Source
Warehouse:
PoltergeistPoltergeistMs. MoissanMs. MoissanBette Character Profile
Bette Character Profile
Bette Profile Character
Bette Profile
Bette Kit Details
Bette Info
Bette Voice Lines
Bette Garments
Bette Story
Bette
Bette
Bette
Bette
Shield护盾護盾シールド보호막Support辅助輔助サポート보조
ATK
攻击
攻擊
攻撃力
공격
HP
生命
生命
HP
HP
Reality DEF
现实防御
現實防禦
リアル防御力
현실 방어
Mental DEF
精神防御
精神防禦
メンタル防御力
정신 방어
Critical Technique
暴击技巧
暴擊技巧
クリティカルテクニック
치명타 기술
Inspiring Story励志故事勵志故事励まされる物語동기부여
[Insight I]
After casting the Ultimate, Moxie +1 for the ally with the lowest Moxie.使用至终的仪式后，其他激情最低的友方激情+1使用至終的儀式後，其他激情最低的友方激情+1アルティメットの発動後、最もMPの少ない味方のMPが1増える。최종 술식 사용 후 열정이 가장 낮은 아군의 열정 +1
[Insight II]
DMG Taken -8% when entering battle.进入战斗时，受到伤害降低8%進入戰鬥時，受到傷害降低8%バトル開始時、被ダメージが8%ダウンする。전투 진입 시 받는 피해 8% 감소.
[Insight III]
N/A
Character Portray
Lv.1
[Every Audition]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×130%) HP on a single ally.【每一次的选角】为己方单体提供的【护盾】的效果提升至使用者攻击*130%【每一次的選角】為己方單體提供的【護盾】的效果提升至使用者攻擊*130%【毎回オーディション】が味方1体に付与する【シールド】効果は発動者の攻撃力×130%分にアップする。[캐스팅 때마다] 단일 아군에 주는 [보호막] 효과가 사용자 공격×130%까지 증가
Lv.2
[Classic Shot]'s effect changes to: Penetration Rate +40%.【经典镜头】穿透率提升的效果变为40%【經典鏡頭】穿透率提升的效果變為40%【名シーン】による貫通率の上昇効果が40%になる。[클래식 장면] 방어 무시율 증가 효과가 40%로 변경
Lv.3
[Every Audition]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×160%) HP on a single ally.【每一次的选角】为己方单体提供的【护盾】的效果提升至使用者攻击*160%【每一次的選角】為己方單體提供的【護盾】的效果提升至使用者攻擊*160%【毎回オーディション】が味方1体に付与する【シールド】効果は発動者の攻撃力×160%分にアップする。[캐스팅 때마다] 단일 아군에 주는 [보호막] 효과가 사용자 공격×160%까지 증가
Lv.4
[Every Audition]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×200%) HP on a single ally.【每一次的选角】为己方单体提供的【护盾】的效果提升至使用者攻击*200%【每一次的選角】為己方單體提供的【護盾】的效果提升至使用者攻擊*200%【毎回オーディション】が味方1体に付与する【シールド】効果は発動者の攻撃力×200%分にアップする。[캐스팅 때마다] 단일 아군에 주는 [보호막] 효과가 사용자 공격×200%까지 증가
Lv.5
[Every Audition]'s effect changes to: inflicts a [Shield] with (the caster's ATK ×250%) HP on a single ally.【每一次的选角】为己方单体提供的【护盾】的效果提升至使用者攻击*250%【每一次的選角】為己方單體提供的【護盾】的效果提升至使用者攻擊*250%【毎回オーディション】が味方1体に付与する【シールド】効果は発動者の攻撃力×250%分にアップする。[캐스팅 때마다] 단일 아군에 주는 [보호막] 효과가 사용자 공격×250%까지 증가
Photomancy
Character Stats
Insight:
Level: 1Max: 30
Sharpodonty
DustATK攻击攻擊攻撃力공격
N/AHP生命生命HPHP
N/AReality DEF现实防御現實防禦リアル防御力현실 방어
N/AMental DEF精神防御精神防禦メンタル防御力정신 방어
N/ACritical Technique暴击技巧暴擊技巧クリティカルテクニック치명타 기술
N/ACurrent bonus:Critical Rate暴击率暴擊率クリティカル率치명타율 N/A%,Critical DMG暴击创伤暴擊創傷クリティカルダメージ치명타 피해 N/A%
Voice Actors
Chinese:
吴迪 (Wu Di)
Japanese:
神咲茉希 (Kanzaki Maki)
Korean:
이새아 (Yi Sae-ah)
Regional Names
English:
Bette
SimplifiedChinese:
贝蒂
TraditionalChinese:
貝蒂
Japanese:
ベティ
Korean:
베티
Character Tags
Shield护盾護盾シールド보호막Support辅助輔助サポート보조
Euphoria Tags
Weapons
Character Info
◆Medium介质介質ミディアム매개체
Film Stock电影胶片電影膠片ムービーフィルム영화 필름
◆Inspired灵感靈感本源영감
Resilience of the Gravels [Mineral] Clumsy Imitation碎石的坚韧[岩] 描头画角碎石的堅韌[岩] 描頭畫角さざれの柔靭[岩] イミテイション자갈의 강인함[암석] 변신의 귀재
◆Fragrance note香调香調香調조향 노트
Leather - Cinnamon, Cocoa, Vanilla, Amber, Tolu Balsam皮革调 肉桂 可可果 香草 琥珀 妥鲁香脂皮革調 肉桂 可可果 香草 琥珀 妥魯香脂レザーノート シナモン カカオポッド バニラ アンバー トルーバルサム레더향 / 시나몬, 카카오 열매, 바닐라, 앰버, 톨루발삼
◆Dimensions尺寸尺寸サイズ규격
68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.
Bette贝蒂貝蒂ベティ베티
An arcanist's work exhibited in the 1930s for 20 years. Completed in summer, on June 22. Exhibited in Los Angeles, California, USA.神秘学家艺术品，展出于20世纪30年代，参展时长20年。诞生自6月22日夏。参展于美利坚合众国加利福尼亚州洛杉矶市。神秘學家藝術品，展出於20世紀30年代，參展時長20年。誕生自6月22日夏。參展於美利堅合眾國加利福尼亞州洛杉磯市。神秘学家の芸術作品。20世紀30年代から、計20年間展示された。展示開始日は6月22日、夏。展示場所：アメリカ合衆国のカリフォルニア州・ロサンゼルス市にて展示された。마도학자 예술품으로 1930년대 전시, 출품 기간 20년, 6월 22일 여름 탄생. 미합중국 캘리포니아주 로스앤젤레스에서 출품되었다.
Pureblooded Arcanist
A race capable of using arcane skills, able to cast arcane skills by expending Cellular Activity. This race once flourished, but as the Human race grew in strength, it was gradually marginalized and forgotten.
Beneath the Arcanist race exist multiple sub-branches, and these branches are often determined by the purity and origin of bloodline.
“A race forgotten by the world for their gift, set apart from the rest of the busy world. No one knows why arcanists became arcanists; they once flourished, and now they have fallen.”
A race whose Arcanist bloodline purity reaches above a defined threshold. Pureblooded Arcanists are far stronger in their ability to use arcane skills than non-purebloods; bloodline purity and casting ability share a linear relationship.
Bette贝蒂貝蒂ベティ베티
An arcanist's work exhibited in the 1930s for 20 years. Completed in summer, on June 22. Exhibited in Los Angeles, California, USA.神秘学家艺术品，展出于20世纪30年代，参展时长20年。诞生自6月22日夏。参展于美利坚合众国加利福尼亚州洛杉矶市。神秘學家藝術品，展出於20世紀30年代，參展時長20年。誕生自6月22日夏。參展於美利堅合眾國加利福尼亞州洛杉磯市。神秘学家の芸術作品。20世紀30年代から、計20年間展示された。展示開始日は6月22日、夏。展示場所：アメリカ合衆国のカリフォルニア州・ロサンゼルス市にて展示された。마도학자 예술품으로 1930년대 전시, 출품 기간 20년, 6월 22일 여름 탄생. 미합중국 캘리포니아주 로스앤젤레스에서 출품되었다.
