图吓退你。
4.若您在等待中感到极度疲惫、恐惧，想要哭泣，请放心地哭出来——甚至说，最好哭出来
实践证明，若识别到您并无威胁，只是一个不知所措的绝望探险者，手偶和歌声很有可能——应该说，极大概率——会慢慢消失。
此后，当您再次听到歌声响起，请跟随歌声的方向走，它会将您安全带至废墟出口。
墨迹晕开的字迹：是真的……是真的！感谢上帝……不，感谢幽灵！N/AN/AN/A
1. Follow the triangular patterns on the ceiling.
Do not follow any other basic geometric shapes, such as rectangles or semicircles. Only triangles indicate guidance and a path forward.
In clear handwriting: ...A materialist proof of sacred geometry? But now is not the time to think about that.
2. If you hear singing coming from the ruins and spot "a girl wearing a hand puppet," do not be afraid—keep moving forward.
This is a perfectly normal natural phenomenon in the local area. Please note: if you insist on chasing after the girl, you are very likely to get lost even deeper inside.
In angry, crooked handwriting: How could this possibly be a normal natural phenomenon?! This place is clearly haunted!
3. If you are unfortunately caught in the situation described in the second instruction, wait calmly for a short while.
During this time, if you hear the sound of a child laughing, and observe a combination of a hand puppet, a stage, singing, and twisting branches—stay calm. It and she are trying to scare you away.
4. If, while waiting, you feel utterly exhausted and frightened and want to cry—go ahead and cry. In fact, it is best if you do.
Experience has shown that if they determine you pose no threat and are simply a lost, desperate explorer, the puppet and the singing will very likely—one might even say almost certainly—slowly disappear.
Afterward, when you hear the singing start up again, follow the direction of the voice. It will lead you safely to the exit of the ruins.
In ink-smeared handwriting: It's true ... it's true! Thank God ... no, thank the shade!恭喜！若您已捡到这份本不该出现在您完美探险生活中的说明手册，并执意在此寻找“废墟特殊情况”的解决方案，相信我，只要跟随以下指引，您的不幸很快便能转化为重获外界光明的欣喜！
1.跟随三角形纹样的天花板
切勿跟随其他基础几何图案，如矩形、半圆等图案，唯有三角形才意味着指引和通路。
清晰的字迹：……神圣几何的形而下论证方式？但现在并非思考的时刻。
2.若您听见废墟传来歌声，并目击“戴着手偶的少女”，请不要害怕，继续前进
此为当地极为正常的自然现象。请注意，若您执意追寻少女的身影，您极有可能迷路至更深处。
愤怒歪扭的字迹：这怎么会是正常的自然现象呢？！这里明显是闹鬼了！
3.若您不幸遭遇了第二条指引中的情况，请短暂等待一段时间
在此期间，若您听见了小孩的嘲笑声，同时观察到了手偶、舞台、歌声以及扭动的树枝等事物组合出现的现象，请保持镇定，它和她在试图吓退你。
4.若您在等待中感到极度疲惫、恐惧，想要哭泣，请放心地哭出来——甚至说，最好哭出来
实践证明，若识别到您并无威胁，只是一个不知所措的绝望探险者，手偶和歌声很有可能——应该说，极大概率——会慢慢消失。
此后，当您再次听到歌声响起，请跟随歌声的方向走，它会将您安全带至废墟出口。
墨迹晕开的字迹：是真的……是真的！感谢上帝……不，感谢幽灵！N/AN/AN/A
Echo of the Century世纪末的回声N/AN/AN/A
[UTTU×Everecho][UTTU×回声谣][UTTU×Everecho][UTTU×Everecho][UTTU×Everecho]
Honza: A-another mouth! What's going on here—I'm the boss around here!
Pandora Wilson: From the moment the interview began, you have indeed become the "boss" here.
Honza: Hmph, well, that's more like it. But we're used to being together just the two of us—we don't need anyone else to make a fuss over us!
Pandora Wilson: ... Is that why you stayed in that building for so long?
Pandora Wilson: Familiar with the loneliness, and because of that familiarity, preserving this distance from the outside world.
Everecho: Ah ...
Pandora Wilson: Ms. Everecho ... ?
Everecho: ... No. That's not right.
Everecho: It wasn't because ... we were alone.
Everecho: They ... those people from the past, their presence remained here.
Everecho: In the light, in the leaves, in the echoes of the building ...
Pandora Wilson: I see. But now you are willing to step out and speak with UTTU—what changed for you?
Pandora Wilson: Oh, you are pointing to your chest—is it because —
Everecho: Because now, they are here too.