Medium:介质:介質:ミディアム:매개체:Film Stock电影胶片電影膠片ムービーフィルム영화 필름
Inspired:灵感:靈感:本源:영감:Resilience of the Gravels [Mineral] Clumsy Imitation碎石的坚韧[岩] 描头画角碎石的堅韌[岩] 描頭畫角さざれの柔靭[岩] イミテイション자갈의 강인함[암석] 변신의 귀재
Fragrance note:香调:香調:香調:조향 노트:Leather - Cinnamon, Cocoa, Vanilla, Amber, Tolu Balsam皮革调 肉桂 可可果 香草 琥珀 妥鲁香脂皮革調 肉桂 可可果 香草 琥珀 妥魯香脂レザーノート シナモン カカオポッド バニラ アンバー トルーバルサム레더향 / 시나몬, 카카오 열매, 바닐라, 앰버, 톨루발삼
Dimensions:尺寸:尺寸:サイズ:규격:68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.68 57/64×31 7/64×23 5/8in.
First Encounter
Hmmm ... Excuse me, is this the way to the audition?
Suitcase Climate
Raindrops and dance, singing under the streetlamp—
Ah, that one classic dance in the rain.
If someday I could be starring ...
Ah, that one classic dance in the rain.
If someday I could be starring ...
To the Future
A character for me, a line for me,
such a day will eventually come to me.
such a day will eventually come to me.
Idle
Hello, I am Bette. I am here for the new character audition. I am going to present you ...
No no no ...
Hello, my name is Bette. I am here for the audition!
No no no ...
Hello, my name is Bette. I am here for the audition!
Greetings
Hello, please take a seat.
Oh I'm sorry. Just a minute, I'll find another place for these costumes right now!
Oh I'm sorry. Just a minute, I'll find another place for these costumes right now!
Morning
Oh, bacon, a big no no for all beautiful girls on the film crew.
They envy my ability to change appearance, but I am so jealous of their lines.
They envy my ability to change appearance, but I am so jealous of their lines.
Bond: Morning
Good morning, how do I look? Do you think I can nail today's audition?
It's for an ordinary character and the only line is "Good morning."
But ... it's still better than nothing!
It's for an ordinary character and the only line is "Good morning."
But ... it's still better than nothing!
Night
Oh hello ... I didn't realize you're here.
This, this is just a notebook. Nothing special. It's just my script ...
This, this is just a notebook. Nothing special. It's just my script ...
Bond: Night
Vagrants, forty-niners, hairdressers, winos ...
every one of us lives a life and every night we share the sky.
This is what films teach us. Magical, isn't it?
every one of us lives a life and every night we share the sky.
This is what films teach us. Magical, isn't it?
Bond: Morning
Good morning, how do I look? Do you think I can nail today's audition?
It's for an ordinary character and the only line is "Good morning".
But ... it's still better than nothing!
It's for an ordinary character and the only line is "Good morning".
But ... it's still better than nothing!
Hat and Hair
Cover my hair, blur my features! Now it's all up to my acting.
Sleeves and Hands
Ha ha ... They might be a little rough.
To tightly grab the eave does require abundant practice.
To tightly grab the eave does require abundant practice.
Clothing and Torso
Before the advent of sound in films, body language was the only way to express emotions.
See, like this!
See, like this!
Hobby
When I am upset, frustrated or fail the audition,
I always stay in my bedroom going through my little notebook.
The rustling sound of paper always helps calm me down.
I always stay in my bedroom going through my little notebook.
The rustling sound of paper always helps calm me down.
Praise
Well done, perfect! Let's call it a day!
Oh, sorry, I forgot we are not filming.
Oh, sorry, I forgot we are not filming.
Intimacy
Argh, don't mind me ... I'm just observing, or imitating you.
Just in case someday you might need a reliable stand-in.
Just in case someday you might need a reliable stand-in.
Chitchat I
Never give up, the future is bright. Everything's gonna be alright!
Chitchat II
A 720° flip and a 3½ backward somersault ...
Uhh, I ... I am not sure ... Are these heroics really necessary?
Uhh, I ... I am not sure ... Are these heroics really necessary?
Monologue
I've dreamt forever about my first character,
not as a rich young man, a courageous adventurer, a fair or rich lady,
but the first character starred by me, Bette with brown hair!
I have noted them all in this notebook, which is called "My Script."
not as a rich young man, a courageous adventurer, a fair or rich lady,
but the first character starred by me, Bette with brown hair!
I have noted them all in this notebook, which is called "My Script."
Deployment
Here I am!
Pre-Battle
Hah, director, I am ready!
Select Incantation I
Well received, director!
Select Incantation II
One more take?
Select 3-star Incantation
And a forward roll? No problem!
Select Ultimate
Arrangement noted!
Cast Arcane Skill I
Each film necessitates at least one explosion!
Cast Arcane Skill I
Perfect escape!
Cast Arcane Skill II
It's now my moment!
Cast Arcane Skill II
It's my duty to reduce damage!
Cast Ultimate
Salute to you, my lord!
Attacked I
Urrgh!
Attacked II
Sorry, one more take!
Battle Victory
Have I made it, director?
Insight
What? I am so very grateful for your approval!
Fedora Hat with Notches带缺口的
费多拉帽帶缺口的
費多拉帽穴が開いた
中折れ帽구멍 난
페도라
费多拉帽帶缺口的
費多拉帽穴が開いた
中折れ帽구멍 난
페도라
12A worn fedora. The holes on it make it look worthless, but it's essential for the owner to play a gentleman well.一顶被过度使用的费多拉帽。破洞的存在使它显得更加廉价。但想要扮演好一名绅士，它不可或缺。一頂被過度使用的費多拉帽。破洞的存在使它顯得更加廉價。但想要扮演好一名紳士，它不可或缺。使い込まれすぎた中折れ帽。空いた穴のせいでよりみすぼらしく見える。しかし、これは紳士の役に欠かせない小道具だ。닳을 대로 닳은 페도라, 구멍 때문에 더 싸구려처럼 보인다. 하지만 신사처럼 연기하려면 꼭 필요한 소품이다.
Bamboo Cane竹制手杖竹製手杖竹のステッキ대나무 지팡이
26A bamboo staff which is a bit shorter than the common ones. Its outstanding resilience allows it to support most body movements, making it the best choice for stunt performers.一款竹制手杖，比一般拐杖略短，韧性极佳，可以支撑大部分夸张的肢体动作。对需要特技演出的演员来说，它是最佳选择。一款竹製手杖，比一般拐杖略短，韌性極佳，可以支撐大部分誇張的肢體動作。對需要特技演出的演員來說，它是最佳選擇。竹製の杖。普通の杖より少し短く、しなやかで丈夫で、大袈裟な動きをも支えてくれる。特殊なパフォーマンスを演じる役者にとってのベストチョイスだ。일반 지팡이보다 약간 짧고 단단한 대나무 지팡이다. 과장된 신체 동작 대부분을 지탱할 수 있기에 스턴트 연기자에게는 더없이 좋은 아이템이다.
Cotton Hairband棉布发带棉布發帶コットンバンド코튼 머리띠
Invaluable
An olive green cotton band tied to the end of her braid and makes both the braid and itself different to their kinds. It is the only thing on her that is not worn for imitation. Even if it looks plain, it's unique to her.一片橄榄绿棉布，因系在发尾而获得了全新的身份。唯独它是不为了模仿而存在的，纵使平平无奇，却也独一无二。一片橄欖綠棉布，因繫在發尾而獲得了全新的身份。唯獨它是不為了模仿而存在的，縱使平平無奇，卻也獨一無二。オリーブグリーンの木綿の布。髪に結ばれているため新たな肩書を得た。これだけは誰かを真似するための道具じゃない。平凡そのものだが、唯一無二の存在だ。올리브그린 색의 천, 머리끝에 묶어 새로운 액세서리로 재탄생했다. 유일하게 모방을 위한 아이템이 아니란 점에서 평범하지만 유일무이하다.
"Punctuality"“准时”“准时”「時間厳守」"Punctuality"
17A simple, elegant wristwatch, the kind of thing every urban professional has. The interviewee knew it was the one the moment she saw it.
Her schedule is packed with one shoot after another, and being on time matters more than almost anything else.精巧、简约的腕表，都市白领的标配，受访者一眼看中了它。
她日程表里的戏一场接着一场，而准时是种至关重要的品质。精巧、简约的腕表，都市白领的标配，受访者一眼看中了它。
她日程表里的戏一场接着一场，而准时是种至关重要的品质。精巧かつシンプルな腕時計。都会で働く人々の定番であり、インタビューゲストが一目見て気に入ったものだ。
彼女のスケジュールは舞台の予定で埋め尽くされている。たとえどんなに忙しくとも、時間を守ることは、何よりも欠かせないプロの資質なのだ。A simple, elegant wristwatch, the kind of thing every urban professional has. The interviewee knew it was the one the moment she saw it.
Her schedule is packed with one shoot after another, and being on time matters more than almost anything else.
Her schedule is packed with one shoot after another, and being on time matters more than almost anything else.精巧、简约的腕表，都市白领的标配，受访者一眼看中了它。
她日程表里的戏一场接着一场，而准时是种至关重要的品质。精巧、简约的腕表，都市白领的标配，受访者一眼看中了它。
她日程表里的戏一场接着一场，而准时是种至关重要的品质。精巧かつシンプルな腕時計。都会で働く人々の定番であり、インタビューゲストが一目見て気に入ったものだ。
彼女のスケジュールは舞台の予定で埋め尽くされている。たとえどんなに忙しくとも、時間を守ることは、何よりも欠かせないプロの資質なのだ。A simple, elegant wristwatch, the kind of thing every urban professional has. The interviewee knew it was the one the moment she saw it.
Her schedule is packed with one shoot after another, and being on time matters more than almost anything else.
"Mondrian Style"“蒙德里安风格”“蒙德里安风格”「モンドリアン」スタイル"Mondrian Style"
10A long-handled umbrella that matches the interviewee's hat perfectly—practical and elegant. Ever since Yves Saint Laurent unveiled his Mondrian dresses to the world, that look has become something of a universal formula in fashion. Now, the spirit of Composition with Red, Blue and Yellow has found its way onto this all-weather umbrella.与受访者帽子的配色相得益彰的长柄伞，兼具实用与美观。从Yves Saint Laurent展示了那些蒙德里安裙开始，这场时尚风暴就迅速成为一种万能的视觉公式。现在，《红、黄、蓝的构成》流向了这把晴雨两用伞。与受访者帽子的配色相得益彰的长柄伞，兼具实用与美观。从Yves Saint Laurent展示了那些蒙德里安裙开始，这场时尚风暴就迅速成为一种万能的视觉公式。现在，《红、黄、蓝的构成》流向了这把晴雨两用伞。インタビューゲストが被る帽子の色合いと見事に調和する、実用性と美しさを兼ね備えた長柄の傘。イヴ・サン＝ローランによる「モンドリアンルック」の発表以来、その幾何学的なデザインはビジュアル的フォーマットとして瞬く間に世間を席巻した。今、あの『赤・青・黄のコンポジション』が、この晴雨兼用の傘に落とし込まれている。A long-handled umbrella that matches the interviewee's hat perfectly—practical and elegant. Ever since Yves Saint Laurent unveiled his Mondrian dresses to the world, that look has become something of a universal formula in fashion. Now, the spirit of Composition with Red, Blue and Yellow has found its way onto this all-weather umbrella.
Doubled Windsors两份保障两份保障二重の備えDoubled Windsors
7A lively yellow, a calm blue—an actress must always be ready to serve her role.
While demonstrating how quickly she could switch ties, the interviewee ended up tying them in a knot. Still, a little slip like that doesn't change how we see her overall.活泼的黄色，沉稳的蓝色，演员要随时准备好为角色服务。
受访者在展示迅速替换领带的技巧时不小心将它们打了结，但小小的失误并不影响我们对她的整体评价——
一位专业、优秀的替身演员。活泼的黄色，沉稳的蓝色，演员要随时准备好为角色服务。
受访者在展示迅速替换领带的技巧时不小心将它们打了结，但小小的失误并不影响我们对她的整体评价——
一位专业、优秀的替身演员。鮮やかな黄色と、落ち着いた青色。役者たるもの、いついかなる時も、演じるキャラクターのために自分を切り替える準備ができていなければならない。
インタビューゲストがネクタイを素早く付け替えるテクニックを披露しようとした際、うっかり結び目が絡まってしまった。だが、そんな小さな失敗も、彼女に対する我々の評価を揺るがすことはない。
彼女がプロフェッショナルで、極めて優秀な代役俳優であるという事実に変わりはないのだから。A lively yellow, a calm blue—an actress must always be ready to serve her role.
While demonstrating how quickly she could switch ties, the interviewee ended up tying them in a knot. Still, a little slip like that doesn't change how we see her overall.
While demonstrating how quickly she could switch ties, the interviewee ended up tying them in a knot. Still, a little slip like that doesn't change how we see her overall.活泼的黄色，沉稳的蓝色，演员要随时准备好为角色服务。
受访者在展示迅速替换领带的技巧时不小心将它们打了结，但小小的失误并不影响我们对她的整体评价——
一位专业、优秀的替身演员。活泼的黄色，沉稳的蓝色，演员要随时准备好为角色服务。
受访者在展示迅速替换领带的技巧时不小心将它们打了结，但小小的失误并不影响我们对她的整体评价——
一位专业、优秀的替身演员。鮮やかな黄色と、落ち着いた青色。役者たるもの、いついかなる時も、演じるキャラクターのために自分を切り替える準備ができていなければならない。
インタビューゲストがネクタイを素早く付け替えるテクニックを披露しようとした際、うっかり結び目が絡まってしまった。だが、そんな小さな失敗も、彼女に対する我々の評価を揺るがすことはない。
彼女がプロフェッショナルで、極めて優秀な代役俳優であるという事実に変わりはないのだから。A lively yellow, a calm blue—an actress must always be ready to serve her role.
While demonstrating how quickly she could switch ties, the interviewee ended up tying them in a knot. Still, a little slip like that doesn't change how we see her overall.
California Sunrise加州日出加州日出カルフォルニアの日の出캘리포니아 일출
In 1895, the gates of the Lumière Factory opened. As the workers filed out of the factory, a breeze with the smell of film stock also blew from Boulevard des Capucines to the west coast of the City of Angels.
The ample sunshine and the typical Mediterranean climate in California had brought more opportunities to Los Angeles. Using the magnificent scenery as their background, countless film companies had gathered there, building an empire of film and television of a new era.
Silent film or talkies? Black-and-white or color?
It was at the end of 1930 and no one cared about such meaningless topics any more. The producers, resourceful and power-wielding, could pluck the stars out of the sky, shape them at will and throw them away when they twinkled no more. No, my friend, don't call it "cruel;" it is plain fact that a sophisticated machine like the movie industry needs to renew its parts from time to time.
The girl with a dream finally opened the golden gates to the factory. She hoped to win a place among the radiant stars, and she made it. Thanks to the little "tricks" they used in the film production, even the most experienced movie critics could not tell the difference between the real star and the stunt double from where they sat.