Everecho: Nothing will ever be forgotten again.小洪扎：又、又一个嘴巴！怎么回事，我才是这里的老大！
白雪松：从采访开始的那一刻起，你们确实已经成为了这里的“老大”。
小洪扎：哼哼，这还差不多。不过，我们已经习惯了待在一起，不需要别人来捧场！
白雪松：……所以，这就是你们此前坚守在那栋建筑的原因？
白雪松：因为孤独而熟悉，因为熟悉而保留这份与外界的界限。
回声谣：啊……
白雪松：回声谣女士……？
回声谣：……不，不对。
回声谣：这并不是因为……我们孤独一人。
回声谣：他们……那些过去的人，他们的存在留在这里。
回声谣：在光里，在树叶里，在建筑的回声里……
白雪松：我理解了。不过，现在你们愿意走出来和《UTTU》进行对话，是什么改变了你们呢？
白雪松：噢，你指向胸口，是因为——
回声谣：因为，现在，他们也在这里。
回声谣：一切都不会再被遗忘。N/AN/AN/A
Pandora Wilson: From the moment the interview began, you have indeed become the "boss" here.
Honza: Hmph, well, that's more like it. But we're used to being together just the two of us—we don't need anyone else to make a fuss over us!
Pandora Wilson: ... Is that why you stayed in that building for so long?
Pandora Wilson: Familiar with the loneliness, and because of that familiarity, preserving this distance from the outside world.
Everecho: Ah ...
Pandora Wilson: Ms. Everecho ... ?
Everecho: ... No. That's not right.
Everecho: It wasn't because ... we were alone.
Everecho: They ... those people from the past, their presence remained here.
Everecho: In the light, in the leaves, in the echoes of the building ...
Pandora Wilson: I see. But now you are willing to step out and speak with UTTU—what changed for you?
Pandora Wilson: Oh, you are pointing to your chest—is it because —
Everecho: Because now, they are here too.
Everecho: Nothing will ever be forgotten again.小洪扎：又、又一个嘴巴！怎么回事，我才是这里的老大！
白雪松：从采访开始的那一刻起，你们确实已经成为了这里的“老大”。
小洪扎：哼哼，这还差不多。不过，我们已经习惯了待在一起，不需要别人来捧场！
白雪松：……所以，这就是你们此前坚守在那栋建筑的原因？
白雪松：因为孤独而熟悉，因为熟悉而保留这份与外界的界限。
回声谣：啊……
白雪松：回声谣女士……？
回声谣：……不，不对。
回声谣：这并不是因为……我们孤独一人。
回声谣：他们……那些过去的人，他们的存在留在这里。
回声谣：在光里，在树叶里，在建筑的回声里……
白雪松：我理解了。不过，现在你们愿意走出来和《UTTU》进行对话，是什么改变了你们呢？
白雪松：噢，你指向胸口，是因为——
回声谣：因为，现在，他们也在这里。
回声谣：一切都不会再被遗忘。N/AN/AN/A
"Light on Old Stone"
The distant past echoes within the stone, like patches of sunlight scattered across a road. Swaying, weightless, yet returning again and again, enduring through the ages.
A Song Passed Down to This DayN/AN/AN/AN/A
"When the wind began to stir, mother rose and wandered afar......" This song first drifted through the mountains, where people gathered flowers and herded sheep, and the melody leapt across the grasslands. Later, as the fires of war spread, people sang it in shelters, and tears followed. Finally, in ancient, silent ruins, the song and its echo intertwined, and Everecho awakened from within. Her form grew more stable with the passage of time, until in the 1990s she appeared before us with a sincere and guileless bearing—much like this song that brings people beauty and hope.
N/AN/AN/AN/A
A "Shade" Wandering the RuinsN/AN/AN/AN/A
Space has the power to awaken memory and emotion. In the long years after the war, many who sought shelter came and went from this building, leaving behind only fragments of words in the silence. Everecho treasures these remnants of the past deeply. Whether joyful or sorrowful, she has taken in all the memories people left behind—yet because of this, she wanders among those emotions, forever unable to leave this place.
N/AN/AN/AN/A
"Honza"N/AN/AN/AN/A
Everecho's mental state is erratic. Though her face wears an earnest expression, her body and mind always seem to have one foot disconnected. Perhaps for this reason, Everecho is not skilled at communicating with others. In her place, a hand puppet named "Honza" expresses her emotions. Honza appears harmless enough, but occasionally blurts out something bizarre and unsettling—and yet, Everecho herself has poured a remarkably deep affection into Honza.
N/AN/AN/AN/A
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DefaultDefaultDefaultDefaultDefault
defaultA dust-covered performance hand puppet, a song, and a dream.布满灰尘的表演手偶、歌声与梦。N/AN/AN/A
Silence and Light静谧与光明N/AN/AN/A
insightA daisy blooming among the ruins, leaping into a shaft of light—let it serve as a wordless call.废墟中的一朵雏菊，跃进一束光线，请将其作为无言的呼唤。N/AN/AN/A
DRESSING ROOM
You can have anything you
want in life
if you dress for it.
—Edith Head
want in life
if you dress for it.
—Edith Head
Everecho回声谣N/AN/AN/A
DefaultDefaultDefaultDefaultDefault
defaultA dust-covered performance hand puppet, a song, and a dream.布满灰尘的表演手偶、歌声与梦。N/AN/AN/A
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Psst — this bit hasn't been translated to your language yet, so I dug up another version for you!