That was how she became a cheap substitute for those valuable assets.1895年，卢米埃尔工厂的大门在众人面前被徐徐打开。伴随着鱼贯而出的工人，裹挟着胶片气味的微风也自此从卡布辛大街一路吹到了自由之都的西海岸。
加利福尼亚州终年日照充足，典型的地中海气候为洛杉矶带来了全新的机遇。在目之所及的壮美景象中，无数的电影公司自各地蜂拥而来，新时代的影视帝国正在缓缓崛起。
是有声还是无声？是黑白还是彩色？
时至1930年末，没人再会将那些无聊的争议挂在嘴边。制片人的手腕翻云覆雨，他们摘下星星，打磨塑形，待到光芒渐熄，再弃如敝履——朋友，这可不能称之为残酷：一架精密运转的仪器，零件确实得时常更新。
抱着梦想的女孩终于叩开了工厂金色的大门，她看着宝钻般的人在此间摩肩接踵，渴望着自己的一席之地。她也确实成功了。凭借那点小小的“技巧”，隔着屏幕，就算是再资深的鉴赏家也分不清钻石与玻璃。
她便成了那些珠宝最为廉价的替代品。1895年，盧米埃爾工廠的大門在眾人面前被徐徐打開。伴隨著魚貫而出的工人，裹挾著膠片氣味的微風也自此從卡布辛大街一路吹到了自由之都的西海岸。
加利福尼亞州終年日照充足，典型的地中海氣候為洛杉磯帶來了全新的機遇。在目之所及的壯美景象中，無數的電影公司自各地蜂擁而來，新時代的影視帝國正在緩緩崛起。
是有聲還是無聲？是黑白還是彩色？
時至1930年末，沒人再會將那些無聊的爭議掛在嘴邊。製片人的手腕翻雲覆雨，他們摘下星星，打磨塑形，待到光芒漸熄，再棄如敝履——朋友，這可不能稱之為殘酷：一架精密運轉的儀器，零件確實得時常更新。
抱著夢想的女孩終於叩開了工廠金色的大門，她看著寶鑽般的人在此間摩肩接踵，渴望著自己的一席之地。她也確實成功了。憑藉那點小小的“技巧”，隔著螢幕，就算是再資深的鑒賞家也分不清鑽石與玻璃。
她便成了那些珠寶最為廉價的替代品。1895年、ルミエール工場の扉が大勢の前でゆっくりと開いた。次々と出てくる従業員とともに、微かにフィルムの匂いがするそよ風がカプシーヌ通りから自由の町の西海岸へと吹き渡った。
カリフォルニア州は年中眩しい太陽に照らされて、典型的な地中海性気候はロサンゼルスに真新しいチャンスを与えた。見渡す限り壮大で美しい景色の中で、数え切れない映画制作会社が各地から殺到し、新時代の放映帝国が興りつつあった。
有声か無声か。モノクロかカラーか。1930年の暮れ頃には、そんなくだらないことで争う人はいなくなった。敏腕のプロデューサーたちは星々を摘み取っては磨き、形を整える。そして光が消えかけると、ボロ雑巾のように捨てていく――いやいや、これは「残酷」ではない。精密機器のパーツは、常に最新の物でなくてはならないだろう？
夢を抱えた少女はようやく工場の金色の扉を叩いた。宝石のような人々が袖を振り合うのを見て、ここで自分の居場所を手に入れたいと願った。彼女は成功した。その少しばかりの「技術」のおかげで。スクリーン越しでは、たとえベテランの鑑賞家だろうと、ダイヤモンドとガラスの区別はつかないだろう。そうやって彼女は、宝石たちの手頃な代替品となった。1895년, 뤼미에르 공장의 문이 사람들 앞에서 서서히 열렸다. 줄지어 나오는 노동자들과 함께 필름 냄새 섞인 산들바람이 카푸신 대로에서 자유의 도시 서해안으로 불었다.
캘리포니아주는 일 년 내내 일조량이 풍부했으며, 전형적인 지중해성 기후는 로스앤젤레스에 새로운 기회를 가져다주었다. 아름다운 경관을 자랑하는 이곳에 각지에서 수많은 영화사가 몰려왔고, 새 시대의 영상 산업 제국이 서서히 떠오르기 시작했다.
유성인가 무성인가? 흑백인가 컬러인가?
1930년대 말, 이런 지루한 논쟁을 입에 담는 이는 더 이상 없었다. 변덕스러운 제작자들은 별을 따서 모양을 다듬었고, 빛이 사그라지자 헌신짝처럼 버렸다. 친구여, 이건 잔혹하다고 할 수 없다. 정밀 기기의 부품은 수시로 갈아주어야 하는 법이니까.
꿈을 안고 있던 소녀는 마침내 공장의 황금빛 문을 열어젖혔다. 그녀는 보석 같은 이들이 널린 곳에서 자신만의 자리를 갈망했고, 성공을 거두었다. 그 사소한 '기술' 덕분에 스크린을 사이에 두고 있으면 아무리 베테랑 감정사라도 다이아몬드와 유리를 구분하지 못했다.
그녀는 그 보석들의 가장 저렴한 대체품이 되었다.
The ample sunshine and the typical Mediterranean climate in California had brought more opportunities to Los Angeles. Using the magnificent scenery as their background, countless film companies had gathered there, building an empire of film and television of a new era.
Silent film or talkies? Black-and-white or color?
It was at the end of 1930 and no one cared about such meaningless topics any more. The producers, resourceful and power-wielding, could pluck the stars out of the sky, shape them at will and throw them away when they twinkled no more. No, my friend, don't call it "cruel;" it is plain fact that a sophisticated machine like the movie industry needs to renew its parts from time to time.
The girl with a dream finally opened the golden gates to the factory. She hoped to win a place among the radiant stars, and she made it. Thanks to the little "tricks" they used in the film production, even the most experienced movie critics could not tell the difference between the real star and the stunt double from where they sat.
That was how she became a cheap substitute for those valuable assets.1895年，卢米埃尔工厂的大门在众人面前被徐徐打开。伴随着鱼贯而出的工人，裹挟着胶片气味的微风也自此从卡布辛大街一路吹到了自由之都的西海岸。
加利福尼亚州终年日照充足，典型的地中海气候为洛杉矶带来了全新的机遇。在目之所及的壮美景象中，无数的电影公司自各地蜂拥而来，新时代的影视帝国正在缓缓崛起。
是有声还是无声？是黑白还是彩色？
时至1930年末，没人再会将那些无聊的争议挂在嘴边。制片人的手腕翻云覆雨，他们摘下星星，打磨塑形，待到光芒渐熄，再弃如敝履——朋友，这可不能称之为残酷：一架精密运转的仪器，零件确实得时常更新。
抱着梦想的女孩终于叩开了工厂金色的大门，她看着宝钻般的人在此间摩肩接踵，渴望着自己的一席之地。她也确实成功了。凭借那点小小的“技巧”，隔着屏幕，就算是再资深的鉴赏家也分不清钻石与玻璃。
她便成了那些珠宝最为廉价的替代品。1895年，盧米埃爾工廠的大門在眾人面前被徐徐打開。伴隨著魚貫而出的工人，裹挾著膠片氣味的微風也自此從卡布辛大街一路吹到了自由之都的西海岸。
加利福尼亞州終年日照充足，典型的地中海氣候為洛杉磯帶來了全新的機遇。在目之所及的壯美景象中，無數的電影公司自各地蜂擁而來，新時代的影視帝國正在緩緩崛起。
是有聲還是無聲？是黑白還是彩色？
時至1930年末，沒人再會將那些無聊的爭議掛在嘴邊。製片人的手腕翻雲覆雨，他們摘下星星，打磨塑形，待到光芒漸熄，再棄如敝履——朋友，這可不能稱之為殘酷：一架精密運轉的儀器，零件確實得時常更新。
抱著夢想的女孩終於叩開了工廠金色的大門，她看著寶鑽般的人在此間摩肩接踵，渴望著自己的一席之地。她也確實成功了。憑藉那點小小的“技巧”，隔著螢幕，就算是再資深的鑒賞家也分不清鑽石與玻璃。
她便成了那些珠寶最為廉價的替代品。1895年、ルミエール工場の扉が大勢の前でゆっくりと開いた。次々と出てくる従業員とともに、微かにフィルムの匂いがするそよ風がカプシーヌ通りから自由の町の西海岸へと吹き渡った。
カリフォルニア州は年中眩しい太陽に照らされて、典型的な地中海性気候はロサンゼルスに真新しいチャンスを与えた。見渡す限り壮大で美しい景色の中で、数え切れない映画制作会社が各地から殺到し、新時代の放映帝国が興りつつあった。
有声か無声か。モノクロかカラーか。1930年の暮れ頃には、そんなくだらないことで争う人はいなくなった。敏腕のプロデューサーたちは星々を摘み取っては磨き、形を整える。そして光が消えかけると、ボロ雑巾のように捨てていく――いやいや、これは「残酷」ではない。精密機器のパーツは、常に最新の物でなくてはならないだろう？
夢を抱えた少女はようやく工場の金色の扉を叩いた。宝石のような人々が袖を振り合うのを見て、ここで自分の居場所を手に入れたいと願った。彼女は成功した。その少しばかりの「技術」のおかげで。スクリーン越しでは、たとえベテランの鑑賞家だろうと、ダイヤモンドとガラスの区別はつかないだろう。そうやって彼女は、宝石たちの手頃な代替品となった。1895년, 뤼미에르 공장의 문이 사람들 앞에서 서서히 열렸다. 줄지어 나오는 노동자들과 함께 필름 냄새 섞인 산들바람이 카푸신 대로에서 자유의 도시 서해안으로 불었다.
캘리포니아주는 일 년 내내 일조량이 풍부했으며, 전형적인 지중해성 기후는 로스앤젤레스에 새로운 기회를 가져다주었다. 아름다운 경관을 자랑하는 이곳에 각지에서 수많은 영화사가 몰려왔고, 새 시대의 영상 산업 제국이 서서히 떠오르기 시작했다.
유성인가 무성인가? 흑백인가 컬러인가?
1930년대 말, 이런 지루한 논쟁을 입에 담는 이는 더 이상 없었다. 변덕스러운 제작자들은 별을 따서 모양을 다듬었고, 빛이 사그라지자 헌신짝처럼 버렸다. 친구여, 이건 잔혹하다고 할 수 없다. 정밀 기기의 부품은 수시로 갈아주어야 하는 법이니까.
꿈을 안고 있던 소녀는 마침내 공장의 황금빛 문을 열어젖혔다. 그녀는 보석 같은 이들이 널린 곳에서 자신만의 자리를 갈망했고, 성공을 거두었다. 그 사소한 '기술' 덕분에 스크린을 사이에 두고 있으면 아무리 베테랑 감정사라도 다이아몬드와 유리를 구분하지 못했다.
그녀는 그 보석들의 가장 저렴한 대체품이 되었다.
Studio Notes片场纪事片場紀事撮影現場の記録촬영장 기록
"Act 4, take 10 ... Oh! You know how honored we are to have you on set ... Just one more take, please? You were perfect, it's just the stupid wind ... Now action!"
"Oh! You will never understand me!"
"No, Maria, please don't—please listen to my confession ..."
"Cut! Excellent, James, you deserve a break ... Bette, c'mon, your turn!"
"Bette in position ... Action!"
"Splash!"
"Alright, go dry yourself ... Where's our supporting actress? It's her scene!"
"Act 5, take 1, action!"
...
"Alright ... Bette, here's your paycheck."
"Um ... Excuse me. Is this all I get, sir?"
"Well, you are down on your luck. We reshot that window-breaking scene today, and it was costly ..."
"But, but ..."
"But we need an 'important' extra for the next scene. I'm wondering if you're interested, Bette."
"Um, yes, sir! I've very interested ...
"I'm open to any part, even if they are not that important ..."
"Good, I'll let you know when there's an audition. So now, look at the queuing people behind you. Maybe we can talk later, huh?"
"O-Okay ..."
"Next, James ..."“第四幕，第十次——哦！詹姆斯我当然非常感谢您能加入……再一次就好，您已经非常完美了，都是这风刮得不是时候——Action！”
“哦！你永远不会理解我的！”
“不，玛利亚，请你不要——请倾听我的诉说……”
“卡——！好极了詹姆斯，请好好休息——贝蒂，快点该你了！”
“贝蒂就位——Action！”
“哗啦——”
“好了，快点下去把水擦干净——女二号呢？该上场了！”
“第五幕，第一次，Action！”
……
“很好……贝蒂，你的。”
“呃，抱，抱歉？导演，只有这些吗？”
“哦，真不走运，今天破窗而出那条多拍了一遍……”
“可，可是……”
“不过我们下一场戏缺少一个‘重要’的小角色，我在想，贝蒂，你有没有兴趣？”
“呃，有！导演！我非常有兴趣……”
“不那么重要的角色我也可以尝试……”
“很好，那下次我自然会联系你试镜。那这次——看看你身后的队伍，有什么异议我们待会儿再谈？”
“好，好的……”
“很好，汤姆——”“第四幕，第十次——哦！詹姆斯我當然非常感謝您能加入……再一次就好，您已經非常完美了，都是這風刮得不是時候——Action！”
“哦！你永遠不會理解我的！”
“不，瑪利亞，請你不要——請傾聽我的訴說……”
“卡——！好極了詹姆斯，請好好休息——貝蒂，快點該你了！”
“貝蒂就位——Action！”
“嘩啦——”
“好了，快點下去把水擦乾淨——女二號呢？該上場了！”
“第五幕，第一次，Action！”
……
“很好……貝蒂，你的。”
“呃，抱，抱歉？導演，只有這些嗎？”
“哦，真不走運，今天破窗而出那條多拍了一遍……”
“可，可是……”
“不過我們下一場戲缺少一個‘重要’的小角色，我在想，貝蒂，你有沒有興趣？”
“呃，有！導演！我非常有興趣……”
“不那麼重要的角色我也可以嘗試……”
“很好，那下次我自然會聯繫你試鏡。那這次——看看你身後的隊伍，有什麼異議我們待會兒再談？”
“好，好的……”
“很好，湯姆——”「第4幕、10回目行くよ――おお、ミスター・ジェームズ！この役を受けてくださって心から感謝しています。もう一度だけでいいんです。あなたはパーフェクトです。風が吹く時間を弁えないのが悪いんですよ――アクション！」
「あぁ！私の心は、あなたには永遠にわからないわ！」
「待ってくれマリア。どうか…僕の話を聞いて…」
「カッート！素晴らしいよミスター・ジェームズ、ごゆっくり休憩してください――ほらベティ、お前の番だ！」
「ベティ、用意――アクション！」
「ドボン――！」
「よし。んじゃあっちで水を拭いて――サブヒロインは？そろそろ出番だぞ！」
「第5幕、1回目、アクション！」
……
「よし…ベティ、これお前んだ」
「あの、す…すみません監督、これだけですか？」
「ああ、運が悪くてな。今日の窓から飛び出るシーン、1回多く撮っちまったんだ」
「で、でも…」
「そうだ、次のロケで『重要』な脇役が1人足りなくてな。ベティ、お前興味ないか？」
「あ、あります！監督、すごく興味あります…」
「そんなに重要じゃなくてもやってみたいです！」
「よっしゃー。なら今度オーディションに呼ぶよ。で、今回だが、後ろの面々を見てみろ。何か言いたいことがあったら次にしないか？」
「わ、わかりました…」
「よし。おっと、ミスター・ジェームズ――」"Scene4, Take1... 아! 제임스, 함께 해줘서 정말 고마운데... 한 번 더 가죠. 지금도 완벽하긴 한데 바람 부는 타이밍이 안 좋았어요... 액션!"
"아아! 당신은 날 영원히 이해 못 해!"
"아니, 마리아, 제발... 내 말을 좀 제대로 듣고..."
"컷! 아주 좋아요, 제임스. 이제 좀 쉬세요. 베티, 네 차례야!"
"베티, 레디... 액션!"
'풍덩!'
"좋아. 얼른 내려가서 물 깨끗이 닦아... 여자 조연은? 얼른 나와!"
"Scene5, Take1, 액션!"
...
"아주 좋아... 베티, 네 거야."
"어, 저, 저기? 감독님, 이게 다인가요?"
"어, 일이 잘 안 풀리네. 오늘 유리를 깨고 나오는 그걸 한 번 더 찍어서..."
"하, 하지만..."
"그런데 다음 신에서 작지만 '중요한' 배역을 맡을 사람이 부족하거든. 그래서 생각 중인데 관심 있어?"
"어, 있어요! 감독님! 정말 관심 있어요..."
"별로 중요하지 않은 배역도 해볼 수 있고요..."
"좋아, 그럼 다음에 오디션 건으로 연락할게. 이번에는... 네 뒤에 있는 이들을 좀 봐. 다른 할 말 있으면 나중에 다시 하지?"
"네, 네..."
"좋아, 톰..."
"Oh! You will never understand me!"
"No, Maria, please don't—please listen to my confession ..."
"Cut! Excellent, James, you deserve a break ... Bette, c'mon, your turn!"
"Bette in position ... Action!"
"Splash!"
"Alright, go dry yourself ... Where's our supporting actress? It's her scene!"
"Act 5, take 1, action!"
...
"Alright ... Bette, here's your paycheck."
"Um ... Excuse me. Is this all I get, sir?"
"Well, you are down on your luck. We reshot that window-breaking scene today, and it was costly ..."
"But, but ..."
"But we need an 'important' extra for the next scene. I'm wondering if you're interested, Bette."
"Um, yes, sir! I've very interested ...
"I'm open to any part, even if they are not that important ..."
"Good, I'll let you know when there's an audition. So now, look at the queuing people behind you. Maybe we can talk later, huh?"
"O-Okay ..."
"Next, James ..."“第四幕，第十次——哦！詹姆斯我当然非常感谢您能加入……再一次就好，您已经非常完美了，都是这风刮得不是时候——Action！”
“哦！你永远不会理解我的！”
“不，玛利亚，请你不要——请倾听我的诉说……”
“卡——！好极了詹姆斯，请好好休息——贝蒂，快点该你了！”
“贝蒂就位——Action！”
“哗啦——”
“好了，快点下去把水擦干净——女二号呢？该上场了！”
“第五幕，第一次，Action！”
……
“很好……贝蒂，你的。”
“呃，抱，抱歉？导演，只有这些吗？”
“哦，真不走运，今天破窗而出那条多拍了一遍……”
“可，可是……”
“不过我们下一场戏缺少一个‘重要’的小角色，我在想，贝蒂，你有没有兴趣？”
“呃，有！导演！我非常有兴趣……”
“不那么重要的角色我也可以尝试……”
“很好，那下次我自然会联系你试镜。那这次——看看你身后的队伍，有什么异议我们待会儿再谈？”
“好，好的……”
“很好，汤姆——”“第四幕，第十次——哦！詹姆斯我當然非常感謝您能加入……再一次就好，您已經非常完美了，都是這風刮得不是時候——Action！”
“哦！你永遠不會理解我的！”
“不，瑪利亞，請你不要——請傾聽我的訴說……”
“卡——！好極了詹姆斯，請好好休息——貝蒂，快點該你了！”
“貝蒂就位——Action！”
“嘩啦——”
“好了，快點下去把水擦乾淨——女二號呢？該上場了！”
“第五幕，第一次，Action！”
……
“很好……貝蒂，你的。”
“呃，抱，抱歉？導演，只有這些嗎？”
“哦，真不走運，今天破窗而出那條多拍了一遍……”
“可，可是……”
“不過我們下一場戲缺少一個‘重要’的小角色，我在想，貝蒂，你有沒有興趣？”
“呃，有！導演！我非常有興趣……”
“不那麼重要的角色我也可以嘗試……”
“很好，那下次我自然會聯繫你試鏡。那這次——看看你身後的隊伍，有什麼異議我們待會兒再談？”
“好，好的……”
“很好，湯姆——”「第4幕、10回目行くよ――おお、ミスター・ジェームズ！この役を受けてくださって心から感謝しています。もう一度だけでいいんです。あなたはパーフェクトです。風が吹く時間を弁えないのが悪いんですよ――アクション！」
「あぁ！私の心は、あなたには永遠にわからないわ！」
「待ってくれマリア。どうか…僕の話を聞いて…」
「カッート！素晴らしいよミスター・ジェームズ、ごゆっくり休憩してください――ほらベティ、お前の番だ！」
「ベティ、用意――アクション！」
「ドボン――！」
「よし。んじゃあっちで水を拭いて――サブヒロインは？そろそろ出番だぞ！」
「第5幕、1回目、アクション！」
……
「よし…ベティ、これお前んだ」
「あの、す…すみません監督、これだけですか？」
「ああ、運が悪くてな。今日の窓から飛び出るシーン、1回多く撮っちまったんだ」
「で、でも…」
「そうだ、次のロケで『重要』な脇役が1人足りなくてな。ベティ、お前興味ないか？」
「あ、あります！監督、すごく興味あります…」
「そんなに重要じゃなくてもやってみたいです！」
「よっしゃー。なら今度オーディションに呼ぶよ。で、今回だが、後ろの面々を見てみろ。何か言いたいことがあったら次にしないか？」
「わ、わかりました…」
「よし。おっと、ミスター・ジェームズ――」"Scene4, Take1... 아! 제임스, 함께 해줘서 정말 고마운데... 한 번 더 가죠. 지금도 완벽하긴 한데 바람 부는 타이밍이 안 좋았어요... 액션!"
"아아! 당신은 날 영원히 이해 못 해!"
"아니, 마리아, 제발... 내 말을 좀 제대로 듣고..."
"컷! 아주 좋아요, 제임스. 이제 좀 쉬세요. 베티, 네 차례야!"
"베티, 레디... 액션!"
'풍덩!'
"좋아. 얼른 내려가서 물 깨끗이 닦아... 여자 조연은? 얼른 나와!"
"Scene5, Take1, 액션!"
...
"아주 좋아... 베티, 네 거야."
"어, 저, 저기? 감독님, 이게 다인가요?"
"어, 일이 잘 안 풀리네. 오늘 유리를 깨고 나오는 그걸 한 번 더 찍어서..."
"하, 하지만..."
"그런데 다음 신에서 작지만 '중요한' 배역을 맡을 사람이 부족하거든. 그래서 생각 중인데 관심 있어?"
"어, 있어요! 감독님! 정말 관심 있어요..."
"별로 중요하지 않은 배역도 해볼 수 있고요..."
"좋아, 그럼 다음에 오디션 건으로 연락할게. 이번에는... 네 뒤에 있는 이들을 좀 봐. 다른 할 말 있으면 나중에 다시 하지?"
"네, 네..."
"좋아, 톰..."
An Official Interview正式采访正式採訪正式なインタビュー정식 인터뷰
[UTTU×Bette][UTTU×贝蒂][UTTU×貝蒂][UTTU×ベティ][UTTU×베티]
Pandora Wilson: You seem nervous. What's the matter?
Pandora Wilson: It's just a simple interview.
Bette: Um, par-pardon me, it's just such a great honor!
Pandora Wilson: I thought actors would be used to the camera. I would assume them to be more composed in an interview.
Bette: M-Maybe? But technically, I've never played a real part ...
Bette: I mean, um, not everyone working in Hollywood is a star, right?
Pandora Wilson: It seems you do not enjoy what you do, am I right?
Bette: I may be good at it ... but I don't ... want to stay where I am.
Pandora Wilson: Do you have a dream?
Bette: ... I believe ... It's just a matter of time until that the dream comes true.白雪松：你看上去为什么如此紧张？
白雪松：这只是一次简单的专访。
贝蒂：噢，原，原谅我，我实在是太荣幸了！
白雪松：我以为演艺人员会习惯这些，或者说，至少应该毫不意外。
贝蒂：或……或许如此吧？但是严格来讲，我还没有正式参演的经历……
贝蒂：所以，呃，在好莱坞工作的人，也不都是明星，对吧？
白雪松：你似乎并不享受这个职业？
贝蒂：我或许很擅长……但我并不……愿意止步于此。
白雪松：怀抱梦想？
贝蒂：……我想……实现只是时间的问题。白雪松：你看上去為什麼如此緊張？
白雪松：這隻是一次簡單的專訪。
貝蒂：噢，原，原諒我，我實在是太榮幸了！
白雪松：我以為演藝人員會習慣這些，或者說，至少應該毫不意外。
貝蒂：或……或許如此吧？但是嚴格來講，我還沒有正式參演的經歷……
貝蒂：所以，呃，在好萊塢工作的人，也不都是明星，對吧？
白雪松：你似乎並不享受這個職業？
貝蒂：我或許很擅長……但我並不……願意止步於此。
白雪松：懷抱夢想？
貝蒂：……我想……實現只是時間的問題。パンドラ・ウィルソン：なぜそんなに緊張しているのですか？
パンドラ・ウィルソン：ただの簡単なインタビューですよ？
ベティ：あ、す、すみません…ただ光栄で！
パンドラ・ウィルソン：芸能人はこういうことに慣れていると思っていました。少なくとも、そう緊張する出来事には感じないかと。
ベティ：そ、そうかもしれませんね…でも正確にいうと、あたしはまだ本当の意味で作品に出演したことがないんです…
ベティ：つまりその…ハリウッドで仕事しているからって、みんながみんなスターってわけじゃないでしょう？
パンドラ・ウィルソン：お仕事がお気に召さないようですね？
ベティ：得意なことだとは思いますが…ここで止まりたくは…ないです。
パンドラ・ウィルソン：夢を持っているのですね？
ベティ：はい…実現は時間の問題だと思います。판도라 윌슨: 왜 그렇게 긴장하셨죠?
판도라 윌슨: 이건 그냥 간단한 인터뷰일 뿐인데.
베티: 아, 미, 미안해요. 저한테는 정말 영광스러운 일이거든요!
판도라 윌슨: 연예인은 이런 일이 익숙한 줄 알았어요. 아니면 적어도 대수롭지 않을 줄 알았어요.
베티: 그... 그럴지도요? 그런데 엄밀히 따지자면, 전 아직 정식 출연 경력이 없거든요...
베티: 그러니까, 어, 할리우드에서 일하는 사람이 다 스타는 아니잖아요?
판도라 윌슨: 이 직업을 별로 원치 않으시나요?
베티: 저에게 재능이 있을 수도 있지만... 전... 이 정도에서 끝내고 싶지 않아요.
판도라 윌슨: 꿈이 있어서요?
베티: ...전... 꿈을 이루는 건 그저 시간문제라고 생각해요.
Pandora Wilson: It's just a simple interview.
Bette: Um, par-pardon me, it's just such a great honor!
Pandora Wilson: I thought actors would be used to the camera. I would assume them to be more composed in an interview.
Bette: M-Maybe? But technically, I've never played a real part ...
Bette: I mean, um, not everyone working in Hollywood is a star, right?
Pandora Wilson: It seems you do not enjoy what you do, am I right?
Bette: I may be good at it ... but I don't ... want to stay where I am.
Pandora Wilson: Do you have a dream?
Bette: ... I believe ... It's just a matter of time until that the dream comes true.白雪松：你看上去为什么如此紧张？
白雪松：这只是一次简单的专访。
贝蒂：噢，原，原谅我，我实在是太荣幸了！
白雪松：我以为演艺人员会习惯这些，或者说，至少应该毫不意外。
贝蒂：或……或许如此吧？但是严格来讲，我还没有正式参演的经历……
贝蒂：所以，呃，在好莱坞工作的人，也不都是明星，对吧？
白雪松：你似乎并不享受这个职业？
贝蒂：我或许很擅长……但我并不……愿意止步于此。
白雪松：怀抱梦想？
贝蒂：……我想……实现只是时间的问题。白雪松：你看上去為什麼如此緊張？
白雪松：這隻是一次簡單的專訪。
貝蒂：噢，原，原諒我，我實在是太榮幸了！
白雪松：我以為演藝人員會習慣這些，或者說，至少應該毫不意外。
貝蒂：或……或許如此吧？但是嚴格來講，我還沒有正式參演的經歷……
貝蒂：所以，呃，在好萊塢工作的人，也不都是明星，對吧？
白雪松：你似乎並不享受這個職業？
貝蒂：我或許很擅長……但我並不……願意止步於此。
白雪松：懷抱夢想？
貝蒂：……我想……實現只是時間的問題。パンドラ・ウィルソン：なぜそんなに緊張しているのですか？
パンドラ・ウィルソン：ただの簡単なインタビューですよ？
ベティ：あ、す、すみません…ただ光栄で！
パンドラ・ウィルソン：芸能人はこういうことに慣れていると思っていました。少なくとも、そう緊張する出来事には感じないかと。
ベティ：そ、そうかもしれませんね…でも正確にいうと、あたしはまだ本当の意味で作品に出演したことがないんです…
ベティ：つまりその…ハリウッドで仕事しているからって、みんながみんなスターってわけじゃないでしょう？
パンドラ・ウィルソン：お仕事がお気に召さないようですね？
ベティ：得意なことだとは思いますが…ここで止まりたくは…ないです。
パンドラ・ウィルソン：夢を持っているのですね？
ベティ：はい…実現は時間の問題だと思います。판도라 윌슨: 왜 그렇게 긴장하셨죠?
판도라 윌슨: 이건 그냥 간단한 인터뷰일 뿐인데.
베티: 아, 미, 미안해요. 저한테는 정말 영광스러운 일이거든요!
판도라 윌슨: 연예인은 이런 일이 익숙한 줄 알았어요. 아니면 적어도 대수롭지 않을 줄 알았어요.
베티: 그... 그럴지도요? 그런데 엄밀히 따지자면, 전 아직 정식 출연 경력이 없거든요...
베티: 그러니까, 어, 할리우드에서 일하는 사람이 다 스타는 아니잖아요?
판도라 윌슨: 이 직업을 별로 원치 않으시나요?
베티: 저에게 재능이 있을 수도 있지만... 전... 이 정도에서 끝내고 싶지 않아요.
판도라 윌슨: 꿈이 있어서요?
베티: ...전... 꿈을 이루는 건 그저 시간문제라고 생각해요.
Letter 1
Letter 2
Letter 3
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Default默认默認デフォルト기본
defaultShe and her great dream in the dust.她与她尘埃中的伟大梦想。她與她塵埃中的偉大夢想。彼女とホコリの中の偉大な夢物語。그녀와 그녀의 먼지 속 위대한 꿈.
A Life in Frames人生填色格N/AN/AN/A
freeTen studios await her eagerly; her bustle as a crew member is no longer just an act.十间摄影棚对她翘首以待，她作为职员的忙碌已不是扮演。N/AN/AN/A
Bette had grown quite comfortable with color.
The boxy talking picture box would project vivid images onto the screen. The studio was a denser, more conveniently assembled grid of squares. The first mailroom was beige, the second break room was green, the furniture within each cell came in the three primary colors. She moved between clean, modern little squares—every era has its own idea of "modern," after all.
It was a light, busy era. Ten urban stories were in production simultaneously; twenty-three writers brainstormed together. The city girls drank coffee, typed, and took calls in one square office after another, trading witty remarks. The new cameras could faithfully capture every color in the plaid hem of her dress—she who was merely a leading lady's double. Those squares would air during prime time, then set off a fashion craze the following month.
In square after colorful square, modern people assembled the stories of these girls into new fairy tales and myths. They put their professional best on display, and Bette thought that was not so bad.
At the director's call, she ran to the next square. Umbrella, Mondrian hat, tea-colored plaid skirt—three minutes later, she had become yet another brand-new city girl. Few people knew that her silhouette would be broadcast across twelve television channels. Between one square and the next, she was indispensable.贝蒂已经充分习惯了彩色。
方正的有声匣子将会放映绚丽的画面。摄影棚是更浓缩、更便于装配的方格。第一间收发室是米色，第二间茶水间是绿色，格子里的家具是三原色。她穿梭于简洁、摩登的格子之中——瞧，每个时代有每个时代的“摩登”。
这是一个轻快、忙碌的时代。十个都市故事同时投入生产，二十三位编剧一起开动脑筋。大都会的女郎们在一间间方格办公室里喝咖啡、打字、接电话，她们妙语连珠。新的摄像机连她——女主角替身的裙角方格的色彩都能忠实记录。这些格子将出现在电视黄金档，然后在下个月掀起一阵时装热潮。
在一间间彩色格子中，现代人将女孩儿们的故事装配为新的童话与神话。她们展示着自己的职业风采，贝蒂觉得不算坏。
在导演的呼唤下，她奔向下一个格子。雨伞、蒙德里安帽、茶色格裙——三分钟后，她已变成又一位全新的都市女郎。很少有人知道，她的背影将在十二个电视台播放。在格子与格子之间，她必不可少。N/AN/AN/A
The boxy talking picture box would project vivid images onto the screen. The studio was a denser, more conveniently assembled grid of squares. The first mailroom was beige, the second break room was green, the furniture within each cell came in the three primary colors. She moved between clean, modern little squares—every era has its own idea of "modern," after all.
It was a light, busy era. Ten urban stories were in production simultaneously; twenty-three writers brainstormed together. The city girls drank coffee, typed, and took calls in one square office after another, trading witty remarks. The new cameras could faithfully capture every color in the plaid hem of her dress—she who was merely a leading lady's double. Those squares would air during prime time, then set off a fashion craze the following month.
In square after colorful square, modern people assembled the stories of these girls into new fairy tales and myths. They put their professional best on display, and Bette thought that was not so bad.
At the director's call, she ran to the next square. Umbrella, Mondrian hat, tea-colored plaid skirt—three minutes later, she had become yet another brand-new city girl. Few people knew that her silhouette would be broadcast across twelve television channels. Between one square and the next, she was indispensable.贝蒂已经充分习惯了彩色。
方正的有声匣子将会放映绚丽的画面。摄影棚是更浓缩、更便于装配的方格。第一间收发室是米色，第二间茶水间是绿色，格子里的家具是三原色。她穿梭于简洁、摩登的格子之中——瞧，每个时代有每个时代的“摩登”。
这是一个轻快、忙碌的时代。十个都市故事同时投入生产，二十三位编剧一起开动脑筋。大都会的女郎们在一间间方格办公室里喝咖啡、打字、接电话，她们妙语连珠。新的摄像机连她——女主角替身的裙角方格的色彩都能忠实记录。这些格子将出现在电视黄金档，然后在下个月掀起一阵时装热潮。
在一间间彩色格子中，现代人将女孩儿们的故事装配为新的童话与神话。她们展示着自己的职业风采，贝蒂觉得不算坏。
在导演的呼唤下，她奔向下一个格子。雨伞、蒙德里安帽、茶色格裙——三分钟后，她已变成又一位全新的都市女郎。很少有人知道，她的背影将在十二个电视台播放。在格子与格子之间，她必不可少。N/AN/AN/A
DRESSING ROOM
You can have anything you
want in life
if you dress for it.
—Edith Head
want in life
if you dress for it.
—Edith Head
Bette贝蒂貝蒂ベティ베티
Default默认默認デフォルト기본
defaultShe and her great dream in the dust.她与她尘埃中的伟大梦想。她與她塵埃中的偉大夢想。彼女とホコリの中の偉大な夢物語。그녀와 그녀의 먼지 속 위대한 꿈.
Display
Bette had grown quite comfortable with color.
The boxy talking picture box would project vivid images onto the screen. The studio was a denser, more conveniently assembled grid of squares. The first mailroom was beige, the second break room was green, the furniture within each cell came in the three primary colors. She moved between clean, modern little squares—every era has its own idea of "modern," after all.
It was a light, busy era. Ten urban stories were in production simultaneously; twenty-three writers brainstormed together. The city girls drank coffee, typed, and took calls in one square office after another, trading witty remarks. The new cameras could faithfully capture every color in the plaid hem of her dress—she who was merely a leading lady's double. Those squares would air during prime time, then set off a fashion craze the following month.
In square after colorful square, modern people assembled the stories of these girls into new fairy tales and myths. They put their professional best on display, and Bette thought that was not so bad.
At the director's call, she ran to the next square. Umbrella, Mondrian hat, tea-colored plaid skirt—three minutes later, she had become yet another brand-new city girl. Few people knew that her silhouette would be broadcast across twelve television channels. Between one square and the next, she was indispensable.贝蒂已经充分习惯了彩色。
方正的有声匣子将会放映绚丽的画面。摄影棚是更浓缩、更便于装配的方格。第一间收发室是米色，第二间茶水间是绿色，格子里的家具是三原色。她穿梭于简洁、摩登的格子之中——瞧，每个时代有每个时代的“摩登”。
这是一个轻快、忙碌的时代。十个都市故事同时投入生产，二十三位编剧一起开动脑筋。大都会的女郎们在一间间方格办公室里喝咖啡、打字、接电话，她们妙语连珠。新的摄像机连她——女主角替身的裙角方格的色彩都能忠实记录。这些格子将出现在电视黄金档，然后在下个月掀起一阵时装热潮。
在一间间彩色格子中，现代人将女孩儿们的故事装配为新的童话与神话。她们展示着自己的职业风采，贝蒂觉得不算坏。
在导演的呼唤下，她奔向下一个格子。雨伞、蒙德里安帽、茶色格裙——三分钟后，她已变成又一位全新的都市女郎。很少有人知道，她的背影将在十二个电视台播放。在格子与格子之间，她必不可少。N/AN/AN/A
The boxy talking picture box would project vivid images onto the screen. The studio was a denser, more conveniently assembled grid of squares. The first mailroom was beige, the second break room was green, the furniture within each cell came in the three primary colors. She moved between clean, modern little squares—every era has its own idea of "modern," after all.
It was a light, busy era. Ten urban stories were in production simultaneously; twenty-three writers brainstormed together. The city girls drank coffee, typed, and took calls in one square office after another, trading witty remarks. The new cameras could faithfully capture every color in the plaid hem of her dress—she who was merely a leading lady's double. Those squares would air during prime time, then set off a fashion craze the following month.
In square after colorful square, modern people assembled the stories of these girls into new fairy tales and myths. They put their professional best on display, and Bette thought that was not so bad.
At the director's call, she ran to the next square. Umbrella, Mondrian hat, tea-colored plaid skirt—three minutes later, she had become yet another brand-new city girl. Few people knew that her silhouette would be broadcast across twelve television channels. Between one square and the next, she was indispensable.贝蒂已经充分习惯了彩色。
方正的有声匣子将会放映绚丽的画面。摄影棚是更浓缩、更便于装配的方格。第一间收发室是米色，第二间茶水间是绿色，格子里的家具是三原色。她穿梭于简洁、摩登的格子之中——瞧，每个时代有每个时代的“摩登”。
这是一个轻快、忙碌的时代。十个都市故事同时投入生产，二十三位编剧一起开动脑筋。大都会的女郎们在一间间方格办公室里喝咖啡、打字、接电话，她们妙语连珠。新的摄像机连她——女主角替身的裙角方格的色彩都能忠实记录。这些格子将出现在电视黄金档，然后在下个月掀起一阵时装热潮。
在一间间彩色格子中，现代人将女孩儿们的故事装配为新的童话与神话。她们展示着自己的职业风采，贝蒂觉得不算坏。
在导演的呼唤下，她奔向下一个格子。雨伞、蒙德里安帽、茶色格裙——三分钟后，她已变成又一位全新的都市女郎。很少有人知道，她的背影将在十二个电视台播放。在格子与格子之间，她必不可少。N/AN/AN/A
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Psst — this bit hasn't been translated to your language yet, so I dug up another version for you!